2003.09.02 17:01
J. S. BACH CHACONNE FROM PARTITA II, BWV 1004 - 제5부(참고문헌)
(*.147.245.91) 조회 수 7734 댓글 9
REFERENCE SOURCES
Books, Articles & Dissertations:
Aitken, Hugh. The Piece as a Whole: Studies in Holistic Musical Analysis. Westport, Conn.: Greenwood Press, 1997.
Andrie, Eugene S. Phrasing in the Solo Violin Works of J. S. Bach. M.A. diss., University of Washington, 1951.
Arnold, Denis. Bach. New York: Oxford University Press, 1984.
Badura-Skoda, Paul. Interpreting Bach at the Keyboard, trans. Alfred Clayton. Oxford: Clarendon Press, 1993.
Benjamin, Thomas. Counterpoint in the Style of J. S. Bach. New York: Schirmer Books, c.1986.
Bernstein, Martin. An Introduction to Music. New York: Prentice-Hall, 1951.
Bettmann, Otto. Johann Sebastian Bach as His World Knew Him. Secaucus, NJ: Carol Pub. Group, 1995.
Bomar, Mandy. "Baroque and Gallant Elements of the Partitas by J. S. Bach.?PhD, Colorado University, 1987.
Boyd, Malcolm. Bach. London: J. M. Dent, 1983.
Boughton, Rutland. Bach, The Master, a New Interpretation of His Genius. New York: Harper and Bros., 1930.
Boyd, Malcolm. Bach's Instrumental Counterpoint. London: Barrie & Jenkins, 1977.
Bronstein, Raphael. Bronstein's Bach Sonatas and Partitas for Solo Violin. Neptune City, NJ: Paganiniana Publications, Inc., 1981.
Bukofzer, Manfred F. Music in the Baroque Era, From Monteverdi to Bach. New York, W. W. Norton, 1947.
Butt, John. Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach. Cambridge, England: Cambridge University Press, 1990.
Butt, John, ed. The Cambridge Companion to Bach. Cambridge, England: Cambridge University Press, 1997.
Cantrel, Byron. "Three B's - Three Chaconnes.?Current Musicology, 12 (1971): 63-66.
Carlevaro, Abel. Guitar Masterclass: Volume IV. Technique Analysis and Interpretation of J. S. Bach Chaconne (BWV 1004). Heidelberg (Germany): Chanterelle Verlag, 1989.
Cogan, Robert and Pozzi Escot. Sonic Design: The Nature of Sound and Music. Englewood Cliffs, NJ: Prentice-Hall, 1976.
Cooper, Grosvenor W. and Meyer, Leonard B. The Rhythmic Structure of Music. Chicago: University of Chicago Press, 1960.
Davis, Paul W. "The Influence of Germanic Traditions and Lifestyle on the Music of J. S. Bach." M. A. diss., California State University, 1979.
Davison, Archibald T. Bach and Handel, the Consummation of the Baroque in Music. Cambridge, Mass.: Harvard University Press, 1951.
Dickinson, Alan Edgar F. The Art of J. S. Bach, 2nd. revised ed. London: Hinrichsen Edition, c.1950.
Dirst, Matthew. "Bach's French Ouvertures and the Politics of Overdotting.?Early Music, v.25, n.1 (Feb 1997): 35-45.
Donington, Robert. The Interpretation of Early Music. New York: Norton, 1989.
_________.A Performer's Guide to Baroque Music. New York: Scribner, 1973.
_________.Baroque Music, Style and Performance: A Handbook. New York: Norton, 1982.
Dreyfus, Laurence. Bach and the Patterns of Invention. Cambridge, Mass.: Harvard University Press, 1996.
Efrati, Richard R. Treatise on the Execution and Interpretation of the Sonatas and Partitas for Solo Violin and the Suites for Solo Cello by Johann Sebastian Bach. Zurich (Germany): Atlantis Musikbuch Verlag AG, 1979.
Eiche, John F., ed. The Bach Chaconne for Solo Violin: A Collection of Views. Urbana, Ill.: American String Teachers Association, 1985.
Emery, Walter. Bach's Ornaments. London: Novello, 1953.
Forkel, Johann Nikolaus. Johann Sebastian Bach: His Life, Art and Work. New York: Johnson Reprint Corp, 1970.
Franklin, Don O., ed. Bach Studies. Cambridge, England: Cambridge University Press, 1989.
Geck, Martin. Bach - Interpretationen. G?tingen, Vandenhoeck u. Reprecht, Germany, 1969.
Geiringer, Karl. Johann Sebastian Bach: The Culmination of an era. New York: Oxford University Press, 1966.
_____________.The Lost Portrait of J. S. Bach. New York: Oxford University Press, 1950.
Gerstung, Denman W. "Performance Practice of Multiple Stops in the Sonatas and Partitas for Unacompanied Violin of J. S. Bach.?D. Mus. Ed., diss., University of Oklahoma, 1970.
Goldsmith, Kenneth M. "Bach's Chaconne: A Performance Edition.?M.A. project, Department of Music, Stanford University, 1967.
Grew, Eva and Grew, Sydney. Bach. New York: McGraw-Hill Book Co., 1972.
Harnoncourt, Nikolaus. The Musical Dialogue: Thoughts on Monteverdi, Bach and Mozart, trans. Mary O'Neill. Portland, Oregon: Amadeus Press, 1989.
Harris, E. A Chronology of the Works of Bach, Johann Sebastian. University of Tennessee, 1980.
Harris, Michael W. "Tensional Factors in J. S. Bach's D-Minor Chaconne: Their Interrelationships and Techniques of Performance.?M.M. diss., Bowling Green State University, 1968.
Herz, Gerhard. Essays on J. S. Bach. Ann Harbor, Mich: UMI Research Press, 1985.
Hindemith, Paul. Johann Sebastian Bach, Heritage and Obligation. Westport, Conn.: Greenwood Press, 1978.
Holst, Imogen. Bach. New York: Crowell, 1965.
Johnson, Hansford F. "The Bach Chaconne: Historical Background.?M.M. diss., Virginia Commonwealth University, Dept. of Music, 1981.
Kim, Hee-Sung. "Written-Out Ornaments in J. S. Bach's Organ Music as a Model for Improvised Ornamentation.?D.M.A. diss., University of Texas at Austin, 1995.
Leichtentritt, Hugo. Musical Form. Cambridge, MA: Harvard University Press, 1959.
Lester, Joel. Bach's Works for Solo Violin: Style, Structure, Performance. New York: Oxford University Press, 1999.
Lewis, Gary W. "Ornamentation in the Music of J. S. Bach: A Study of Formal Design, Motivic Continuity and Aesthetic Value.?D.M.A. diss., University of Oregon, 1992.
Little, Meredith and Jenne, Natalie. Dance and the Music of J. S. Bach. Bloomington: Indiana University Press, 1991.
Lynch, Gregory M. "A Historical and Technical Look at the Six Sonatas and Partitas for Solo Violin by J. S. Bach.?M.M. diss., Ball State University, 1984.
Macomber, Frank S. Bach's Re-use of His Own Music: A Study in Transcription. PhD diss., Syracuse University, 1967.
Malloch, William. "Bach and the French Overture: Analysis of Tempo in the Overtures of J. S. Bach." Musical Quarterly, v.75, n.2 (Summer 1991): 174-198.
Marshall, Robert Lewis. The Compositional Process of J. S. Bach: A Study of the Autograph Scores of the Vocal Works. Princeton, NJ: Princeton University Press, 1972.
_____________.The Music of Johann Sebastian Bach: The Sources, the Style, the Significance. New York: Schirmer Books, 1989.
Melamed, Daniel R., ed. Bach Studies II. Cambridge, England: Cambridge University Press, 1995.
Murray, Robert P. "Evolution and Interpretation as Reflected in Succesive Editions of J. S. Bach's Chaconne.?D. Mus. dissertation, Indiana University, 1976.
Nelson, Robert U. The Technique of Variation: A Study of the Instrumental Variation From Antonio de Cabez? to Max Reger. Berkeley: University of California Press, 1962.
Neumann, Frederick. Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J. S. Bach. Princeton: Princeton University Press, 1978.
_____________."The French "In?ales? Quantz and Bach.?Journal of the American Musicological Society, v.18, n.3 (1965): 313-358.
Neumann, Werner. Bach and His World, trans. Stefann de Haan. New York: Viking Press, 1969.
_____________.Pictorial Documents of the Life of Johann Sebastian Bach. Kassel (Germany): Barenreiter, 1979.
Newman, Anthony. Bach and the Baroque: A Performing View of the Music of J. S. Bach based Primarily on Source Materials of the Baroque Period. New York: Pendragon Press, 1951.
_____________.Bach and the Baroque: A Performing Guide to Baroque Music With Special Emphasis on the Music of J. S. Bach. New York: Pendragon Press, 1985.
_____________.Bach and the Baroque: European Source Materials from the Baroque and Classical Periods With Special Emphasis on the Music of J. S. Bach. Stuyvesant, NY: Pedragon Press, c.1995.
Pruett, Jeffery M. "J. S. Bach's Chaconne in D-Minor: An Examination of Three Arrangements for Piano Solo.?PhD diss., Luisiana State University, 1991.
Riemman, Hugo. Analysis of J. S. Bach's Wohltemperier clavier (48 preludes and fugues), trans. J. S. Shedlock. London: Augener & Co., 190-?.
Rink, John. The Practice of Performance: Studies in Musical Interpretation. Cambridge (England): Cambridge University Press, 1995.
Robyn, Louise. The Ornament Family: Preparation for Playing the Bach Ornaments. Bryn Mawr, PA: Oliver Ditson Co., 1940.
Rothschild, Fritz. The Lost Tradition in Music: Rhythm and Tempo in J. S. Bach's Time. New York: Oxford University Presss, 1953.
Rubin, Augusta. J. S. Bach: The Modern Composer. Boston, Mass.: Crescendo Pub. Co., 1976.
Russell, Louis Arthur. The Embellishments of Music: A Study of the Entire Range of Musical Ornaments from the Time of J. S. Bach. Philadelphia: T. Presser, 1984.
Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. London: MacMillan Publishers Ltd., 1980.
Scholes, Percy A. Diccionario Oxford de la M?ica (Oxford Dictionary of Music). Barcelona (Espana): Edhasa, 1984.
Schwendowius, Barbara and D?ling, Wolfgang, ed. Johann Sebastian Bach: Life, Times, Influence. New Haven, Conn: Yale University Press, 1984.
Sicca, M. "Articulation in the Lute Music of J. S. Bach.?Guitar Review, n.63 (1985).
Spitta, Phillip. Johann Sebastian Bach, His Work and Influence on the Music of Germany,1685-1750, trans. Clara Bell and J. A. Fuller-Maitland. London: Novello, 1899.
Tatlow, Ruth. Bach and the Riddle of the Number Alphabet. Cambridge (England): Cambridge University Press, 1991.
Terry, Charles Sanford. Bach: A Biography. London: Oxford University Press, H. Milford. 1928.
Tetrick, Sidney James. "An Analysis of Performance Practice for the J. S. Bach Chaconne, Based Upon the Anna Magdalena Manuscript.?D.M.A diss. University of Colorado, 1957.
Theone, Helga. J. S. Bach: Ciaconna. Tanz oderTombeau. C?hen (Germany): C?hener bachfesttage, 1994.
Towndrow, Sharon L. "The Melodic Minor Scale in Selected Works of J. S. Bach." M.M.diss., Texas Tech University, 1977.
Tureck, Rosalyn. An Introduction to the Performance of Bach: A Progressive Anthology of Keyboard Music Edited, with Introductory Essays, 3 vols. London: Oxford University Press, 1960.
Walton, Charles W. Basic Forms in Music. Port Washington, NY: Alfred Publishing Co., 1974.
Washington, Peter. Bach. London: David Campbell Publishers, Ltd., 1996.
White, Lyn Daniels. A Survey of Ornamentation in Music of the Baroque Period. M.M. diss., University of Texas at Austin, 1983.
Young, Percy M. Johann Sebastian Bach: The Story of His Life and Work. London: Boosey & Hawkes, 1960.
Recordings
Bream, Julian. Julian Bream Plays Bach. Westminter Gold WMG-8113, LP.
D?z, Alirio. Alirio D?z Plays Bach. Cassette.
Gimpel, Bronslav. Johann Sebastian Bach: Partitas for Unaccompanied Violin, vol. 3. Liner notes by Albert Mell. Dover Publications HCR-5212, LP.
Johnson, Lawrence. Two Spanish Masters: Miguel de Fuenllana, Andr? Segovia. CRG-RG01, cassette.
Lopez Ramos, Manuel. La Guitarra Cl?ica. Liner notes by Carl Miller. Boston Records B-216, LP.
Milstein, Nathan. Johann Sebastian Bach: The 6 Sonatas and Partitas for Solo Violin, BWV 1001-1006. Liner notes by Boris Schwarz. Deutsche Grammophon 2709047, LP.
O'Riley, Christopher. Ferrucio Busoni: Piano Works. Liner notes by Craig Lia Braaten. Centaur CRC2036, CD.
Parkening, Christopher. The Young American Virtuoso Christopher Parkening in the Classic Style. Liner notes by Rory Guy. Angel S-36019, LP.
Skendrey-Karper, L?zl? Guitar Recital. Qualition, LPX-1161, LP.
Yepes, Narciso. Narciso Yepes. Liner notes by Enrique Franco. Columbia CCL32030, LP.
Scores & Facsimiles
Bach, Johann Sebastian. Chacona en Re Menor, transcribed for guitar by Narciso Yepes. Madrid (Espana): Ediciones Musicales Madrid, 1960.
_____________.Chaconne aus der Partita II d-Moll f? Violine solo BWV1004, f? Gitarre, transcribed for guitar by Andr? Segovia. Mainz (Germany): B. Schott, 1934.
_____________.Chaconne in D minorFrom the Sonata for Violin Solo No. 4, transcribed for piano by Ferrucio Busoni. New York: G. Schirmer Inc., 1939.
_____________.Ciaccona aus der Partita 2da a Violino solo senza Basso BWV1004, transcribed for guitar by Karl Scheit. Wien (Germany): Universal Editions, 1985.
_____________.Neue Ausgabe s?tlicher Weke, hrsg. vom Johann-Sebastian-Bach Institut G?tingen und vom Bach-Archiv Leipzig. Kassel: Barenreiter-Verlag, 1954.
_____________.Sei Solo a Violino. Edited and with a postcript by Wilhelm Martin Luther. Kassel (Germany): Barenreiter, 1958.
_____________.Sonaten und Partiten f? Violinew allein: Faksimile-Ausgabe. Edited and with a postcript by G?ter Hausswald. Wieswaden (Germany): Insel -Verlag, 1962. Reprint with English translation by K. Marie Stolba. New York: Da Capo Press, 1982.
_____________.Three Sonatas and Three Partitas for Solo Violin, BWV 1001-1006, edited by Gunter Hauswald. Kassel (Germany): Barenreiter, 1959.
(끝)
Comment '9'
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gmland님께 메일만 보내드렸었는데.. gmland님께서 정리하셔서 여기에 올리시는것 같아요..
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허허, 난 아무 말도 안 하는데, 쩜님은 왜 공개해 버리남? 말이 났으니 하는 말인데, 메일 보내신 게 한참 됐잖아요? 그게 pdf-file이었는데 아래아 한글이나 txt-file
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로 바꾸니까, 내용 글이 뒤죽박죽 줄 단위로 엉켜가지고 설랑, 7-80 페이지에 달하는 분량을 일일이 원본 대조하면서 짝 맞추느라 애 먹었시요. 근2주가 걸렸다니까... 어쨌든
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틈나면 번역하려 하는데, 누가 좀 해주면 좋겠는디, 신청인 없어유?
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아~ 그리고, 누가 좀 가르쳐 주셔요, PDF에서 아래아-한글로 가져올 때, 줄 단위로 엉키지 않고 가져오는 방법하고, PDF의 악보/도표 그림을 여기 인터넷에다 옮기는 방법하고요
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gmland님 고생하셔서 옮기신건데요^^ 역시 대단하신 열정,, 그리고 저도 염치가 있지 모른척 할 수 없지않겠습니까^^;;
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아이구, 논문 찾아서 보내주신 것만 해도, 기여도가 엄청 크지요. 이게 어디 보통 곡입니까? 기타쟁이들의 우상인 곡이 잖아여?
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PDF -> HTML로 바꾸어 주는 tool이 있기는 합니다만.
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PDF문서의 악보 부분은 그림파일로 변하구요..
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연주에 대해서...("존 윌리암스 스펙트럼"관련)(어쩌면여^^)
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sadbird 라는 곡..
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"콤파냐 보칼레" 연주회 후기...
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나의 연탄 이중주에 대한 거짓말
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망고레에 대하여~
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공개질문입니다요~
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파가니니의 기타와 바이올린을 위한 대소나타[바이올린이 반주해주는] 좀 올려주세요.
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로드리고의 곡들좀 감상실에 올려주십시오...
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Cuban Landscape with Rain
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★★★ 화음의 진행
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J. S. BACH CHACONNE FROM PARTITA II, BWV 1004 - 제1부
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[re] 나누어서 번역할 자원봉사 찾습니다.
Date2003.09.04 Bygmland Views5118 -
무뇌중 어록중에서.
Date2003.09.01 ByB612 Views8526 -
[re] 무뇌중 어록중에서.
Date2003.09.01 By천지대야망 Views6243 -
[re] 클래식은 리듬이 약하다는 논리에는 이견이 있습니다.
Date2003.09.01 Bygmland Views6131 -
전체적으로는 공감합니다만 약간...
Date2003.09.02 By오로라 Views4521 -
바하와 헨델, 바로크
Date2003.08.31 By천지대야망 Views6292 -
[re] 바하와 헨델, 바로크 - 약간의 딴지... ^^;
Date2003.09.01 By신동훈=eveNam Views4953 -
총평(디게 잼있어요)
Date2003.08.31 ByB612 Views4780 -
지극히 개인적인.
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음악의 호불호에도 객관적 보편타당성이 존재하는가?
Date2003.08.29 Bygmland Views4937 -
한국적인 것.
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[re] 조선의 힘
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음악에서의 호불호
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.
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무척 혼란스럽습니다. 자중들 하십시오 !!!
Date2003.08.31 Bygmland Views5900 -
[re] 음악이 살아야 민족이 산다.(펌)
Date2003.08.29 By아롱이 Views5076 -
.
Date2003.08.28 By. Views5916 -
[re] 음악이 살아야 민족이 산다.(펌)
Date2003.08.29 ByB612 Views5101 -
[re] 음악이 살아야 민족이 산다.(펌)
Date2003.08.28 ByB612 Views4993 -
[re] 음악이 살아야 민족이 산다.(펌)
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Agustín Barrios Mangore:The Folkloric, Imitative, and the Religious Influence Behind His Compositions by Johnna Jeong
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[re] ★★★ 조국을 사랑한 바리오스 망고레 ( 글 & 번역 gmland ) 완결판 ★★★
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[re] ★★★ 조국을 사랑한 바리오스 망고레 ( 글 & 번역 gmland ) 완결판 ★★★
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[re] 코드진행님 질문과 답변
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이곡 제목 뭔지 아시는분?
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Naxos 기타 컬렉션 中 명반은???
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기타-화성학이란 무엇인가? - 예제를 통한 코드의 이해 (1)
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또 질문 있습니다...^0^
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페르시안마켓에 대해서..
Date2003.07.19 By케텔비 Views8560 -
루이스 밀란의 파반느요..
Date2003.07.19 By루이스 Views4803 -
[re] 루이스 밀란의 파반느요..
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Guitar의 정의 - The Guitar
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[re] Guitar의 정의 - 번역
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[펌] 피아졸라에 관한 글
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멋있게 해석좀 해주세요..
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[re] 2001년 9월 1일자 외국어대 영자신문중에....
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[re] 채소님, 음악에 대한 인용구 번역입니다.
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Music Quotes..
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퐁세의 발레토
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바루에꼬 마스터클래스 실황녹음(BWV996)
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장화음과 단화음의 비밀
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[re] 7화음의 이름
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기타와 가장 잘 어울리는 악기는?
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기타 하모닉스에 관한 물리학적 접근
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트레몰로.
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[re] 트레몰로.
Date2003.07.16 By기타 이상자 Views5475 -
바루에꼬 마스터클래스 실황녹음(아랑훼즈협주곡)
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바루에꼬 마스터클래스 참관기
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야마시타
Date2003.06.20 By천지대야망 Views5168 -
현대음악이란 이런걸 말하는게 아닐까요?
Date2003.06.19 By수 Views5837 -
음악도 분명히 현재의 모습을 반영하는 곡들이 지금가득합니다.
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칼카시 토론을 하면서.......
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정규 소품은 연습곡이 되지 말아야 할 이유가 있을까요?
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토론실에 있는, 저작권에 대한 글들에 관하여
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음악의 예술성과 과학성, 음악과 음학
Date2003.06.11 Bygmland Views5812 -
코드...
Date2003.06.10 By얼떨결에지나가는넘 Views5173 -
마누엘 바루에꼬 마스터클래스(前記)
Date2003.06.10 ByiBach Views5274 -
★ Krystian Zimerman 마스터 클래스 후기 ★
Date2003.06.09 By으니 Views5433 -
카르카시 교본에 대하여....제 생각에는...^^;;
Date2003.06.07 By망고레 Views6417 -
제가 야마시타를 좋아하는 이유는,,,,
Date2003.06.06 Byseneka Views4774 -
카르카시교본비판에 관하여3
Date2003.06.04 By기타방랑자 Views4639 -
카르카시교본비판에 관하여2
Date2003.06.04 By기타방랑자 Views5098 -
제가 생각하는 카르카시.
Date2003.06.04 By아랑 Views5796 -
[re] '뺑뺑이' 얘기 나온 김에.....
Date2003.06.04 By아랑 Views4774 -
카르카시교본비판에 관하여
Date2003.06.03 By기타방랑자 Views5510 -
이것보쇼...
Date2003.06.04 By기타새디스트 Views4671 -
고수님들이 음악을 들을때요..
Date2003.05.31 Byshe Views4718 -
[re] 고수님들이 음악을 들을때요..
Date2003.05.31 Bycool Views4886 -
[re] 고수님들이 음악을 들을때요..
Date2003.05.31 By고수아님 Views4502 -
[re] 고수님들이 음악을 들을때요..
Date2003.05.31 By고수(?)임 Views4601 -
[카르카시비판]수많은 악플과 비판에 맞아죽기를 고대하며...
Date2003.05.29 By기타리새디스트 Views8102 -
고정도법과 이동도법 - 음명과 계명
Date2003.05.28 Bygmland Views9003 -
아람브라, 화성진행 및 프레이징 (3) - 총론 끝
Date2003.05.26 Bygmland Views5479 -
아람브라, 화성진행 및 프레이즈 분석과 프레이징 (2)
Date2003.05.23 Bygmland Views5507 -
[re] 질문입니다..
Date2003.05.27 Byseneka Views5759 -
아람브라, 화성진행 및 프레이즈 분석과 프레이징 (1)
Date2003.05.21 Bygmland Views8430 -
좋은 자료를 올리셨네요^^감사
Date2003.05.24 Bynarsis Views5287 -
프레이즈가 뭐지요?
Date2003.05.15 By바실리스크 Views6691 -
[re]프레이징을 어떤 수단으로써 어떻게 처리하나? (2) - she님의 질문에 대한 답글.
Date2003.05.19 Bygmland Views5105 -
[re] 프레이즈는 이 것입니다. (1)
Date2003.05.16 Bygmland Views4950 -
베토벤시대에 일반서민은 베토벤 만나기 힘들었다.
Date2003.05.13 By수 Views4813 -
요즘 누가 세고비아 듣느냐구요?? ㅠ_ㅠ
Date2003.05.14 By아랑 Views6343 -
[질문] 난해한 현대음악을 어떻게 들어야 할까요?
Date2003.05.12 By익명 Views4588
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