REFERENCE SOURCES


Books, Articles & Dissertations:

Aitken, Hugh. The Piece as a Whole: Studies in Holistic Musical Analysis. Westport, Conn.: Greenwood Press, 1997.

Andrie, Eugene S. Phrasing in the Solo Violin Works of J. S. Bach. M.A. diss., University of Washington, 1951.

Arnold, Denis. Bach. New York: Oxford University Press, 1984.

Badura-Skoda, Paul. Interpreting Bach at the Keyboard, trans. Alfred Clayton. Oxford: Clarendon Press, 1993.

Benjamin, Thomas. Counterpoint in the Style of J. S. Bach. New York: Schirmer Books, c.1986.

Bernstein, Martin. An Introduction to Music. New York: Prentice-Hall, 1951.

Bettmann, Otto. Johann Sebastian Bach as His World Knew Him. Secaucus, NJ: Carol Pub. Group, 1995.

Bomar, Mandy. "Baroque and Gallant Elements of the Partitas by J. S. Bach.?PhD, Colorado University, 1987.

Boyd, Malcolm. Bach. London: J. M. Dent, 1983.

Boughton, Rutland. Bach, The Master, a New Interpretation of His Genius. New York: Harper and Bros., 1930.

Boyd, Malcolm. Bach's Instrumental Counterpoint. London: Barrie & Jenkins, 1977.

Bronstein, Raphael. Bronstein's Bach Sonatas and Partitas for Solo Violin. Neptune City, NJ: Paganiniana Publications, Inc., 1981.

Bukofzer, Manfred F. Music in the Baroque Era, From Monteverdi to Bach. New York, W. W. Norton, 1947.

Butt, John. Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach. Cambridge, England: Cambridge University Press, 1990.

Butt, John, ed. The Cambridge Companion to Bach. Cambridge, England: Cambridge University Press, 1997.

Cantrel, Byron. "Three B's - Three Chaconnes.?Current Musicology, 12 (1971): 63-66.

Carlevaro, Abel. Guitar Masterclass: Volume IV. Technique Analysis and Interpretation of J. S. Bach Chaconne (BWV 1004). Heidelberg (Germany): Chanterelle Verlag, 1989.

Cogan, Robert and Pozzi Escot. Sonic Design: The Nature of Sound and Music. Englewood Cliffs, NJ: Prentice-Hall, 1976.

Cooper, Grosvenor W. and Meyer, Leonard B. The Rhythmic Structure of Music. Chicago: University of Chicago Press, 1960.

Davis, Paul W. "The Influence of Germanic Traditions and Lifestyle on the Music of J. S. Bach." M. A. diss., California State University, 1979.

Davison, Archibald T. Bach and Handel, the Consummation of the Baroque in Music. Cambridge, Mass.: Harvard University Press, 1951.

Dickinson, Alan Edgar F. The Art of J. S. Bach, 2nd. revised ed. London: Hinrichsen Edition, c.1950.

Dirst, Matthew. "Bach's French Ouvertures and the Politics of Overdotting.?Early Music, v.25, n.1 (Feb 1997): 35-45.

Donington, Robert. The Interpretation of Early Music. New York: Norton, 1989.

_________.A Performer's Guide to Baroque Music. New York: Scribner, 1973.
_________.Baroque Music, Style and Performance: A Handbook. New York: Norton, 1982.

Dreyfus, Laurence. Bach and the Patterns of Invention. Cambridge, Mass.: Harvard University Press, 1996.

Efrati, Richard R. Treatise on the Execution and Interpretation of the Sonatas and Partitas for Solo Violin and the Suites for Solo Cello by Johann Sebastian Bach. Zurich (Germany): Atlantis Musikbuch Verlag AG, 1979.

Eiche, John F., ed. The Bach Chaconne for Solo Violin: A Collection of Views. Urbana, Ill.: American String Teachers Association, 1985.

Emery, Walter. Bach's Ornaments. London: Novello, 1953.

Forkel, Johann Nikolaus. Johann Sebastian Bach: His Life, Art and Work. New York: Johnson Reprint Corp, 1970.

Franklin, Don O., ed. Bach Studies. Cambridge, England: Cambridge University Press, 1989.

Geck, Martin. Bach - Interpretationen. G?tingen, Vandenhoeck u. Reprecht, Germany, 1969.

Geiringer, Karl. Johann Sebastian Bach: The Culmination of an era. New York: Oxford University Press, 1966.

_____________.The Lost Portrait of J. S. Bach. New York: Oxford University Press, 1950.

Gerstung, Denman W. "Performance Practice of Multiple Stops in the Sonatas and Partitas for Unacompanied Violin of J. S. Bach.?D. Mus. Ed., diss., University of Oklahoma, 1970.

Goldsmith, Kenneth M. "Bach's Chaconne: A Performance Edition.?M.A. project, Department of Music, Stanford University, 1967.

Grew, Eva and Grew, Sydney. Bach. New York: McGraw-Hill Book Co., 1972.

Harnoncourt, Nikolaus. The Musical Dialogue: Thoughts on Monteverdi, Bach and Mozart, trans. Mary O'Neill. Portland, Oregon: Amadeus Press, 1989.

Harris, E. A Chronology of the Works of Bach, Johann Sebastian. University of Tennessee, 1980.

Harris, Michael W. "Tensional Factors in J. S. Bach's D-Minor Chaconne: Their Interrelationships and Techniques of Performance.?M.M. diss., Bowling Green State University, 1968.

Herz, Gerhard. Essays on J. S. Bach. Ann Harbor, Mich: UMI Research Press, 1985.

Hindemith, Paul. Johann Sebastian Bach, Heritage and Obligation. Westport, Conn.: Greenwood Press, 1978.

Holst, Imogen. Bach. New York: Crowell, 1965.

Johnson, Hansford F. "The Bach Chaconne: Historical Background.?M.M. diss., Virginia Commonwealth University, Dept. of Music, 1981.

Kim, Hee-Sung. "Written-Out Ornaments in J. S. Bach's Organ Music as a Model for Improvised Ornamentation.?D.M.A. diss., University of Texas at Austin, 1995.

Leichtentritt, Hugo. Musical Form. Cambridge, MA: Harvard University Press, 1959.

Lester, Joel. Bach's Works for Solo Violin: Style, Structure, Performance. New York: Oxford University Press, 1999.

Lewis, Gary W. "Ornamentation in the Music of J. S. Bach: A Study of Formal Design, Motivic Continuity and Aesthetic Value.?D.M.A. diss., University of Oregon, 1992.

Little, Meredith and Jenne, Natalie. Dance and the Music of J. S. Bach. Bloomington: Indiana University Press, 1991.

Lynch, Gregory M. "A Historical and Technical Look at the Six Sonatas and Partitas for Solo Violin by J. S. Bach.?M.M. diss., Ball State University, 1984.

Macomber, Frank S. Bach's Re-use of His Own Music: A Study in Transcription. PhD diss., Syracuse University, 1967.

Malloch, William. "Bach and the French Overture: Analysis of Tempo in the Overtures of J. S. Bach." Musical Quarterly, v.75, n.2 (Summer 1991): 174-198.

Marshall, Robert Lewis. The Compositional Process of J. S. Bach: A Study of the Autograph Scores of the Vocal Works. Princeton, NJ: Princeton University Press, 1972.

_____________.The Music of Johann Sebastian Bach: The Sources, the Style, the Significance. New York: Schirmer Books, 1989.

Melamed, Daniel R., ed. Bach Studies II. Cambridge, England: Cambridge University Press, 1995.

Murray, Robert P. "Evolution and Interpretation as Reflected in Succesive Editions of J. S. Bach's Chaconne.?D. Mus. dissertation, Indiana University, 1976.

Nelson, Robert U. The Technique of Variation: A Study of the Instrumental Variation From Antonio de Cabez? to Max Reger. Berkeley: University of California Press, 1962.

Neumann, Frederick. Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J. S. Bach. Princeton: Princeton University Press, 1978.

_____________."The French "In?ales? Quantz and Bach.?Journal of the American Musicological Society, v.18, n.3 (1965): 313-358.

Neumann, Werner. Bach and His World, trans. Stefann de Haan. New York: Viking Press, 1969.

_____________.Pictorial Documents of the Life of Johann Sebastian Bach. Kassel (Germany): Barenreiter, 1979.

Newman, Anthony. Bach and the Baroque: A Performing View of the Music of J. S. Bach based Primarily on Source Materials of the Baroque Period. New York: Pendragon Press, 1951.

_____________.Bach and the Baroque: A Performing Guide to Baroque Music With Special Emphasis on the Music of J. S. Bach. New York: Pendragon Press, 1985.

_____________.Bach and the Baroque: European Source Materials from the Baroque and Classical Periods With Special Emphasis on the Music of J. S. Bach. Stuyvesant, NY: Pedragon Press, c.1995.

Pruett, Jeffery M. "J. S. Bach's Chaconne in D-Minor: An Examination of Three Arrangements for Piano Solo.?PhD diss., Luisiana State University, 1991.

Riemman, Hugo. Analysis of J. S. Bach's Wohltemperier clavier (48 preludes and fugues), trans. J. S. Shedlock. London: Augener & Co., 190-?.

Rink, John. The Practice of Performance: Studies in Musical Interpretation. Cambridge (England): Cambridge University Press, 1995.

Robyn, Louise. The Ornament Family: Preparation for Playing the Bach Ornaments. Bryn Mawr, PA: Oliver Ditson Co., 1940.

Rothschild, Fritz. The Lost Tradition in Music: Rhythm and Tempo in J. S. Bach's Time. New York: Oxford University Presss, 1953.

Rubin, Augusta. J. S. Bach: The Modern Composer. Boston, Mass.: Crescendo Pub. Co., 1976.

Russell, Louis Arthur. The Embellishments of Music: A Study of the Entire Range of Musical Ornaments from the Time of J. S. Bach. Philadelphia: T. Presser, 1984.

Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. London: MacMillan Publishers Ltd., 1980.

Scholes, Percy A. Diccionario Oxford de la M?ica (Oxford Dictionary of Music). Barcelona (Espana): Edhasa, 1984.

Schwendowius, Barbara and D?ling, Wolfgang, ed. Johann Sebastian Bach: Life, Times, Influence. New Haven, Conn: Yale University Press, 1984.

Sicca, M. "Articulation in the Lute Music of J. S. Bach.?Guitar Review, n.63 (1985).

Spitta, Phillip. Johann Sebastian Bach, His Work and Influence on the Music of Germany,1685-1750, trans. Clara Bell and J. A. Fuller-Maitland. London: Novello, 1899.

Tatlow, Ruth. Bach and the Riddle of the Number Alphabet. Cambridge (England): Cambridge University Press, 1991.

Terry, Charles Sanford. Bach: A Biography. London: Oxford University Press, H. Milford. 1928.

Tetrick, Sidney James. "An Analysis of Performance Practice for the J. S. Bach Chaconne, Based Upon the Anna Magdalena Manuscript.?D.M.A diss. University of Colorado, 1957.

Theone, Helga. J. S. Bach: Ciaconna. Tanz oderTombeau. C?hen (Germany): C?hener bachfesttage, 1994.

Towndrow, Sharon L. "The Melodic Minor Scale in Selected Works of J. S. Bach." M.M.diss., Texas Tech University, 1977.

Tureck, Rosalyn. An Introduction to the Performance of Bach: A Progressive Anthology of Keyboard Music Edited, with Introductory Essays, 3 vols. London: Oxford University Press, 1960.

Walton, Charles W. Basic Forms in Music. Port Washington, NY: Alfred Publishing Co., 1974.

Washington, Peter. Bach. London: David Campbell Publishers, Ltd., 1996.

White, Lyn Daniels. A Survey of Ornamentation in Music of the Baroque Period. M.M. diss., University of Texas at Austin, 1983.

Young, Percy M. Johann Sebastian Bach: The Story of His Life and Work. London: Boosey & Hawkes, 1960.

Recordings

Bream, Julian. Julian Bream Plays Bach. Westminter Gold WMG-8113, LP.

D?z, Alirio. Alirio D?z Plays Bach. Cassette.

Gimpel, Bronslav. Johann Sebastian Bach: Partitas for Unaccompanied Violin, vol. 3. Liner notes by Albert Mell. Dover Publications HCR-5212, LP.

Johnson, Lawrence. Two Spanish Masters: Miguel de Fuenllana, Andr? Segovia. CRG-RG01, cassette.

Lopez Ramos, Manuel. La Guitarra Cl?ica. Liner notes by Carl Miller. Boston Records B-216, LP.

Milstein, Nathan. Johann Sebastian Bach: The 6 Sonatas and Partitas for Solo Violin, BWV 1001-1006. Liner notes by Boris Schwarz. Deutsche Grammophon 2709047, LP.

O'Riley, Christopher. Ferrucio Busoni: Piano Works. Liner notes by Craig Lia Braaten. Centaur CRC2036, CD.

Parkening, Christopher. The Young American Virtuoso Christopher Parkening in the Classic Style. Liner notes by Rory Guy. Angel S-36019, LP.

Skendrey-Karper, L?zl? Guitar Recital. Qualition, LPX-1161, LP.

Yepes, Narciso. Narciso Yepes. Liner notes by Enrique Franco. Columbia CCL32030, LP.

Scores & Facsimiles

Bach, Johann Sebastian. Chacona en Re Menor, transcribed for guitar by Narciso Yepes. Madrid (Espana): Ediciones Musicales Madrid, 1960.

_____________.Chaconne aus der Partita II d-Moll f? Violine solo BWV1004, f? Gitarre, transcribed for guitar by Andr? Segovia. Mainz (Germany): B. Schott, 1934.

_____________.Chaconne in D minorFrom the Sonata for Violin Solo No. 4, transcribed for piano by Ferrucio Busoni. New York: G. Schirmer Inc., 1939.

_____________.Ciaccona aus der Partita 2da a Violino solo senza Basso BWV1004, transcribed for guitar by Karl Scheit. Wien (Germany): Universal Editions, 1985.

_____________.Neue Ausgabe s?tlicher Weke, hrsg. vom Johann-Sebastian-Bach Institut G?tingen und vom Bach-Archiv Leipzig. Kassel: Barenreiter-Verlag, 1954.

_____________.Sei Solo a Violino. Edited and with a postcript by Wilhelm Martin Luther. Kassel (Germany): Barenreiter, 1958.

_____________.Sonaten und Partiten f? Violinew allein: Faksimile-Ausgabe. Edited and with a postcript by G?ter Hausswald. Wieswaden (Germany): Insel -Verlag, 1962. Reprint with English translation by K. Marie Stolba. New York: Da Capo Press, 1982.

_____________.Three Sonatas and Three Partitas for Solo Violin, BWV 1001-1006, edited by Gunter Hauswald. Kassel (Germany): Barenreiter, 1959.

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