2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 5293 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
번호 | 제목 | 글쓴이 | 날짜 | 조회 수 |
---|---|---|---|---|
1434 |
황칠나무
17 ![]() |
고정석 | 2009.06.26 | 20465 |
1433 | 황칠나무 2 | 콩쥐 | 2009.06.25 | 8481 |
1432 | 동아리연주회곡을 정해야하는데..ㅠ.. 2 | 동아리회장 | 2009.06.25 | 7260 |
1431 |
하드케이스 백팩
![]() |
mauro | 2009.06.15 | 11656 |
1430 |
기타 구조해석 - animation 4
![]() |
EchoOff | 2009.06.11 | 10259 |
1429 |
기타 구조해석 - animation 3
![]() |
EchoOff | 2009.06.11 | 8754 |
1428 |
기타 구조해석 - animation 2
![]() |
EchoOff | 2009.06.11 | 8941 |
1427 |
기타 구조해석 - animation 1
8 ![]() |
EchoOff | 2009.06.11 | 10492 |
1426 |
기타 구조해석 - 현 장력에 의한 상판의 변형
4 ![]() |
EchoOff | 2009.06.11 | 11197 |
1425 |
기타 구조해석 - 진동 모드 2
1 ![]() |
EchoOff | 2009.06.11 | 10852 |
1424 |
기타 구조해석 - 진동 모드 1
1 ![]() |
EchoOff | 2009.06.11 | 11510 |
1423 |
기타 구조해석 - 유한요소 모델
6 ![]() |
EchoOff | 2009.06.11 | 13060 |
1422 | 왼손편한기타 6 | 두식이네 | 2009.06.01 | 9187 |
1421 |
기타를 만드는 남자
70 ![]() |
최동수 | 2009.05.28 | 13537 |
1420 | 기타가 제작되고나서 제 소리를 내려면, 시간이 필요한 건가요? 16 | 몰라용 | 2009.05.26 | 8675 |
1419 | 픽업 1 | 콩쥐 | 2009.05.22 | 7533 |
1418 |
독특한 기타 디자인이네요
6 ![]() |
바실리스크 | 2009.05.14 | 11345 |
1417 |
울프톤 이해를 돕기 위한 그림입니다 ^^
64 ![]() |
EchoOff | 2009.05.12 | 13851 |
1416 | 세고비아>야마시타>앙헬 8 | 종이컵 | 2009.04.26 | 7733 |
1415 | 클래식기타 튜닝문제..... 8 | 기타맨 | 2009.04.07 | 10569 |
1414 | 장 라리비 기타 제작 과정 홍보 영상 6 | jkfs | 2009.03.17 | 9039 |
1413 | 대중음악에서 다현 기타 3 | abcde-kld | 2009.03.14 | 6427 |
1412 | 다현기타 사용자분들의 경험담을 듣고 싶습니다. 63 | 신정하 | 2009.03.12 | 10671 |
1411 | 최동수님 ...... 16 | Kyung Yoo | 2009.03.01 | 7576 |
1410 |
[re] Kasha model의 헤드 모양
3 ![]() |
최동수 | 2008.12.11 | 6182 |
1409 |
Kasha model의 헤드 모양
8 ![]() |
최동수 | 2008.12.11 | 8745 |
1408 |
[re] 바이스게버 카피모델의 헤드사진
13 ![]() |
최동수 | 2008.12.11 | 6701 |
1407 |
[re] 바이스게버 카피모델의 헤드사진
6 ![]() |
최동수 | 2008.12.11 | 7194 |
1406 |
하젤 스프르스 사진
4 ![]() |
콩쥐 | 2008.12.01 | 9046 |
1405 |
기타제작아카데미에서 제작한 스페인식 네크의 근접사진
1 ![]() |
백철진 | 2008.11.29 | 9713 |
1404 | 좀더 길은 기타줄이 없을까요? 7 | 자유 | 2008.11.25 | 7685 |
1403 |
로마닐로스가 올해(2008년) 의 제작자로 선정한 David Merrin Guitar
2 ![]() |
고정석 | 2008.10.19 | 18581 |
1402 |
Jose Ramirez 1 Guitar 1909
3 ![]() |
고정석 | 2008.10.18 | 18583 |
1401 | Classic & Flamenco Guitar Plans | 고정석 | 2008.10.17 | 10988 |
1400 | 기타 전판의 재질에 관한 질문. 17 | 쏠레아 | 2008.10.06 | 11534 |
1399 | 원하는 줄만 골라서 눌러주는 Capo 소개합니다. 2 | 사꼬™ | 2008.09.30 | 7032 |
1398 |
사운드홀에 스피커 달기.
6 ![]() |
쏠레아 | 2008.09.24 | 10118 |
1397 |
브릿지에 대한 질문.
10 ![]() |
쏠레아 | 2008.09.22 | 8417 |
1396 | 기타에서의 공명현상 7 | 쏠레아 | 2008.09.18 | 11446 |
1395 |
[re] 수장건조
6 ![]() |
콩쥐 | 2008.09.15 | 7343 |
1394 | 0프렛에 대해... 제로프렛??? 28 | 쏠레아 | 2008.09.12 | 11869 |
1393 | 기타의 음량에 대한 한탄, 억울함... 19 | 쏠레아 | 2008.09.08 | 11792 |
1392 | 스테파노 그론도나와의 인터뷰 5 | 신정하 | 2008.09.08 | 6931 |
1391 | 음의 분리도와 원달성 8 | 쏠레아 | 2008.09.08 | 8158 |
1390 | 기타에서 일어나는 재미있는 현상. 15 | 쏠레아 | 2008.09.08 | 7970 |
1389 |
이런 기타 이름을 뭐라해야.... ?
13 ![]() |
콩쥐 | 2008.09.07 | 9412 |
1388 | 울림통? 공명통? 어느 것이 맞습니까? 24 | 쏠레아 | 2008.09.07 | 7864 |
1387 | 현고에 대하여 38 | 최동수 | 2008.09.04 | 19776 |
1386 |
브릿지개조 기타
12 ![]() |
훈 | 2008.09.04 | 14576 |
1385 | Contraversial Violinmaker Nagyvary 28 | Kyung Yoo | 2008.08.31 | 6877 |
1384 |
Bracing patterns by Descendant Guitar Makers of Manuel Ramirez
2 ![]() |
고정석 | 2008.08.30 | 10980 |
1383 |
Bracing patterns by Descendant Guitar Makers of Jose Ramirez 1
![]() |
고정석 | 2008.08.30 | 12132 |
1382 |
하현주 각도에 대한 생각
20 ![]() |
쏠레아 | 2008.08.28 | 19209 |
1381 |
[re] 라미레스 상현주
3 ![]() |
최동수 | 2008.08.27 | 7286 |
1380 | [re] 기타의 장력이 센 이유는? 18 | 하진 | 2008.08.22 | 11969 |
1379 |
Tap Tone과 Tone wood – 나무의 특성과 악기의 음향 (A. 재료와 음질)
6 ![]() |
bluejay | 2008.08.22 | 15222 |
1378 |
[re] Laminated Perimeter Frame
![]() |
최동수 | 2008.08.21 | 7035 |
1377 | 울림통 이야기. 2 | 쏠레아 | 2008.08.21 | 9056 |
1376 |
Laminated Perimeter Frame
3 ![]() |
최동수 | 2008.08.20 | 6780 |
1375 |
[re] 장력(Tension)과 액션(Action)
12 ![]() |
그레이칙 | 2008.08.19 | 8531 |
1374 | 장력(Tension)과 액션(Action) 44 | 쏠레아 | 2008.08.18 | 16807 |
1373 |
나무의 특성 (PDF 자료)
2 ![]() |
bluejay | 2008.08.13 | 7483 |
1372 |
Tap Tone과 Tone wood – 나무의 구조와 특성 (A. 재료와 음질)
5 ![]() |
bluejay | 2008.08.12 | 14498 |
1371 |
Tap Tone과 Tone wood – Tap Tone의 진동모드 (A. 재료와 음질)
2 ![]() |
bluejay | 2008.08.12 | 6622 |
1370 | 기타의 과학(2) 39 | 쏠레아 | 2008.08.11 | 9448 |
1369 | 기타의 과학 30 | 쏠레아 | 2008.08.11 | 12603 |
1368 |
Georg Bolin 11 string alto guitar
32 ![]() |
무동자 | 2008.08.10 | 8070 |
1367 | 기타의 장력이 센 이유는? 87 | 궁금 | 2008.08.09 | 15216 |
1366 |
명기에의 길라잡이
312 ![]() |
최동수 | 2008.08.09 | 29763 |
1365 |
하드케이스에 수납가방 만들기
2 ![]() |
음표 | 2008.08.04 | 10242 |
1364 |
기타 주변 용품 (3) 기타 써포트
11 ![]() |
음표 | 2008.08.03 | 9515 |
1363 |
기타 주변 용품 (2) 케이스
5 ![]() |
음표 | 2008.08.03 | 10260 |
1362 |
기타 주변 용품 (1) 제습제
3 ![]() |
음표 | 2008.08.03 | 11257 |
1361 | Göran Söllscher의 11현 기타 소개 13 | so many strings | 2008.07.31 | 9111 |
1360 | 결과는? 결론은? 9 | 최동수 | 2008.07.29 | 8273 |
1359 |
슈퍼칩
1 ![]() |
콩쥐 | 2008.07.24 | 12967 |
1358 |
기타의 수리와 관리
16 ![]() |
최동수 | 2008.07.19 | 10251 |
1357 | 셀락칠 마무리를 콤파운드로 하는걸... 2 | 대왕세손 | 2008.07.14 | 7317 |
1356 |
[re] Bouchet와 Weissgerber
![]() |
최동수 | 2008.07.12 | 6129 |
1355 |
[re] Bouchet와 Weissgerber
![]() |
최동수 | 2008.07.11 | 5294 |
1354 |
[re] Bouchet와 Weissgerber
![]() |
최동수 | 2008.07.11 | 5722 |
1353 |
[re] Bouchet와 Weissgerber
13 ![]() |
최동수 | 2008.07.11 | 6590 |
1352 |
[re] Bouchet와 Weissgerber
![]() |
최동수 | 2008.07.11 | 5826 |
1351 |
Bouchet와 Weissgerber
24 ![]() |
최동수 | 2008.07.11 | 8987 |
1350 | 오아시스 가습기와 개구리알~ 12 | JS | 2008.07.06 | 16073 |
1349 | 제품별 쉘락칠의 차이 1 | 브들레헵 | 2008.06.26 | 8685 |
1348 |
스프루스 색깔 질문
4 ![]() |
昊 | 2008.06.23 | 9479 |
1347 | 기타 음향판의 설계에 대하여 4 | 최동수 | 2008.05.29 | 9636 |
1346 | 기타 음향판의 구조적 검토 | 최동수 | 2008.05.29 | 8864 |
1345 | 기타의 음향판에 관하여 | 최동수 | 2008.05.29 | 8210 |
1344 | The Guitar and its Woods 2 | 고정석 | 2008.05.29 | 11333 |
1343 | JOSE RAMIREZ 1A 에 관해서 9 | 최동수 | 2008.05.14 | 8431 |
1342 | Jose Ramirez AE 모델 5 | 바하조아 | 2008.05.13 | 8229 |
1341 | 무광우레탄 vs 유광우레탄? 5 | 궁금 | 2008.05.05 | 10398 |
1340 | 쉘락칠 할 때요... 3 | 쉘락 | 2008.04.22 | 6215 |
1339 |
GSP 기타 줄
2 ![]() |
GSP | 2008.03.31 | 7357 |
1338 |
기타현 쌩뚱맞게 거는방법.
12 ![]() |
콩쥐 | 2008.02.22 | 8973 |
1337 | 세고비아의 명기에 대한 동영상. 1 | 콩쥐 | 2008.02.03 | 6788 |
1336 |
광주시민항쟁과 기타.
12 ![]() |
콩쥐 | 2008.01.21 | 6602 |
1335 |
최원호님의 CEDARUCE GUITAR.
2 ![]() |
콩쥐 | 2008.01.21 | 7550 |
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