미카일이 연주한곡의 작곡가인데,
필요한부분만 짧게(10줄정도) 요약해서 해석해주시면
와인과 바게트가 함께하는 저녁 사드리겠습니다....

Sergey Rudnev, laureate of International Festivals, Tula, Russia.
‘Overseas, as well as in Russia, they call him a Russian national guitarist – such is his recognized status… A citizen of Tula, Sergey Rudnev, is, perhaps, the only one in this country who has committed himself to reviving and further developing Russian guitar culture…’

Born in Tula, in 1955, Sergey revealed his- extraordinary music talent at a very young age. In 1971, having graduated from a music school with an honor diploma, he entered the Tula Music College named after A. Dargomyzhsli, people’s instruments speciality to study bayan (Russian accordion invented in Tula) and balalaika. By this time, having mastered the essentials of guitar play on his own, and due to the lack of guitar class at the College, he started taking private lessons from the Moscow professional guitarists V.Slavin and P.Panin.

From 1975 to 1977, being a student of the Tula Military College, he played for the garrison orchestra concurrently studying the basics of the instruments play and arrangement for various orchestras. Having done his service, he opened his own class of classical and Russian guitar at school No 3 in Tula. There he educated a number of students who continued their learning at Moscow music colleges. While pursuing the teaching career for 7 years, he played the guitar in various groups, sic as Rossiyane, Express, Molodye Golosa (Young Voices), and also worked as music manager at the jazz-rock State Orchestra called ‘Slides’.

In 1980 in Moscow, Sergey met the notable Argentinean Guitarist Maria Luisa Anido. The meeting made him modify his attitude to guitar techniques, as well as alter the focus of activities. Since then, S.Rudnev has been known as a guitar composer.

His first compositions were influenced by Western music, especially by the harmonic jazz language. However, pretty soon S.Rudnev diverted to Russian traditional music, particularly guitar music. Feeling lack of music material, he created his first 20 arrangements based on Russian folk songs and dances, which he used in his concerts.

He experiences success in Russia, France, Poland, Hungary, Israel, Austria and in Spain. His personal contacts won him practically all-best world guitar Schools. Having converged them, he has created his individual style and, hence, his own guitar school, some methods and imitations being uttely unique.

His first success confirmed the appropiateness of the path he chose, and guitarist Rudnev dedicated himself entirely to the guitar performance in a Russian style. Then numerous compositions based on various folk themes appear.

After his concert at the Column Hall of the Union House in Moscow, Rudnev got acquainted with Mr. Ophée, US publisher. In 1994 his compositions were released in a Russian album. His pieces of music are included into programs of notable performers. Among them are Vladimir Mikulka, Paco de Lucia, Kazukhito Yamashita, and others. The 1990s have been the period of probing. More interest in Russian folklore tradition, as well as in the romance genre, has lead to new works. Together with the trio Yasnaya Polyana, who won Grand Prix at All-Russian Romace Competition held in memory of V.Zhemchuzhni, he released several CDs. He also wrote folk opera based on N.Ostrovski’s Snow Girl using exclusively Tula folk material.

Since 1996, S. Rudnev has been working for the Leo Tolstoy State Memorial Museum-Estate ‘Yasnaya Polyana’ as cultural programs director, as well as music director of the Children’s State Philarmonics. In 2002, he released his huge research comprising 208 pages called The Russian Style of Classical Guitar. This work includes his know-how of the Russian guitar technique and pieces of Russian guitarists that have never been publishing before.

Currently, Sergey Rudnev also works as an accompaniment guitarist for lead Russian pop singers. His second volume of a guitar music called Heritage is been prepared.

세르게이 루드네프는
러시아 툴라출신으로 러시아기타문화를 발전시킨  국가적인 기타리스트이다.
1955년 출생으로 툴라에서 발라라이카와 기타등등 다양한 현악기를 공부하고나서,
기타공부에 대한 갈증으로 모스크바에 가서 슬라빈과 파님에게 개인적으로 기타를  사사했다.
1980년 마리아 루이사 아니도를 만나고 기타테크닉에 좀더 집중하였으며
그때부터 기타작곡에 몰두하였다.
그의 많은 기타곡은 2002년 러시아기타음악을 담은 한권의 작곡집으로도 출판되었다.
(번역하다  넘 허술해서 전 포기.....  헉헉...)

Alexander Mikhaylovich Ivanov-Kramskoy -
his name in the Soviet Union was the model of guitar skill, musical taste and fine understanding of russian musical folklore specificity for all guitar amateurs of our, at that time powerful and immense, home land. His name was well-known not only in the Soviet Union, but also abroad. The skill of this famous musician, brilliant virtuoso had a great success by the audience, guitar amateurs.
     Alexander Mikhaylovich led extensive concert activity. His first concert took place 1932, when Ivanov-Kramskoy was still a student of Moscow conservatory. From that time began his performances by radio and on the country concert stages with solo programs, in ensembles. His name could be met on the bills of Obukhova's concerts, the Beethoven and Komitas quartets. During many years the guitarist performed in ensemble with I. S. Kozlovsky. Alexander Mikhaylovich said: "My life is devoted to the six-stringed guitar".
     To Ivanov-Kramskoy belongs the great desert in creation of solo concert repertoire for the guitar. His programs included music from all epochs, from composers of the XVIth century to modern composers. Ivanov-Kramskoy acquainted the audience with many forgotten or little known compositions for guitar, in particular with compositions of russian composers.
He is the author of many compositions, including two concerts for guitar and symphony orchestra, numerous pieces and arrangements.
     Very fruitful was the pedagogical activity of A. M. Ivanov-Kramskoy. He taught in the college by the Moscow State conservatory and at the Culture Institute, he was creator of the first in the Soviet Union amateur guitarists ensemble by the Moscow Culture House "Red textile-workers", on example of which were organized similar groups in many towns of the country. He is the author of "School of playing at the six-stringed guitar", on which worked many musicians-professionals and amateurs.
     Many reviewers, noting his timbre richness of sound, masterly technique, emotionness and interpretation nobility, fine style feeling, named him "Guitar magician".
     1959 he was honoured with the title of "Honoured Artist of Russian Federation". From 1932 he worked also at the All-Union radio. 1933 he performed as soloist and ensemblist. 1939 he was honoured with the second prize of the All-Union radio at the All-Union competition of performers at folk instruments and from that year to 1945 he was the conductor of USSR NKVD song and dance ensemble. Then from 1947 to 1952 he was a conductor of Russian folk chorus and orchestra of folk instruments. From 1960 he taught in Musical College by the Moscow conservatory.

알렉산더 미카일로비치 이바노프 크람스코이는....
이걸 언제다...?



f.sor
Born in Barcelona to a fairly well-off family, Sor was descended from a long line of career soldiers, and intended to continue that legacy, but was distracted from this when his father introduced him to Italian opera. He fell in love with music and abandoned a military career. Along with opera, Sor's father also introduced him to the guitar, which, at the time, was little more than an instrument played in taverns, thought to be inferior to orchestral instruments.

Sor studied music at a monastery on the slopes Montserrat, a mountain near Barcelona, until his father died. His mother couldn't afford to finance continued studies and withdrew him. It was at this monastery that he began to write his first pieces of music for the guitar.

In 1808, when Napoleon Bonaparte invaded Spain, he began to write nationalistic music for the guitar, often accompanied by patriotic lyrics. After the defeat of the Spanish army, Sor accepted an administrative post in the occupying government. After the Spanish repelled the French in 1813, Sor and many other artists and aristocrats who had befriended the French left Spain for fear of retribution. He went to Paris, and never returned to his home country again.

He began to gain renown in the Parisian art community for his skills of composition and for his ability at playing the guitar, and eventually began to tour across Europe, gaining considerable fame. In 1827, due partly to his advancing age, he settled down and decided to live out the rest of his life in Paris. It was during this retirement that he composed many of his better works.

His last work was a mass in honour of his daughter, who died in 1837. Her death sent the already sickly Sor into serious depression, and he died in 1839. He died of tongue and throat cancer. [9]