2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 5029 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
번호 | 제목 | 글쓴이 | 날짜 | 조회 수 |
---|---|---|---|---|
626 | ☞:음메 어려운거...... | 명노창 | 2000.09.16 | 3757 |
625 | ☞:확실히... | 개털 | 2000.09.16 | 4335 |
624 | 차라리.. | 길가던나그네 | 2000.09.16 | 4460 |
623 | ☞:확실히... | 개풀 | 2000.09.16 | 4013 |
622 | 다들 왜 이러지? 호호호! | 99.9% | 2000.09.16 | 4485 |
621 | 고질적 문제 3번선... | 개털 | 2000.09.08 | 4607 |
620 | ☞:음정에 관해 | 개뼈다구 | 2000.09.14 | 4514 |
619 | ☞:음정에 관해 | 안진수 | 2000.09.14 | 4271 |
618 | ☞:고질적 문제 3번선... | 안진수 | 2000.09.14 | 4414 |
617 | 킁킁...논쟁을 위한 준비 운동 | 개코 | 2000.09.02 | 4414 |
616 | ☞:고질적 문제 3번선... 동감함다. | 개뼈다구 | 2000.09.08 | 4272 |
615 | ☞:고질적 문제 3번선... | 개발 | 2000.09.09 | 4329 |
614 | ☞:저도 한몫 거들지요.....(내용없음) | 명노창 | 2000.09.02 | 4303 |
613 | 3번선이 얇아지면 해결? | 개팔자 | 2000.09.13 | 5206 |
612 | 개발님의 글은... | 희정 | 2000.09.09 | 3856 |
611 | 3번선이 얇아지면 해결? | 개풀 | 2000.09.13 | 4918 |
610 | 개풀님 기타 알아맞추기.... | 개풀 | 2000.09.14 | 4267 |
609 | 개풀입니다2 | 개풀 | 2000.09.01 | 4321 |
608 | 개풀입니다1 | 개풀 | 2000.08.31 | 4815 |
607 | 내가 원하는 기타는... | 지우압바 | 2000.08.25 | 4559 |
606 | 개풀환영. | 개 삐다구 | 2000.08.31 | 4391 |
605 | ☞:개코입니다. | 개코 | 2000.08.31 | 4361 |
604 | ☞:개발입니다. | 개발 | 2000.09.01 | 4819 |
603 | ☞:내가 원하는 기타는... | 김남호 | 2000.08.27 | 3741 |
602 | 좋은 생각입니다.. | 개털 | 2000.09.01 | 4428 |
601 | ☞: 얼마전에 고노를 사랑한다고 했다가 님으로 부터 뒤지게 욕먹은.... | 명노창 | 2000.09.01 | 5067 |
600 | ☞: 전 명노창님 욕한적 없는데요? 흐흐흑... | 개발 | 2000.09.01 | 3827 |
599 | ☞: 전 명노창님 욕한적 없는데요? 흐흐흑... | 개풀 | 2000.09.01 | 4347 |
598 | 고음의 명료함이라... | 형서기 | 2000.08.22 | 4239 |
597 | ☞:내가 원하는 기타는... | 개풀 | 2000.08.25 | 4043 |
596 | 역시 내가 원하는 악기도... | 泳瑞父 | 2000.08.25 | 4039 |
595 | 2%님은 나머지 98%를 어따 뒀어? | sophia | 2000.08.19 | 4755 |
594 | 가장 음량이 큰 기타는 ?? | 지우압바 | 2000.08.18 | 5086 |
593 | ☞개풀님은 나머지 98%를 어따 뒀어? | 개풀 | 2000.08.19 | 4145 |
592 | 사오정?...으..부들부들 | sophia | 2000.08.19 | 4253 |
591 | 사오정?...으..부들부들 | 개풀 | 2000.08.19 | 4181 |
590 | 음량의 이중성. | 개풀 | 2000.08.18 | 4095 |
589 | 71번글. 글쎄요? 과연 그럴까요? | 개풀 | 2000.08.17 | 4186 |
588 | 가장큰음량의 기타? | 지우압바 | 2000.08.18 | 4273 |
587 | 음량의 이중성. | sophia | 2000.08.18 | 4847 |
586 | 제 뜻은 옆판과 뒷판은 비중적으로 앞판과 정다른 가장 단단한 나무를 사용해야... | 개풀 | 2000.08.29 | 5205 |
585 | 앞판은 세상에서 가장연한 나무로 그리고 옆판과 뒤판은 대리석을 얇게 짤라서.... 1 | 명노창 | 2000.08.05 | 5523 |
584 | 하하 ...내친구... | 화음 | 2000.08.17 | 5145 |
583 | 개풀님~ 하하 ...다혈질이시져? | 개풀 | 2000.08.18 | 3773 |
582 | 제 뜻은 옆판과 뒷판은 비중적으로 앞판과 정다른 가장 단단한 나무를 사용해야... | 명노창 | 2000.08.29 | 5086 |
581 | 짧은 식견이지만.. | 개풀 | 2000.09.01 | 4195 |
580 | 감사합니다=^^=명노창님 | 김남호 | 2000.08.05 | 5083 |
579 | ☞:앞판은 세상에서 가장연한 나무로 그리고 옆판과 뒤판은 대리석을 얇게 짤라서.... | 개풀 | 2000.08.31 | 3752 |
578 | ☞:기타줄 받으셨는지 궁금하군요... | 명노창 | 2000.08.16 | 4012 |
577 | 짧은 식견이지만.. | 화음 | 2000.08.31 | 4137 |
576 | ☞:감사합니다=^^=명노창입니다. | 명노창 | 2000.08.05 | 4238 |
575 | ☞:감사합니다=^^=명노창입니다. | 김남호 | 2000.08.06 | 4041 |
574 | 광주 사시는 분이셨군요. | 지우압바 | 2000.08.12 | 4292 |
573 | 광주 사시는 분이셨군요. | 김남호 | 2000.08.12 | 4140 |
572 | 대불대에 클래식 기타아과가? 1 | 泳瑞父 | 2000.08.15 | 4858 |
571 | 대불대에 클래식 기타아과가? | 김남호 | 2000.08.16 | 4490 |
570 | 아! 만재 선생님이 거기 계시는 군요! | 泳瑞父 | 2000.08.16 | 3931 |
569 | 명노창님께 질문 | 김남호 | 2000.07.30 | 4136 |
568 | 그로피우스기타 , | 말괄량이 | 2000.07.07 | 4600 |
567 | ☞:안녕하세요..명노창입니다. | 명노창 | 2000.08.04 | 3717 |
566 | ☞:안녕하세요..명노창입니다.80년대 당시 고노기타가격... | 명노창 | 2000.08.05 | 5036 |
565 | ☞:안녕하세요..명노창입니다. | 김남호 | 2000.08.16 | 3981 |
564 | 게놈기타. | 말괄량이 | 2000.07.07 | 3865 |
563 | aaa앞판가격은.... | 명노창 | 2000.07.04 | 4522 |
562 | ☞:게놈기타. | 화음 | 2000.07.21 | 4094 |
561 | ☞:aaa앞판가격은.... | 명노창 | 2000.08.04 | 4334 |
560 | maple 넥... | cc | 2000.07.04 | 4935 |
559 | ☞:aaa앞판가격은.... | 피어리나 | 2000.07.17 | 4479 |
558 | 내손으로 만듭시다.어떡해? | 영서부 | 2000.07.04 | 3927 |
557 | 기타만들고파~ | ganesha | 2000.07.04 | 3757 |
556 | 베란다기타 실패... | 명노창 | 2000.07.04 | 4696 |
555 | 저도 고노인데.... | 명노창 | 2000.07.04 | 4415 |
554 | 현을 바꾸고서... | 은정 | 2000.07.04 | 4884 |
553 | 앞판 색에 관한 질문 | 泳瑞父 | 2000.06.25 | 4237 |
552 | . | 웅수 | 2000.06.25 | 4817 |
551 | 별난 기타아에 관한 몇가지 의문? | 泳瑞父 | 2000.06.24 | 4127 |
550 | ☞:바이스 버거? | 지우압바 | 2000.07.01 | 6446 |
549 | ☞:weissgerber가 맞아요.. | 말괄량이 | 2000.07.04 | 4008 |
548 | 자꾸 남의 글에 re해서 죄송합니다..... | cc | 2000.06.16 | 4089 |
547 | f홀 기타..... | 말괄량이 | 2000.06.15 | 5784 |
546 | 혹시 | 지우압바 | 2000.06.23 | 4726 |
545 | 독일식 스페인식. | 풀만먹고. | 2000.06.13 | 4300 |
544 | 스페인식 vs 독일식. | 풀만먹고. | 2000.06.13 | 5815 |
543 | 탄현에너지의 분산에 관하여... | 명노창 | 2000.06.12 | 4036 |
542 | 그런데 고노도 독일식기탄가요.... | 명노창 | 2000.06.13 | 4228 |
541 | ☞:탄현에너지의 분산에 관하여... | cc | 2000.06.14 | 4856 |
540 | 그런데 고노도 독일식기탄가요.... | 풀만먹고. | 2000.06.13 | 4297 |
539 | 홀에 대해서 질문... | 몽자삼촌 | 2000.06.12 | 5255 |
538 | ☞:탄현에너지의 분산에 관하여... | hiena | 2000.06.12 | 3895 |
537 | ☞:홀에 대해서 질문... | bronto | 2000.06.15 | 3776 |
536 | 기타의 순결? | 말괄량이 | 2000.06.12 | 4543 |
535 | ☞:홀에 대해서 질문... | cc | 2000.06.14 | 3978 |
534 | ☞:홀에 대해서 질문... | cc | 2000.06.14 | 4268 |
533 | ☞:홀에 대해서 질문... | 몽자삼촌 | 2000.06.12 | 3881 |
532 | 야광기타. | 귀똘이 | 2000.06.09 | 4196 |
531 | ☞:구멍많은 기타들.... | CC | 2000.06.11 | 4919 |
530 | 기타의 재료는 꼭 나무이어야만 하는가? | CC | 2000.06.08 | 4554 |
529 | 비브라토 기타. | 귀똘이 | 2000.06.07 | 4443 |
528 | 상현주가 쇠라면??? 플렛이 뼈라면??? | 간절한 | 2001.10.25 | 3977 |
527 | 기타의 6번줄 변칙튜닝에 대해.. 3 | 으랏차차 | 2001.10.16 | 4476 |
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