2013년 주요국제콩쿨인
스페인 따레가국제콩쿨과 미국 gfa콩쿨을 둘다
우승하며 알려진 안톤 바라노프...anton baranov
Russian guitarist Anton Baranov is a prizewinner of more then fifteen prestigious international guitar competitions,
including the Koblenz Guitar Competition, Andrés Segovia Competition, Agustín Barrios Competition, Robert Vidal Competition,
and Pittaluga Guitar Competition. At the height of his young career,
he won both the Guitar Foundation of America International Concert Artist Competition and the Francisco Tárrega Competition in 2013.
Known for his daring interpretation and innovative programming, guitarist and composer Roland Dyens calls him,
“a real musician, one of those rare guitarists who are able to have their attendees almost forget the instrument they play,
managing to have them focus on the expressivity of the music and only this.”
As part of his prize from winning the GFA competition, Mr. Baranov will embark on a 50-city concert tour
throughout the United States, Mexico, Canada, and Brazil,
and has just recorded his first album on the Naxos label. Mr. Baranov has been a D'Addario artist since 2013.
He currently teaches at his alma mater, the St. Petersburg Conservatory.
Anton Baranov was born in 1984 in the Northwest region of Russia.
He graduated from the famous St. Petersburg State Rimsky-Korsakov Conservatory in 2010
under grants from the Russian Ministry of Culture and the Russian Performing Arts Foundation.
prestigious contests around the globe, Russian guitarist Anton Baranov has established
himself as one of the leading guitarists of today.
His performances in a number of distinguished halls such as Carnegie Hall in New
York, Palau de Musica in Valencia, Mariinsky Concert Hall in St.
Petersburg, and Hakuju Hall in Tokyo have been described by musical critics as “pure
magic” (Cleveland Classical), and “manages to paint beautiful sound pictures of rich
depth and color with his guitar.” (The Guitar).
Known for Baranov's daring interpretations and innovative programms, world renown
guitarist and composer Roland Dyens called him, “...a real misician, one of those rare
guitarists who are able to have their attendees almost forget the instrument they play,
managing to have them focus on the expressivity of the music and only this.”
Baranov's recordings includes one album for Naxos Classical and a CD for Contrastes
Records. Naxos released Latin American Guitar Sonatas in May 2014. His Contrastes
Records album consists of Spanish guitar music and it's on the market since August
2014.
Anton Baranov was born in 1984 and started playing guitar at the age of ten.
He completed his musical education at the oldest and most famous Russian school of
music, the Saint-Petersburg State Rimsky-Korsakov Conservatory, where he has had a
teaching position since his graduation in 2010. Mr. Baranov has been a D' Addario artist
since 2013 and plays a Sakurai - Kohno guitar.
아마도
세고비아 브림 파크닝등등 이후
기타계의 역사를 새로이 써내려갈
새로운 감성과 연주력의
기타리스트라고 생각하는데
한국에 5월말 ( 5월 27~31) 콘써트로 온다네요.
10년에 한번 보기도 어려운 연주라고 확신합니다...
현재 강화도 한군데의 연주회만 확정된 상태.
“For I have heard him playing several times with an equal pleasure , I want to say
Anton Baranov is a real musician, one of those rare guitarists who are able to have their
attendees almost forget the instrument they play, managing to have them focus on the
expressivity of the music and only this. Real musicians are good, whatever the period
they are supposed to serve. And Anton Baranov is one of them, either he performs
classical, modern or popular music. There are definitely no borders for this lyrical
citizen of the world”.
Roland Dyens, guitarist & composer
Teacher at the Conservatoire National Supérieur de Paris
“Baranov is an artist who manages to paint beautiful sound pictures of rich depth and
color from his guitar”.
“The Guitar” New York
“ You might not find a more genuine standing ovation than the classical guitarist Anton
Baranov received in Oberlin’s Kulas Recital Hall. That was an unforgettable concert,
one of the best guest performances Oberlin has seen in recent memory.”
“ Baranov’s playing was pure magic. So subtle were his timing and touch—from gentle
grazes of the fingers to more deliberate plucks—that it seemed like a joke to think that
the music he played could be represented by marks on a page.“
“Cleveland Classical”
“His creative interpretation of each work is undeniable in his daring instrumental
technique”.
“The Index” West Michigan
“...a musical journey with tonal and technical perfection”
“Borbecker Nachrichten” Essen, Germany
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