2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 16602 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
번호 | 제목 | 글쓴이 | 날짜 | 조회 수 |
---|---|---|---|---|
1144 | 쉘락마무리 17 | gdream7 | 2005.12.26 | 15590 |
1143 | 야쉘락 2 | gdream7 | 2005.12.24 | 14010 |
1142 | 야간 쉘락칠 1 | gdream7 | 2005.12.24 | 13832 |
1141 | 재 도장 2 | gdream7 | 2005.12.17 | 17985 |
1140 | 전판 쉘락칠, 1 | gdream7 | 2005.12.17 | 13742 |
1139 | 다시 쉘락칠 하기. 4 | gdream7 | 2005.12.17 | 14301 |
1138 | 알고싶어요? 1 | 에너지 | 2005.12.15 | 14523 |
1137 | 기타 칠 | gdream7 | 2005.12.15 | 13258 |
1136 | 쉘락칠 하기 9 | gdream7 | 2005.12.15 | 14567 |
1135 | 전판 쉘락칠 장면. 1 | gdream7 | 2005.12.15 | 15123 |
1134 | 전판 사포칠 장면 1 | gdream7 | 2005.12.15 | 15409 |
1133 | 전판쉘락칠 하기. 4 | gdream7 | 2005.12.15 | 14490 |
1132 | 상하현주 가공 질문 드려요~ 11 | 상하현주 | 2005.11.28 | 14567 |
1131 | 최고급 튜닝머신은 무엇때문에 그렇게 비싼지 17 | 튜닝머신 | 2005.12.07 | 19772 |
1130 | 도밍고 에스테소1971년작 1 | 용접맨 | 2005.12.04 | 14272 |
1129 | 서민석 기타에 대하여 7 | ----- | 2005.11.28 | 20822 |
1128 | 연주자의 기타. 2 | 콩쥐 | 2005.11.18 | 16148 |
1127 | 저도 기타에 대해 아쉬운점.. 4 | 차차 | 2005.11.15 | 14845 |
1126 | 후꾸다 신이치의 명기...과다니니1829년산. 4 | 콩쥐 | 2005.11.10 | 18890 |
1125 | [re] 후꾸다 신이치의 명기...........과다니니1829년산. | 콩쥐 | 2005.11.10 | 14513 |
1124 | [re] 후꾸다 신이치의 명기...........과다니니1829년산. | 콩쥐 | 2005.11.10 | 16146 |
1123 | philip woodfield guitar.(이중후판. 더블백) 2 | 콩쥐 | 2005.10.22 | 19763 |
1122 | 안토니오 로까로 친 음악좀 올려주세요 | 기타매냐 | 2005.10.21 | 12568 |
1121 | 기타 제작에 필요한 책 1 | 간절한 제작가 | 2005.09.25 | 15708 |
1120 | 100년된 하카란다 덩어리. 2 | 콩쥐 | 2005.09.20 | 20381 |
1119 | Galli Genius Titanium 2 | 최창호 | 2005.09.04 | 17934 |
1118 | 기타리스트의 악기들 자료모음2005.6.....(퍼온글) | 궁금이 | 2005.08.15 | 16192 |
1117 | Ruiz Pipo - Cancion y Danza No.2 악보 부탁드립니다~ | 기타사랑~ | 2005.07.15 | 16448 |
1116 | 기타 재료의 가격. 1 | -----뻥튀기--- | 2005.07.13 | 16242 |
1115 | 가격이 싼 습도측정기 4 | 수 | 2005.07.13 | 28394 |
1114 | 기타통속의 먼지를 털어주면 어찌될까? 18 | 수 | 2005.06.19 | 18433 |
1113 | 모토미 카케프의 기타....francisco simplicio 4 | 수 | 2005.06.14 | 17800 |
1112 | 제작을 하면서 18 | 철공소사장 | 2005.06.14 | 16526 |
1111 | 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 20675 |
1110 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 17189 |
1109 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 16369 |
1108 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 14916 |
1107 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 15232 |
1106 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 15903 |
1105 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 20519 |
1104 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 18615 |
1103 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 20288 |
1102 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 15583 |
1101 | [re] 철공소사장님이 만든기타 1 | 여름은가고 | 2005.06.14 | 19215 |
1100 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 15863 |
1099 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 18689 |
1098 | [re] 철공소사장님이 만든기타 5 | 여름은가고 | 2005.06.14 | 16508 |
1097 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 13646 |
1096 | [re] 철공소사장님이 만든기타 | 여름은가고 | 2005.06.14 | 15616 |
1095 | Domingo Esteso | 수 | 2005.06.14 | 16325 |
1094 | [re] Domingo Esteso | 수 | 2005.06.14 | 19759 |
1093 | [re] Domingo Esteso | 수 | 2005.06.14 | 13673 |
1092 | [re] Domingo Esteso | 수 | 2005.06.14 | 19376 |
1091 | 기타의 외부도장에 질문드립니다 5 | 철공소사장 | 2005.06.12 | 13984 |
1090 | 자세히 알고 싶습니다 2 | 박용수 | 2005.05.27 | 13304 |
1089 | 질문드립니다 1 | 박용수 | 2005.05.27 | 12861 |
1088 | sanzano concert기타 2 | 은둔.. | 2005.05.22 | 16423 |
1087 | 다음주 완성댈것 같은 기타.. 21 | 혁 | 2005.05.14 | 18471 |
1086 | [re] 다음주 완성댈것 같은 기타.. 17 | 혁 | 2005.05.15 | 19775 |
1085 | 브라질로 일주일간 출장갑니다. 7 | 이창수 | 2005.04.17 | 16954 |
1084 | 야이리기타 14 | Gdream7 | 2005.04.09 | 20890 |
1083 | 2005년 5/3~5. 일본동경근처의 기타문화관에서의 기타전시회. | 수 | 2005.02.17 | 18400 |
1082 | @@@ 기타 좋아하시는 분 꼭보세요 ^^ @@@@@@ | 기타맨 | 2005.02.16 | 17622 |
1081 | 줄에 관한 질문 1 | 갈리지니어스 | 2005.02.04 | 16528 |
1080 | 기타 가격?? 5 | 권진수 | 2005.02.04 | 16303 |
1079 | 시더기타와 스프러스 기타의 차이점을 깨달았음!!!!! 17 | 유레카 | 2005.02.02 | 23051 |
1078 | 7현기타 옆구리 5 | 오모씨 | 2005.01.31 | 18160 |
1077 | - 7현기타 앞모습 | 오모씨 | 2005.01.31 | 17655 |
1076 | - 7현기타 뒷모습 | 오모씨 | 2005.01.31 | 17526 |
1075 | - 7현기타 업네크 | 오모씨 | 2005.01.31 | 17049 |
1074 | - 7현기타 포지션마크 | 오모씨 | 2005.01.31 | 17618 |
1073 | - 7현기타 브릿지 | 오모씨 | 2005.01.31 | 16365 |
1072 | - 7현기타 사운드홀과 라벨 8 | 오모씨 | 2005.01.31 | 19699 |
1071 | [re] - 7현기타 사운드홀과 라벨(어쿠스틱 7현기타) 2 | 찐교스 | 2005.02.02 | 18452 |
1070 | 성가 혹은 가스펠송에 대한 클레식기타 악보에 6 | 김준화 | 2005.01.26 | 18508 |
1069 | 기타에 관해서 3 | 황선동 | 2005.01.21 | 13754 |
1068 | FM 99.9Mhz의 "음악여행"(기타리스트 권대순 출연) 녹음한 것 올려드립니다. | 무지 매냐 | 2005.01.07 | 13441 |
1067 | 기타 제작가님들만 보셔요~ | 혁 | 2005.01.01 | 13509 |
1066 | 하현주 조절과 조율개선 1 | 최창호 | 2004.12.26 | 28014 |
1065 | Mr. Big - To Be With You [MV] | 기타맨 | 2004.12.23 | 15504 |
1064 | 가오리가 치는 로마닐료스 3 | 기타리스트 | 2004.12.23 | 28547 |
1063 | 1920년 싼또스 에르난데스 1 | 혁 | 2004.12.22 | 17646 |
1062 | [re] 1920년 싼또스 에르난데스 | 혁 | 2004.12.22 | 16172 |
1061 | [re] 1920년 싼또스 에르난데스 | 혁 | 2004.12.22 | 13732 |
1060 | [re] 1920년 싼또스 에르난데스 | 혁 | 2004.12.22 | 13436 |
1059 | 1930년 헤르만 하우져 1세 | 혁 | 2004.12.22 | 17296 |
1058 | [re] 1930년 헤르만 하우져 1세 1 | 혁 | 2004.12.22 | 14047 |
1057 | [re] 1930년 헤르만 하우져 1세 | 혁 | 2004.12.22 | 14976 |
1056 | [re] 1930년 헤르만 하우져 1세 | 혁 | 2004.12.22 | 16879 |
1055 | 시더, 스프러스 6 | 지나가다 | 2004.12.20 | 17839 |
1054 | Dominique Field 제작자에 대하여 알고 싶어요. 1 | 호 | 2004.12.14 | 16042 |
1053 | 토레스기타,라미레즈,부쉐 10 | 토레스기타 | 2004.12.11 | 17250 |
1052 | 하모닉스 어떻게 하는건가요. 1 | 시인 | 2004.12.09 | 16314 |
1051 | 새로운 기타케이스 8 | 뮤즈기타 | 2004.12.06 | 19489 |
1050 | 브리지라 그랬는데 왜 줄받침만 수리되어 온걸까요? 3 | 콜로디아 | 2004.11.23 | 13337 |
1049 | european spruce | 수 | 2004.11.22 | 13020 |
1048 | 아아아ㅠ_ㅠ;; 어쩌죠? 기타 줄받침이... 1 | 콜로디아 | 2004.11.14 | 13247 |
1047 | 황동 하현주의 TEST결과 1 | 뮤즈기타 | 2004.11.13 | 18077 |
1046 | 픽업에 관하여... | Freudenthal | 2004.11.01 | 14424 |
1045 | Guitar Humidifier 3 | 고정석 | 2004.10.26 | 16444 |
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