2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 5207 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
번호 | 제목 | 글쓴이 | 날짜 | 조회 수 |
---|---|---|---|---|
833 | 전판쉘락칠 하기. 4 | gdream7 | 2005.12.15 | 5223 |
832 | matthias damman [2] 4 | 방 | 2002.10.14 | 5222 |
831 | 디.. 4 | 수 | 2001.11.14 | 5220 |
830 | [re] 코흐연주회 다녀왔어요. 4 | 콩쥐 | 2007.10.01 | 5219 |
829 | [re] 디지탈 카메라.... 8 | 木香 | 2002.05.13 | 5218 |
828 | [re] 뭘까요..^^ 제기타 로제트 지판 | 기타 | 2004.04.28 | 5218 |
827 | 첼로에서 안쇠소리나는 음반 혹 들어보셧어요? | 지영이 | 2000.10.10 | 5217 |
826 | 맨날 헷갈리는데.. 습도와 넥의 휘는 방향의 관계가.... 4 | 기타랑 | 2001.05.17 | 5216 |
825 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 5215 |
824 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 5213 |
823 | 쉘락 휘니시... french polish of shellac | 수 | 2017.08.02 | 5212 |
822 | ☞:스프러스 아이힝거에 대해... | 고형석 | 2000.06.12 | 5209 |
821 | 눈메 메꾸기..에폭시 | 수 | 2017.08.02 | 5208 |
» | 양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나? 5 | 지방맨. | 2001.10.01 | 5207 |
819 | 명노창님께... | 김남호 | 2000.07.29 | 5202 |
818 | 다시 쉘락칠 하기. 4 | gdream7 | 2005.12.17 | 5201 |
817 | 로버트 락 아저씨...... | 명노창 | 2001.02.22 | 5198 |
816 | [re] 앰프 꽂을 수 있는 클래식 기타.. | 수 | 2003.06.26 | 5197 |
815 | ☞:gsp? 궁금하네요.. | 고은별 | 2000.10.05 | 5195 |
814 | Scharpach를 아시나요? 4 | jinabu | 2003.03.29 | 5190 |
813 | [re] -클래식기타의 모습을 한 스틸스트링기타를 만들수 있나요? 2 | 김동선 | 2002.01.12 | 5188 |
812 | ☞:곰발바닥아이힝어 햐, 존 기타구나... | cc | 2000.08.10 | 5185 |
811 | [re] 저의 기타 사진입니다. Brahmam 2003년 (넘버10, 624mm) | 고정석 | 2004.01.09 | 5185 |
810 | [re] L'auditori 카탈루냐. | 콩쥐 | 2007.07.27 | 5182 |
809 | 난 현악기에서 나는 쇠소리가 시러여. | 지영이 | 2000.10.09 | 5181 |
808 | 기타에 관해서 3 | 황선동 | 2005.01.21 | 5181 |
807 | [동영상]스몰맨의 격자... 6 | 찾던이 | 2003.03.21 | 5178 |
806 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 5178 |
805 | Guitarangi da Gamba!!! 3 | 간절한 | 2002.07.27 | 5176 |
804 | 바로크기타 만들기 입문 [일본어] 2 | 옥용수 | 2004.04.11 | 5168 |
803 | 곰발바닥아이힝어 주인임다...^^ | 쪼~옹대 | 2000.08.03 | 5167 |
802 | 접히는 기타. | 이지은 | 2000.10.06 | 5167 |
801 | [re] 1930년 헤르만 하우져 1세 | 혁 | 2004.12.22 | 5164 |
800 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.20 | 5160 |
799 | 두개의 다리로 선다말예요? | 곁눈질 | 2000.10.19 | 5159 |
798 | 첼로에서 나는 쇳소리라는건... | 형서기 | 2000.10.10 | 5158 |
797 | 3번선이 얇아지면 해결? | 개풀 | 2000.09.13 | 5157 |
796 | [ 로메로가의 기타] | 말괄량이 | 2000.05.30 | 5155 |
795 | 마르비 제작클래스 이야기- 기타제작과정 | 새솔 | 2007.02.02 | 5153 |
794 | [초보자인데]도움을 주세여... | 용남 | 2000.07.14 | 5152 |
793 | 국산50호 기타... | 형서기 | 2001.05.16 | 5152 |
792 | Silent Guitar 사용 소감 몇 가지 더~~~ 2 | JS | 2002.09.18 | 5150 |
791 | ramirez에서 배출된 제작가들. | 수 | 2000.10.23 | 5149 |
790 | 야간 쉘락칠 1 | gdream7 | 2005.12.24 | 5147 |
789 | ☞:구멍많은 기타들.... | CC | 2000.06.11 | 5146 |
788 | 독일기타에 대해 궁금한게 있는데요 2 | 빌라로보트 | 2003.06.29 | 5145 |
787 | edgar monch | 수 | 2001.01.07 | 5144 |
786 | 신이치가 쓰는 기타.. 뭔지 아세여? 저번 대성당이랑.. 대서곡친 그 기타.. 2 | 아따보이 | 2002.02.20 | 5143 |
785 | hermann hauser | 웅수 | 2000.07.15 | 5142 |
784 | 현이 높이 뜨면 습한거죠. 5 | 수 | 2001.05.17 | 5141 |
783 | maple 넥... | cc | 2000.07.04 | 5141 |
782 | 질문 있읍니다~~~ 5 | 아이모레스 | 2007.06.25 | 5136 |
781 | 현을 바꾸고서... | 은정 | 2000.07.04 | 5133 |
780 | 혹시...그 오됴...멀쩡해여. | 지영이 | 2000.10.10 | 5131 |
779 | 앞판칠을 셸락으로 바꾸면? 4 | 으랏차차 | 2002.04.17 | 5128 |
778 | <font color=blue>감샤! 꾸벅! [진짜내용없음]</font> | 泳瑞父 | 2000.09.02 | 5120 |
777 | 앰프 꽂을 수 있는 클래식 기타.. | 궁금 | 2003.06.25 | 5114 |
776 | [re] 기타구입은 정말 힘들어여~~ | 김택권 | 2003.10.09 | 5114 |
775 | [질문]초보자 | 강씨.. | 2000.07.10 | 5113 |
774 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 5112 |
773 | 이 따스한 가을 햇살 1 | 작업초보 | 2002.10.10 | 5109 |
772 | ☞:안녕하세요..명노창입니다. | 명노창 | 2000.08.04 | 5108 |
771 | [re] [알림] 프렛계산 페이지 4 | bluejay | 2004.03.08 | 5103 |
770 | ☞:비밀스런 이야기는요... | 웅수 | 2000.07.12 | 5098 |
769 | 다현기타의 특징및 제작가는? | illiana | 2001.03.06 | 5096 |
768 | 토레스 기타플랜은 여러가진데... | 수 | 2000.09.03 | 5095 |
767 | ☞ 기타의 앞판이 이러면 어떨까..??? 수님이 답좀 | 노 은 님 | 2000.11.25 | 5091 |
766 | 미국 제작가 명단과 주소. | 수 | 2000.07.19 | 5090 |
765 | 5벌 수입해서 다 뽕발났네....... | 명노창 | 2000.10.08 | 5088 |
764 | 기타케이스...skb 2 | 목향. | 2001.04.22 | 5084 |
763 | [re] 기타 사진 (앞쪽) | 새솔 | 2007.02.13 | 5082 |
762 | 고노와 사쿠라이의 가격 2 | 기타좋아 | 2001.04.19 | 5079 |
761 | 험프리, 밀레니움 모델, 경사진 앞판 디자인. | 서정실 | 2001.04.07 | 5075 |
760 | 로제트는.. 어떻게 만드는거에요? | 아따보이 | 2002.07.13 | 5074 |
759 | . | 웅수 | 2000.06.25 | 5073 |
758 | 마린몬테로 아저씨....아니 할아버지..... | 명노창 | 2001.02.20 | 5071 |
757 | ☞:탄현에너지의 분산에 관하여... | cc | 2000.06.14 | 5071 |
756 | 로제트사진 1 | 으랏차차 | 2002.09.08 | 5066 |
755 | 대불대에 클래식 기타아과가? 1 | 泳瑞父 | 2000.08.15 | 5065 |
754 | 브리지라 그랬는데 왜 줄받침만 수리되어 온걸까요? 3 | 콜로디아 | 2004.11.23 | 5065 |
753 | GSP 약 5일 후 연주후기.... | 명노창 | 2000.10.08 | 5060 |
752 | 기타리뷰 | 훈 | 2007.10.11 | 5059 |
751 | 첼로같은 찰현악기에서 쇠소리는 당연한거 아닌가요.... | 명노창 | 2000.10.10 | 5058 |
750 | ☞:자기 악기를 바꾸는 것은 바보? | 명노창 | 2000.07.09 | 5055 |
749 | [re] French Polishing-번역 좀 더.. 7 | 단조 | 2002.07.23 | 5055 |
748 | 기타를 배우시려면.... | 형서기 | 2000.07.11 | 5053 |
747 | 조나단 힌베스에 대한 소식하나. | 수 | 2000.07.30 | 5053 |
746 | 수님 롤랑디얀 기타 무슨 기타에여?? 6 | 아따보이 | 2002.06.14 | 5052 |
745 | 겨울과 기타 | 박 장 규 | 2002.01.30 | 5051 |
744 | Gregory Byers!!! | 간절한 | 2002.06.21 | 5051 |
743 | 24 Strings Sympitar!!! 1 | 간절한 | 2002.07.27 | 5050 |
742 | [re]Amailio Burget 대하여 | 수 | 2003.07.21 | 5047 |
741 | 담만앞사진 | 명노창 | 2000.10.23 | 5046 |
740 | 브릿지와 새들의 접합면이 이상해서 글 올립니다용. 5 | 간절한 | 2001.05.09 | 5046 |
739 | ☞ 안족상단에 상아를 입히면? | 이재화 | 2000.10.24 | 5044 |
738 | [re] 42현 피카소기타 | 조성찬 | 2007.01.14 | 5040 |
737 | 기타수리 감사하답니다.. | 형서기 | 2000.07.23 | 5039 |
736 | 소리, 연주자에 의해 좌우된다.스트라디바리우스와 현대 바이올린, 그 차이점은 무었인가? 8 | 고정석 | 2001.10.31 | 5037 |
735 | ☞:베렌트의 사망원인. | whisky | 2000.08.24 | 5036 |
734 | [re] 파리 하지절축제(solidays) 3 | 콩쥐 | 2007.07.27 | 5036 |
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