2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 11658 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
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542 | 일본에서 고토해드머신 가격 더 쌀까요?ㅎㅎ 16 | j | 2006.07.13 | 11079 |
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540 | David Rodgers 튜닝머신을 주문했는데요. 5 | 허걱 | 2006.07.15 | 14890 |
539 | 현높이가 너무 높아졌습니다....어쩌죠? 10 | 이지현 | 2006.08.08 | 13057 |
538 | 게르노트 바그너 3 | 콩쥐 | 2006.08.19 | 10959 |
537 | 스몰맨기타의 부채살사진. 13 | 콩쥐 | 2006.09.03 | 14817 |
536 | Knobloch 기타줄 1 | 최창호 | 2006.09.09 | 12663 |
535 | 갈릭...줄 말인데요.. 13 | korman | 2006.09.21 | 11317 |
534 | [re] 정면님의 기타를 함께 생각하며 | 콩쥐 | 2006.09.19 | 10553 |
533 | [re] 무쟈게 성실한 마르비 1 | 콩쥐 | 2006.09.19 | 11176 |
532 | [re] 아직 창고가 깨끗할때 콩쥐 6 | 콩쥐 | 2006.09.19 | 10301 |
531 | [re] marvi와 김중훈님. 1 | 콩쥐 | 2006.09.19 | 11111 |
530 | [re] 기타-바보님 작업사진. 1 | 콩쥐 | 2006.09.20 | 11001 |
529 | marvi와 함께 기타만들기 사진한장. 4 | 콩쥐 | 2006.09.19 | 11794 |
528 | [re] 마르비와 함께한 기타 제작기. | 김중훈 | 2006.09.19 | 11374 |
527 | [re] 마르비와 함께한 기타 제작기. | 김중훈 | 2006.09.19 | 10562 |
526 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.19 | 11046 |
525 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.19 | 11408 |
524 | [re] 마르비와 함께한 기타 제작기. 7 | 김중훈 | 2006.09.19 | 11739 |
523 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.19 | 11484 |
522 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.20 | 10535 |
521 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.20 | 10498 |
520 | [re] 마르비와 함께한 기타 제작기. 2 | 김중훈 | 2006.09.20 | 13778 |
519 | [re] 마르비와 함께한 기타 제작기. | 김중훈 | 2006.09.20 | 12054 |
518 | [re] 마르비와 함께한 기타 제작기. | 김중훈 | 2006.09.20 | 11281 |
517 | 마르비와 함께한 기타 제작기. 3 | 김중훈 | 2006.09.19 | 11999 |
516 | 마르비 워크샾때 만든 내기타 설계도 5 | 정면 | 2006.09.25 | 13349 |
515 | 네크의 재료에 대해서? 3 | np | 2006.11.15 | 12914 |
514 | 스몰맨, 담만 이메일, 주소입니다. 1 | 로빈 | 2006.11.20 | 11942 |
513 | [re] 토레스 플렌입니다... | 박민병 | 2006.12.11 | 10378 |
512 | 토레스 플렌입니다... 1 | 박민병 | 2006.12.11 | 11272 |
511 | 울동네서 발견한 기타에이드 22 | 수 | 2006.12.06 | 11921 |
510 | 나의 습도 유지방법 1 | phr | 2006.12.12 | 11809 |
509 | 브릿지 하현주에서 나는 잡음에대해.. | JoDaC | 2006.12.13 | 10431 |
508 | 실내 가습 문제 해결 강추! 21 | 기타문화원 | 2006.12.08 | 13770 |
507 | 나의 습도 유지방법 4 | phr | 2006.12.12 | 14341 |
506 | 나의 습도 유지방법(계속) 6 | phr | 2006.12.12 | 11640 |
505 | 숯을 이용한 기타보관 침대~~ 4 | 스타 | 2006.12.12 | 12147 |
504 | 기타가 손상되는 가장 많은 원인들. 33 | Jason | 2006.12.16 | 15949 |
503 | 이거이 뭐하는데 쓰는 물건인공??? 10 | 쏠레아 | 2006.12.17 | 12893 |
502 | 기타에이드에 관한 안내글. | 콩쥐 | 2006.12.22 | 10148 |
501 | [기타사진] 강한액션과 장력을...위해서? 1 | 아드미라 | 2006.12.25 | 11606 |
500 | [기타사진] Phil Green의 커스텀 전기 클래식 기타.. | 아드미라 | 2006.12.25 | 11207 |
499 | [기타사진] 2004 Traugott 8-String(각각다른 현장길이..) 2 | 아드미라 | 2006.12.25 | 10399 |
498 | Graf Tuning Maschine. 1 | kissber | 2007.01.07 | 10751 |
497 | 기타를 항공으로 보내는방법. 4 | 수 | 2007.01.07 | 11236 |
496 | [re] 42현 피카소기타 | 조성찬 | 2007.01.14 | 10562 |
495 | 42현 피카소기타 12 | Amigo | 2007.01.08 | 13446 |
494 | 줄을 갈다 생각난건데.. | korman | 2007.01.18 | 11120 |
493 | 콘트레라스 1 | 아무개 | 2007.01.18 | 10630 |
492 | 마르비 제작클래스 이야기 - 프롤로그 1 | 새솔 | 2007.01.31 | 10627 |
491 | 스몰맨과 마티가 애용한다는 케이스 4 | kissber | 2007.02.01 | 12102 |
490 | 마르비 제작클래스 이야기 - 기타의 스타일 2 | 새솔 | 2007.02.01 | 11515 |
489 | 마츠무라선생님과... | SG guitarra | 2007.02.02 | 10529 |
488 | 마르비 제작클래스 이야기- 기타제작과정 | 새솔 | 2007.02.02 | 12569 |
487 | 마르비 제작클래스 이야기 - 기타의 재료에 대해서 2 | 새솔 | 2007.02.05 | 12036 |
486 | 마르비 제작클래스 이야기 - 성실한 마르비 | 새솔 | 2007.02.06 | 10350 |
485 | [re] 기타 사진 (앞쪽) | 새솔 | 2007.02.13 | 9936 |
484 | [re]기타사진 - 태양의 문양 1 | 새솔 | 2007.02.13 | 11876 |
483 | 마르비 제작클래스 이야기 - 에필로그 9 | 새솔 | 2007.02.13 | 11354 |
482 | 프렛계산 엑셀표 | 강나루 | 2007.03.11 | 11617 |
481 | [re] 바이스를 위해 탄생한 13현 아치기타 6 | 산골스트링즈 | 2007.05.01 | 13714 |
480 | 바이스를 위해 탄생한 13현 아치기타 21 | 산골스트링즈 | 2007.05.01 | 12995 |
479 | 기타의 수명에 관한 토론글입니다.(알마기타 펌) 2 | 무저갱 | 2007.05.16 | 18739 |
478 | 스페인에서 앙휄과 함께 ^^ 2 | SG guitarra | 2007.05.25 | 11287 |
477 | 손톱손질용 버퍼모음 4 | 손톱손질 | 2007.06.14 | 13226 |
476 | 중국 기타 공장(공방아닙니다.)인데... 6 | 밀롱가. | 2007.06.15 | 12238 |
475 | 라미네스 공방앞에서... 1 | SG guitarra | 2007.06.19 | 13304 |
474 | 미야모토 김빠치 1937년 42호 작품을 복각품 수준으로 제작하셨습니다. 7 | 스님 | 2007.06.26 | 11870 |
473 | 1년 걸려 부쉐 모델로 Gregorio 2호 완성했어요 24 | 그레고리오 | 2007.08.28 | 13681 |
472 | 사이좋은 그레고리오 형제 4 | 그레고리오 | 2007.08.28 | 11127 |
471 | 채문식선생님 기타공방 싸이트 (참고하세요) 1 | 초보궁금이 | 2007.09.03 | 12340 |
470 | 그새 또 지팡이기타 만드셧네여. 7 | 콩쥐 | 2007.08.20 | 12108 |
469 | 최동수님의 로맨틱기타. 10 | 콩쥐 | 2007.09.18 | 13738 |
468 | [re] 머리 | 콩쥐 | 2007.09.20 | 10776 |
467 | [re] 나무상감. 1 | 콩쥐 | 2007.09.20 | 12079 |
466 | 바리톤기타. 최동수님 작품. 6 | 콩쥐 | 2007.09.20 | 14712 |
465 | 프리드리히의 구조적 특징은 어떤게 있을까요.. | bina | 2007.09.30 | 11574 |
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463 | 글 허접 번역 ㅋㅋ | 복숭아 boy | 2007.07.06 | 9653 |
462 | dominique field in paris. 9 | soo | 2007.06.20 | 14059 |
461 | [re]1.Dieter Hense 편 - 추가사진 | Robin | 2007.06.20 | 10777 |
460 | [re]1.Dieter Hense 편 - 추가사진 1 | Robin | 2007.06.20 | 12027 |
459 | [re]1.Dieter Hense 편 - 추가사진 1 | Robin | 2007.06.20 | 10767 |
458 | [re]1.Dieter Hense 편 - 추가사진 1 | Robin | 2007.06.20 | 11838 |
457 | 독일의 명장 탐방기 - 1.Dieter Hense 편 15 | Robin | 2007.06.20 | 15400 |
456 | 질문 있읍니다~~~ 5 | 아이모레스 | 2007.06.25 | 11829 |
455 | 독일의 명장 탐방기 2편 - 헤르만과 브라만 1. 15 | 로빈 | 2007.06.25 | 15800 |
454 | 독일의 명장 탐방기 2편 - 헤르만과 브라만 2. 23 | Robin | 2007.06.27 | 15475 |
453 | 인도의 악기들 - 조오지 헤리슨과 시타르 5 | 항해사 | 2007.07.18 | 12104 |
452 | [re] 못난이 납작복숭아를...... 1 | 콩쥐 | 2007.07.28 | 11980 |
451 | [re] 바게뜨빵과 세느강... 9 | 콩쥐 | 2007.07.27 | 9305 |
450 | [re] 산티아고와 함께.. | 콩쥐 | 2007.07.27 | 11286 |
449 | [re] 바로쎌로나의 부엌...보께리아 | 콩쥐 | 2007.07.27 | 10853 |
448 | [re] 파리 하지절축제(solidays) 3 | 콩쥐 | 2007.07.27 | 10227 |
447 | [re] L'auditori 카탈루냐. | 콩쥐 | 2007.07.27 | 10632 |
446 | [re] 바로셀로나의 palau de la musica 공연장..... 1 | 콩쥐 | 2007.07.27 | 11113 |
445 | [re] casa luthier 바로셀로나 기타전문점..... 5 | 콩쥐 | 2007.07.27 | 13014 |
444 | 하우저작업실에서.... 4 | 콩쥐 | 2007.07.27 | 13102 |
443 | 짧은현장악기 이런 디자인은 어떨까요? 2 | 최병욱 | 2007.09.11 | 12308 |
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