2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 11401 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
번호 | 제목 | 글쓴이 | 날짜 | 조회 수 |
---|---|---|---|---|
1242 | [기타사진] Phil Green의 커스텀 전기 클래식 기타.. | 아드미라 | 2006.12.25 | 10930 |
1241 | [기타사진] 강한액션과 장력을...위해서? 1 | 아드미라 | 2006.12.25 | 11360 |
1240 | 기타에이드에 관한 안내글. | 콩쥐 | 2006.12.22 | 9949 |
1239 | 이거이 뭐하는데 쓰는 물건인공??? 10 | 쏠레아 | 2006.12.17 | 12654 |
1238 | 기타가 손상되는 가장 많은 원인들. 33 | Jason | 2006.12.16 | 15681 |
1237 | 브릿지 하현주에서 나는 잡음에대해.. | JoDaC | 2006.12.13 | 10217 |
1236 | 숯을 이용한 기타보관 침대~~ 4 | 스타 | 2006.12.12 | 11927 |
1235 | 나의 습도 유지방법(계속) 6 | phr | 2006.12.12 | 11415 |
1234 | 나의 습도 유지방법 4 | phr | 2006.12.12 | 13980 |
1233 | 나의 습도 유지방법 1 | phr | 2006.12.12 | 11546 |
1232 | [re] 토레스 플렌입니다... | 박민병 | 2006.12.11 | 10138 |
1231 | 토레스 플렌입니다... 1 | 박민병 | 2006.12.11 | 11033 |
1230 | 실내 가습 문제 해결 강추! 21 | 기타문화원 | 2006.12.08 | 13540 |
1229 | 울동네서 발견한 기타에이드 22 | 수 | 2006.12.06 | 11653 |
1228 | 스몰맨, 담만 이메일, 주소입니다. 1 | 로빈 | 2006.11.20 | 11691 |
1227 | 네크의 재료에 대해서? 3 | np | 2006.11.15 | 12437 |
1226 | 마르비 워크샾때 만든 내기타 설계도 5 | 정면 | 2006.09.25 | 13120 |
1225 | 갈릭...줄 말인데요.. 13 | korman | 2006.09.21 | 11048 |
1224 | [re] 기타-바보님 작업사진. 1 | 콩쥐 | 2006.09.20 | 10774 |
1223 | [re] 마르비와 함께한 기타 제작기. | 김중훈 | 2006.09.20 | 10981 |
1222 | [re] 마르비와 함께한 기타 제작기. | 김중훈 | 2006.09.20 | 11658 |
1221 | [re] 마르비와 함께한 기타 제작기. 2 | 김중훈 | 2006.09.20 | 13365 |
1220 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.20 | 10300 |
1219 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.20 | 10316 |
1218 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.19 | 11065 |
1217 | [re] 마르비와 함께한 기타 제작기. 7 | 김중훈 | 2006.09.19 | 11491 |
1216 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.19 | 11169 |
1215 | [re] 마르비와 함께한 기타 제작기. 1 | 김중훈 | 2006.09.19 | 10828 |
1214 | [re] 마르비와 함께한 기타 제작기. | 김중훈 | 2006.09.19 | 10334 |
1213 | [re] 마르비와 함께한 기타 제작기. | 김중훈 | 2006.09.19 | 11126 |
1212 | 마르비와 함께한 기타 제작기. 3 | 김중훈 | 2006.09.19 | 11779 |
1211 | [re] 정면님의 기타를 함께 생각하며 | 콩쥐 | 2006.09.19 | 10325 |
1210 | [re] 무쟈게 성실한 마르비 1 | 콩쥐 | 2006.09.19 | 10903 |
1209 | [re] 아직 창고가 깨끗할때 콩쥐 6 | 콩쥐 | 2006.09.19 | 10072 |
1208 | [re] marvi와 김중훈님. 1 | 콩쥐 | 2006.09.19 | 10858 |
1207 | marvi와 함께 기타만들기 사진한장. 4 | 콩쥐 | 2006.09.19 | 11550 |
1206 | Knobloch 기타줄 1 | 최창호 | 2006.09.09 | 12285 |
1205 | 스몰맨기타의 부채살사진. 13 | 콩쥐 | 2006.09.03 | 14577 |
1204 | 게르노트 바그너 3 | 콩쥐 | 2006.08.19 | 10706 |
1203 | 현높이가 너무 높아졌습니다....어쩌죠? 10 | 이지현 | 2006.08.08 | 12833 |
1202 | 하카란다.. 안쪽면에 칠?? 4 | 칠 | 2006.08.01 | 13660 |
1201 | [re] [알림] A.D.MARVI (마르비) 기타제작클라스 매니아창고사진 | 수 | 2006.07.22 | 11711 |
1200 | 기타의 액션 - Action Calculator 3 | bluejay | 2006.07.15 | 11536 |
1199 | 기타의 액션 5 | bluejay | 2006.07.15 | 11523 |
1198 | David Rodgers 튜닝머신을 주문했는데요. 5 | 허걱 | 2006.07.15 | 14633 |
1197 | [질문] 기타의 적정 현장이란게... 14 | 당배 | 2006.07.14 | 11542 |
1196 | 일본에서 고토해드머신 가격 더 쌀까요?ㅎㅎ 16 | j | 2006.07.13 | 10863 |
1195 | 째즈기타라는게 어떤 특정한 기타가 있습니까? 9 | 우주비행사 | 2006.07.13 | 10946 |
1194 | [알림] A.D.MARVI (마르비) 기타제작클라스 11 | 수 | 2006.07.12 | 11720 |
1193 | 기타인의 필수품 습도측정기. 1 | 수 | 2006.07.03 | 12233 |
1192 | 축구는끝나고 심심해서 5 | 에뚜드 | 2006.06.25 | 10071 |
1191 | 야마하 싸일런트 기타 SLG-100N 샀습니다 2 | 구멍맨 | 2006.06.24 | 12164 |
1190 | 기타리스트의 기타들 자료. | 콩쥐 | 2006.06.03 | 14396 |
1189 | 기타이야기는아니지만 스트라디바리... | 하카란다 | 2006.05.29 | 11889 |
1188 | 악기선택의 생각할점. 2 | 콩쥐 | 2006.05.21 | 11247 |
1187 | 재미있는 브릿지 디자인이 있어서... 6 | 서정실 | 2006.05.12 | 12096 |
1186 | 우리나라 나무로 기타제작 시도해보신분.. 13 | 강나루 | 2006.05.05 | 14230 |
1185 | Scale 계산법(수정:계산식이 틀렸내요)) 3 | 강나루 | 2006.04.29 | 12412 |
1184 | africa blackwood. 19 | 콩쥐 | 2006.04.16 | 9961 |
1183 | 공명통의 구조에 질문드립니다 2 | 철공소사장 | 2006.04.03 | 10453 |
1182 | 조립및 도색 완성기타 7 | gd7 | 2006.03.27 | 13553 |
1181 | 기타 나무재료 국내전문취급점 | 하늘 | 2006.03.25 | 10112 |
1180 | 하카란다 에 대한 혼동 ? 19 | esteban | 2006.03.06 | 12366 |
1179 | 키트 조립 1호 6 | gd7 | 2006.03.06 | 12243 |
1178 | 우와...좋은아이디어 생각났어요.... 16 | 수 | 2006.03.04 | 11199 |
1177 | '라이징 보드'와 '노말 보드'의 차이점 5 | 로망스 | 2006.02.28 | 13798 |
1176 | 연주자를 쏙 빼닮는 악기. 19 | 콩쥐 | 2006.02.28 | 14822 |
1175 | 작업3 14 | gd7 | 2006.02.26 | 11202 |
1174 | 작업2 8 | gd7 | 2006.02.24 | 11027 |
1173 | 작업 12 | gd7 | 2006.02.24 | 11184 |
1172 | 기타 제작에 도움이 되는 사이트 모음 1 | 토토 | 2006.02.18 | 11579 |
1171 | [re] 미겔 로드리게스 사진입니다 4 | 10현 | 2006.02.14 | 11334 |
1170 | [re] 미겔 로드리게스 사진입니다 1 | 10현 | 2006.02.14 | 9674 |
1169 | 미겔 로드리게스 사진입니다 7 | 10현 | 2006.02.14 | 13590 |
1168 | 클래시컬 기타 스트링에 대한 기초지식 | 김재승 | 2006.02.09 | 10817 |
1167 | 안드레스 카룬초 3 | 용접맨 | 2006.02.03 | 10828 |
1166 | 헉스!! 현도 소리에 많은 영향을 미치는군요 2 | 롱랑디용 | 2006.02.03 | 10620 |
1165 | 손톱 굽은 분들 보셔용... 6 | 해피보이 | 2006.01.21 | 12636 |
1164 | 역시 기타를 칠려면 손가락이 가늘고 길어야 ㅠㅠ | 기타는멋쟁이 | 2006.01.18 | 11379 |
1163 | 기타의 장력과 헤드각도 9 | 철공소사장 | 2006.01.15 | 11771 |
1162 | 저도 쉘락칠(French Polish) 3 | limnz | 2006.01.10 | 12582 |
1161 | 조율기 파손.. 수리 1 | 고른이 | 2006.01.09 | 13334 |
1160 | 조금전에 쉘락칠을 마친 기타 10 | gdream7 | 2006.01.08 | 12631 |
1159 | 내가 소지한 4대의 기타 4 | gdream7 | 2006.01.08 | 12800 |
1158 | 내가 쉘락칠한 기타 8 | gdream7 | 2006.01.08 | 10669 |
1157 | 기타 분해 조립 | gdream7 | 2006.01.08 | 12075 |
1156 | 클래식 기타~ 8 | 정수진 | 2006.01.03 | 13290 |
1155 | 수리 완료된 원음8호 5 | gdream7 | 2006.01.02 | 8888 |
1154 | 하현주 낮추기. 1 | gdream7 | 2006.01.02 | 10864 |
1153 | 20년된 기타 | gdream7 | 2005.12.31 | 11105 |
1152 | 20년된 기타 | gdream7 | 2005.12.31 | 11927 |
1151 | 20년지난기타 올 쉘락칠. 1 | gdream7 | 2005.12.31 | 11030 |
1150 | 쉘락칠. 3 | gdream7 | 2005.12.30 | 9575 |
1149 | 클래식기타에 관해 질문이 있습니다 1 | 문 | 2005.12.29 | 9156 |
1148 | 쉘 마무리. | gdream7 | 2005.12.26 | 8944 |
1147 | 쉘락마무리 17 | gdream7 | 2005.12.26 | 9477 |
1146 | 야쉘락 2 | gdream7 | 2005.12.24 | 9338 |
1145 | 야간 쉘락칠 1 | gdream7 | 2005.12.24 | 9573 |
1144 | 재 도장 2 | gdream7 | 2005.12.17 | 10151 |
1143 | 전판 쉘락칠, 1 | gdream7 | 2005.12.17 | 9437 |
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