2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 5192 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
번호 | 제목 | 글쓴이 | 날짜 | 조회 수 |
---|---|---|---|---|
933 | Free Adjustable Bridge Saddle(FABS) | 고정석 | 2007.10.03 | 5391 |
932 | 사이몬 마티 | 기타마니아 | 2001.01.07 | 5390 |
931 | 뭰히 길들이기... 6 | 산넘 | 2001.09.12 | 5384 |
930 | 줄의 장력이 세게 느껴져요!! 19 | 기타넘조아 | 2003.12.12 | 5379 |
929 | 로제트는 어떻게 만드나요? 3 | 으랏차차 | 2001.04.20 | 5378 |
928 | 라이징보드 사용 소감을 듣고싶습니다.. 5 | 김상국 | 2004.05.23 | 5374 |
927 | 소리로 앞판 건조 시킨다면서요? | 말괄량이 | 2000.06.17 | 5372 |
926 | 제 기타 사진입니다. 4 | 木香 | 2002.05.13 | 5366 |
925 | 스프러스 아이힝거에 대해... | 고형석 | 2000.06.11 | 5365 |
924 | 기타 제작자 이야기(1): 토레스 | 고정석 | 2000.11.18 | 5363 |
923 | 기타 구입 조언부탁드려요.. 3 | 석럽 | 2018.10.31 | 5361 |
922 | 줄을 갈다 생각난건데.. | korman | 2007.01.18 | 5359 |
921 | 하하 ...내친구... | 화음 | 2000.08.17 | 5358 |
920 | ☞ ☞ 기타의 앞판이 이러면 어떨까..??? 수님이 답좀 | 안진수 | 2001.02.09 | 5356 |
919 | 축구는끝나고 심심해서 5 | 에뚜드 | 2006.06.25 | 5356 |
918 | 기타 제작에서 가장 어려운 일은 무엇인가요? 12 | audioguy | 2004.05.01 | 5355 |
917 | 나만의 50만원대 수제기타 벤치마크 | 으랏차차 | 2001.02.01 | 5347 |
916 | . 4 | 수 | 2002.07.13 | 5347 |
915 | 기타에이드에 관한 안내글. | 콩쥐 | 2006.12.22 | 5342 |
914 | 호세 루비오 | 과객 | 2001.02.20 | 5341 |
913 | 전판 사포칠 장면 1 | gdream7 | 2005.12.15 | 5337 |
912 | 어떤걸 사야하나? | 이병훈 | 2000.07.21 | 5330 |
911 | 그라나다 기타제작 | 수 | 2017.08.02 | 5330 |
910 | [re] 미겔 로드리게스 사진입니다 1 | 10현 | 2006.02.14 | 5328 |
909 | 평균율은 원래 고개 절래절래 하데요? | 진국 | 2000.09.14 | 5324 |
908 | 기타프렛에 관해 여쭙겠사옵니다. 8 | 연리지 | 2004.02.26 | 5323 |
907 | [re] 바게뜨빵과 세느강... 9 | 콩쥐 | 2007.07.27 | 5323 |
906 | 강화도 수님 공방 기타제작. | 떠버기 | 2018.10.12 | 5318 |
905 | 조나단과 스프러스 아이힝거.... | 형서기 | 2000.07.05 | 5317 |
904 | Thomas Beltran | gaspar | 2000.12.28 | 5316 |
903 | [re] 바이스를 위해 탄생한 13현 아치기타 6 | 산골스트링즈 | 2007.05.01 | 5315 |
902 | 내가 갖고 싶은 기타(4) - Greg Smallman | 일랴나 | 2000.12.28 | 5314 |
901 | 이런 기타 스텐드... 4 | 木香 | 2001.07.21 | 5308 |
900 | 마르비 제작클래스 이야기 - 프롤로그 1 | 새솔 | 2007.01.31 | 5306 |
899 | 연주회 포스터할만한 사진이나 그림 없을까여? 1 | 은영이 | 2001.09.21 | 5299 |
898 | bernabe.......kraft가 연주하는 | 수 | 2001.05.22 | 5299 |
897 | 슈퍼칩만들때 노하우좀 갈쳐주세요~~ 3 | Y | 2003.06.24 | 5294 |
896 | ☞ 위에 기타 뒷사진. | 명노창 | 2000.12.25 | 5292 |
895 | ☞: 얼마전에 고노를 사랑한다고 했다가 님으로 부터 뒤지게 욕먹은.... | 명노창 | 2000.09.01 | 5291 |
894 | 기타 관리 1 | orpheous | 2002.04.17 | 5280 |
893 | 도밍고 에스테소1971년작 1 | 용접맨 | 2005.12.04 | 5280 |
892 | [re] 바로크와 스프러스!! | 뽀짱 | 2001.11.29 | 5278 |
891 | 현장길이가 모예요? 5 | chobo | 2001.06.11 | 5276 |
890 | [re] BRAHMAN #6 | 차차 | 2003.11.24 | 5275 |
889 | when i dream 악보있으신분 메일로 띄어주세용~ | kangyong | 2000.10.09 | 5274 |
888 | 수님쇠줄기타도만들어주실수있나요 28 | 김민성 | 2002.01.08 | 5272 |
887 | 모양은 이쁜데 소리도 이쁠지 궁금하네요. 4 | ... | 2004.02.15 | 5272 |
886 | 국산 악기에 관하여. | 형서기 | 2001.05.06 | 5271 |
885 | 휘었다면 수리는 가능한지? 수리가 어려운가요? | essene | 2000.10.05 | 5269 |
884 | 이기타 아무래도 부쉐같죠?(1) 1 | 궁금해서요 | 2003.07.24 | 5269 |
883 | 논쟁에 끼어들고 인사도 드리며... 15 | 윤남식 | 2003.12.16 | 5269 |
882 | [re] 앞판 1 | 수 | 2004.10.08 | 5269 |
881 | 현이 어디 묶여있나요? | 수 | 2001.02.15 | 5267 |
880 | 브릿지 하현주에서 나는 잡음에대해.. | JoDaC | 2006.12.13 | 5267 |
879 | Sitar, varanasi. 14 | ganesha | 2002.06.09 | 5266 |
878 | 감사합니다=^^=명노창님 | 김남호 | 2000.08.05 | 5265 |
877 | 기타가...목청이 하루만에??? 1 | 간절한 | 2002.01.27 | 5265 |
876 | Daniel Friedrich라는 제작가에 대해 알려주세용 | illiana | 2000.09.17 | 5264 |
875 | 현은 지판에 안 닿아도 누군가는 지판에 닿아요. 4 | 수 | 2001.07.12 | 5260 |
874 | 키틴제 도료에 대해... | 지우압바 | 2000.11.24 | 5259 |
873 | 엄씨 가문의 기타에 관한 냉철한 평을 부탁드립니다. 15 | 남경민 | 2001.05.02 | 5258 |
872 | [re] 머리 | 콩쥐 | 2007.09.20 | 5258 |
871 | [re] 그러나 스프러스를 사랑할수 밖에 없는 이유.. 1 | 으랏차차 | 2002.03.27 | 5256 |
870 | 가장 음량이 큰 기타는 ?? | 지우압바 | 2000.08.18 | 5250 |
869 | 제 뜻은 옆판과 뒷판은 비중적으로 앞판과 정다른 가장 단단한 나무를 사용해야... | 명노창 | 2000.08.29 | 5249 |
868 | 현장길이가 모냐면여.... 2 | 수 | 2001.06.12 | 5246 |
867 | 6번현보다 5번현 소리가 특히 큰데....~ 3 | 으랏차차 | 2002.03.27 | 5242 |
866 | ☞:안녕하세요..명노창입니다.80년대 당시 고노기타가격... | 명노창 | 2000.08.05 | 5241 |
865 | 야쉘락 2 | gdream7 | 2005.12.24 | 5240 |
864 | 왜 로즈우드는 그렇게 기름기가 많은가? 1 | 수 | 2001.07.19 | 5236 |
863 | 2005년 5/3~5. 일본동경근처의 기타문화관에서의 기타전시회. | 수 | 2005.02.17 | 5235 |
862 | ☞ 써봤습니당. 엄씨가문의 기타를!!!보았습니당. 엄씨가문의 기타를!!! | 간절한 | 2001.05.03 | 5234 |
861 | [re] 저의 기타 사진입니다. Brahmam 2003년 (넘버10, 624mm) | 고정석 | 2004.01.10 | 5228 |
860 | [re] 정면님의 기타를 함께 생각하며 | 콩쥐 | 2006.09.19 | 5227 |
859 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.20 | 5226 |
858 | [re] 바로쎌로나의 부엌...보께리아 | 콩쥐 | 2007.07.27 | 5226 |
857 | [re] [요청] 내 악기 소개 게시판 만들어 주세요 | 초보자 | 2007.10.11 | 5226 |
856 | 스페인 마드리드에세 제작된 기타이름.... 2 | 수 | 2002.04.25 | 5222 |
855 | [re] 마르비와 함께한 기타 제작기. | 김중훈 | 2006.09.20 | 5221 |
854 | 행복한? 기타 18 | 새내기 | 2001.06.12 | 5219 |
853 | ☞ 가야금, 거문고는 어떤줄을 쓰나요? | 이재화 | 2000.10.28 | 5218 |
852 | 클래식과 통키타의 헤드머쉰... | 으랏차차 | 2001.02.03 | 5215 |
851 | [re] 리 지에 .. 기타 말입니다.. 음.. | 호정j | 2002.10.03 | 5215 |
850 | 스몰멘을 사려면.. 14 | 익제 | 2003.07.09 | 5214 |
849 | ##이렇게 한 번 해보세요^^... | 박성운 | 2000.12.16 | 5212 |
848 | [re] 1920년 싼또스 에르난데스 | 혁 | 2004.12.22 | 5211 |
847 | 기타의 앞판이 이러면 어떨까..??? | 변소반장 | 2000.11.20 | 5210 |
846 | [re] Bouchet와 Weissgerber | 최동수 | 2008.07.11 | 5210 |
845 | 베르나베 기타가 어쩌고 저쩌고... 흠냐뤼.. 무식해서.. | 변소반장 | 2000.12.05 | 5209 |
844 | matthias damman [2] 4 | 방 | 2002.10.14 | 5207 |
843 | 기타 제작가님들만 보셔요~ | 혁 | 2005.01.01 | 5207 |
842 | 할 줄 아는 것이 정말 없고낭....쩝.... 1 | 간절한 | 2001.05.08 | 5205 |
841 | [re] 디지탈 카메라.... 8 | 木香 | 2002.05.13 | 5205 |
840 | 폴 피셔. | 수 | 2000.10.22 | 5204 |
839 | 줄리안 브림이 한국전에 오려 했는데... | 수 | 2000.08.01 | 5203 |
838 | [기사] 북한의 기타. 7 | 눈물반짝 | 2001.10.03 | 5202 |
837 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 5200 |
836 | 전판쉘락칠 하기. 4 | gdream7 | 2005.12.15 | 5200 |
835 | [re] 산티아고와 함께.. | 콩쥐 | 2007.07.27 | 5200 |
834 | [re] 뭘까요..^^ 제기타 로제트 지판 | 기타 | 2004.04.28 | 5199 |
Designed by sketchbooks.co.kr / sketchbook5 board skin
Sketchbook5, 스케치북5
Sketchbook5, 스케치북5
Sketchbook5, 스케치북5
Sketchbook5, 스케치북5