2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 5248 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
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1533 | 5 Famous Torres Guitars 2 | 고정석 | 2017.08.23 | 9138 |
1532 | 야이리기타 14 | Gdream7 | 2005.04.09 | 9067 |
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1530 | 시더와 스프루스 - 보충설명 4 | 새솔 | 2002.10.09 | 9028 |
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1528 | 장 라리비 기타 제작 과정 홍보 영상 6 | jkfs | 2009.03.17 | 8999 |
1527 | Göran Söllscher의 11현 기타 소개 13 | so many strings | 2008.07.31 | 8987 |
1526 | 울림통 이야기. 2 | 쏠레아 | 2008.08.21 | 8979 |
1525 | 연주자를 쏙 빼닮는 악기. 19 | 콩쥐 | 2006.02.28 | 8932 |
1524 | Bouchet와 Weissgerber 24 | 최동수 | 2008.07.11 | 8932 |
1523 | 하현주 조절과 조율개선 1 | 최창호 | 2004.12.26 | 8910 |
1522 | 기타현 쌩뚱맞게 거는방법. 12 | 콩쥐 | 2008.02.22 | 8909 |
1521 | 일렉트릭 클래식 기타를 구입하려고 합니다^^ | 기타매니아 | 2009.11.15 | 8903 |
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1519 | [re] 기타제작가 콩쥐님 보세요. 2 | 저기 | 2010.02.28 | 8847 |
1518 | 42현 피카소기타 12 | Amigo | 2007.01.08 | 8834 |
1517 | 미분음 기타를 구할수 있을까요? 3 | 현대음악 | 2009.12.09 | 8802 |
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1514 | 독일의 명장 탐방기 - 1.Dieter Hense 편 15 | Robin | 2007.06.20 | 8714 |
1513 | 기타 구조해석 - animation 3 | EchoOff | 2009.06.11 | 8674 |
1512 | 친구네 집에서 업어온 기타 1 | 쉑 | 2004.01.26 | 8672 |
1511 | 손톱손질용 버퍼모음 4 | 손톱손질 | 2007.06.14 | 8660 |
1510 | Kasha model의 헤드 모양 8 | 최동수 | 2008.12.11 | 8649 |
1509 | 제품별 쉘락칠의 차이 1 | 브들레헵 | 2008.06.26 | 8635 |
1508 | 하까란다가 꽃피었네여. 12 | *라질 | 2004.09.01 | 8606 |
1507 | 투넥기타...^^; 5 | z커피 | 2004.02.27 | 8598 |
1506 | 기타가 제작되고나서 제 소리를 내려면, 시간이 필요한 건가요? 16 | 몰라용 | 2009.05.26 | 8589 |
1505 | 한국내 제작되는 기타 한달 2만대. | 콩쥐 | 2009.07.08 | 8571 |
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1502 | 독일의 명장 탐방기 2편 - 헤르만과 브라만 1. 15 | 로빈 | 2007.06.25 | 8484 |
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1500 | 미겔로드리게즈의 그 소리는 어떤것이 가장 큰 요인일까요? 10 | L | 2009.08.29 | 8460 |
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1482 | 플레타 2 | 흠 | 2007.10.19 | 8170 |
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1479 | 음의 분리도와 원달성 8 | 쏠레아 | 2008.09.08 | 8111 |
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1476 | 마르비 워크샾때 만든 내기타 설계도 5 | 정면 | 2006.09.25 | 8093 |
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1471 | 라미네스 공방앞에서... 1 | SG guitarra | 2007.06.19 | 8012 |
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1464 | 하카란다 에 대한 혼동 ? 19 | esteban | 2006.03.06 | 7942 |
1463 | 폭탄맞은 창고 24 | 콩쥐 | 2007.09.30 | 7940 |
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1461 | [re] 다음주 완성댈것 같은 기타.. 17 | 혁 | 2005.05.15 | 7930 |
1460 | [re] 브라만(Anselmo) 암레스트 5 | jazzman | 2004.10.13 | 7927 |
1459 | 12홀 브릿지 줄 매는 법(알마기타 펌) 2 | 그놈참 | 2004.10.07 | 7919 |
1458 | 최동수 작 비웰라형 기타 9 | 최동수 기타 | 2017.10.16 | 7917 |
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1456 | 기타에서 일어나는 재미있는 현상. 15 | 쏠레아 | 2008.09.08 | 7910 |
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1454 | French Polishing - 쉘락칠 | 고정석 | 2004.08.17 | 7905 |
1453 | 최고급 튜닝머신은 무엇때문에 그렇게 비싼지 17 | 튜닝머신 | 2005.12.07 | 7895 |
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1451 | 미야모토 김빠치 1937년 42호 작품을 복각품 수준으로 제작하셨습니다. 7 | 스님 | 2007.06.26 | 7857 |
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1447 | '라이징 보드'와 '노말 보드'의 차이점 5 | 로망스 | 2006.02.28 | 7778 |
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1445 | 최동수님의 로맨틱기타. 10 | 콩쥐 | 2007.09.18 | 7767 |
1444 | 세고비아의 라미레즈 6 | ganesha | 2016.06.25 | 7764 |
1443 | 롤랑디용이 쓰는 gerard audirac기타. 7 | 콩쥐 | 2007.10.31 | 7759 |
1442 | 조립및 도색 완성기타 7 | gd7 | 2006.03.27 | 7753 |
1441 | 13현 기타 5 | 13s | 2009.11.13 | 7745 |
1440 | 이병우씨가 아끼는 기타라던데... 9 | 木香 | 2002.05.16 | 7719 |
1439 | [re] casa luthier 바로셀로나 기타전문점..... 5 | 콩쥐 | 2007.07.27 | 7714 |
1438 | 현높이가 너무 높아졌습니다....어쩌죠? 10 | 이지현 | 2006.08.08 | 7708 |
1437 | 이거이 뭐하는데 쓰는 물건인공??? 10 | 쏠레아 | 2006.12.17 | 7708 |
1436 | 중국 기타 공장(공방아닙니다.)인데... 6 | 밀롱가. | 2007.06.15 | 7695 |
1435 | 황동 하현주의 TEST결과 1 | 뮤즈기타 | 2004.11.13 | 7689 |
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