기타살롱의 리브라님의 글 퍼왔습니다..
..................................................................
델캄프 포럼에 재미있는 글이 있어서 가져왔습니다.
가계도도 있네요.^^
In an earlier thread the question of a “Granada School” of builders was raised, leading to heated discussion regarding whether the term holds realistically meaningful validity. Now that passions have subsided, and without wishing to take a side in the matter, I’d like to share my understanding of the term strictly as evidenced by a chronological overview of the historical record. Perhaps this background information will help others elucidate their positions.
Evidently the first coinage of the term “Granada School” in English may be attributed to a translation of words by Eusebio Rioja, who published the book Inventario de Guitarreros Granadinos, (1875-1975) in 1976. George Clinton and John Roberts (Editor and History Columnist of the English magazine “Guitar”, respectively), visited Granada in 1976 and Roberts, as a result, published an article entitled “The Guitar in Granada” in the February, 1977 issue (pages 9-11). Roberts quotes from it extensively (in his own translation) in his article, and specifically quotes Rioja’s phrase in the introduction, "la escuela guitarrera granadina", as “the Granada School of makers”. Roberts then goes on to cover Rioja’s list of Granada makers.
Ivor Mairants, the English jazz guitarist and classical enthusiast turned guitar dealer (who was importing and selling guitars by Antonio Marín Montero, Manuel Bellido, and Antonio Raya Pardo among others already), covered six “Guitarreros of Granada” in his 1980 book My Fifty Fretting Years (pages 356-357) without using the term, however.
Rioja published a second edition of his book, this one entitled Inventario de Guitarreros Granadinos, (1875-1983), in conjunction with the 11th Congresso Nacional de Actividades Flamencas in Granada in 1983. Mairants was in attendance, met Rioja, and returned to England to publish the two-part article “Granada: City of Guitar Makers” in the March/April and May/June issues of “Classical Guitar” magazine (pages 71-74 and 59-60, respectively). Like Roberts’ article seven years earlier, Mairants covers Rioja’s now extended list of Granada luthiers. While not using the term “Granada School”, Mairants opts instead to use “pupils of the House of Ferrer”, “the school of Ferrer”, and “the Ferrer school”.
The aforementioned George Clinton returned to Granada in 1988 for a week’s visit, thereafter writing a series of twelve articles entitled “Escuela Granadina de Luthiers” (The Granada School of Luthiers) in “Guitar International” magazine from September 1988 through 1989. Not merely parroting Rioja’s term, Clinton instead was referring to an actual organization called the Escuela. In his words, “The Escuela was formed in 1987—in truth to bureaucratize an already close association—and comprises twelve makers” (namely, Antonio Marín Montero, José Lopez Bellido, Juan Miguel Carmona, Rafael Moreno, Germán Pérez Barranco, Antonio Raya Pardo, José Marín Plazuelo, Manuel Diaz, Bernd Martin, René Baarslag, and Jonathan Hinves). In addition to his introductory article, essays in future issues were each devoted to one of the makers (save Manuel Diaz, who was unavailable). Each essay bore the main title, “Escuela Granadina de Luthiers”.
Clinton was the first to define the Escuela vis-à-vis the Madrid (i.e. Ramirez) “School” of builders. He states, “As a school, the present makers share several characteristics…”. He then goes on to list:
1. smaller plantilla
2. built up from the top
3. Spruce tops
4. Top domed on solera
5. Torres type strutting (usually 7)
6. Peones instead of continuous lining
7. 650mm scale length
8. Mosaic rosette construction technique
9. French polish finish
A year later, in 1990, Lisa Hurlong (aka “Lisa de Granada”) published her article on select Granada makers, after having purchased an Antonio Marín Montero while on a concert trip to Granada in 1979, and having reacquainted herself with Granada in 1984. The article, “Guitarra Granada Ole” appeared in the summer, 1990, issue of “Soundboard” magazine (pages 14-21), and covered Antonio Marín Montero, José Marín Plazuelo, René Baarslag, José Lopez Bellido, Jonathan Hinves, and Bernd Martin. (Later, in the winter, 1992, issue of “American Lutherie”, she covered Antonio Raya Pardo in a separate article). Nowhere in her writings, however, does Lisa de Granada use the term “Granada School”.
John Huber’s book, The Development of the Modern Guitar (Bold Strummer, 1991, and second edition, 1994), is careful to use the term “Granada School” in double quotes, as does Kenny Hill in his 2001 essay, “Visit to Legendary Granada” on his website.
In summary, then, it would appear that “Granada School” as a term in English has its origin in print in a translation of the 1976 writings of Eusebio Rioja. An actual Granada School was formalized in 1987, and George Clinton wrote extensively about it and its makers in English from 1988-1989. (Perhaps one of our Granada contributors might enlighten us as to the fate of the Escuela as an organized body of luthiers).
Aside from the formal organization which utilized the name, “Granada School” has, it seems, come to be associated with virtually any builder in Granada whose guitars exhibit most of the characteristics that Clinton enumerated in his 1988 article. In addition, it would seem that, as Mairants insinuated, luthiers of the “Granada School” can trace their lineage of teachers back to the House of Ferrer. Unlike the “Madrid School”, where few lineages spanned more than two generations save for the House of Ramirez, in Granada we find fathers teaching sons (e.g. Manuel and Jesus Bellido, Antonio Durán and Eduardo Durán Ferrer, Antonio Raya Pardo and Antonio Raya Ferrer, and Bernd and Lucas Martin), uncles teaching nephews (e.g. Benito and Eduardo Ferrer, Antonio Marín Montero and both Paco Santiago Marín and José Marín Plazuelo), brothers teaching brothers (e.g. Manuel and José Lopez Bellido), brothers-in-law teaching brothers-in-law (e.g. José Lopez Bellido and Antonio Raya Pardo), husbands teaching wives (e.g. René Baarslag and Ana Espinosa Rodriguez), etc. Hence familiarity is literally key, with the exception of expatriates, of course. Even then, for example, Antonio Marín Montero has referred to René Baarslag as being “like a son to me”.
Cheers,
David Gansz
P.S. The renowned historian, author, luthier, and guitar dealer Richard Brune, having read the above, has contacted me and graciously shared the following information: Brook Zern, author of a regularly appearing column on the Spanish tradition of lutherie in the publication "Flamenco Information Service Library Newsletter" in 1968, having finished a multi-part series on the Madrid school, indicated that his next month's installment would be on the "Granada school". So Richard, without having actually surveyed his vast archival collection of literature on the subject for verification, believes this to be the first appearance of the term in English. Interestingly, Richard notes that, in the actual article (No. 8, Vol 1, page 3...December, 1968), Zern states, "Granada has its own group of constructors (I'd hesitate to call it a School)". I am very grateful to Richard, an acknowledged expert in these matters, for freely sharing this information with us.
번호 | 제목 | 글쓴이 | 날짜 | 조회 수 |
---|---|---|---|---|
1634 | 뒷판사진 | 일랴나 | 2000.12.28 | 4014 |
1633 | 나의 결정~! | 으랏차차 | 2001.02.03 | 4015 |
1632 | 기타 수리에 대하여 | alteclub | 2001.02.19 | 4016 |
1631 | 담만이 누군가 했더니..... | 수 | 2000.10.28 | 4017 |
1630 | 맨나중프렛이.... | 수 | 2001.06.22 | 4018 |
1629 | ☞ 제발 귀 좀 귀울여 주심 안될까요? | 가스파르 | 2000.11.06 | 4018 |
1628 | 계열이가 여기에?! | 기혀니 | 2001.07.08 | 4019 |
1627 | ☞ 사진 한장 | 고정석 | 2001.01.17 | 4019 |
1626 | ☞ 맨나중프렛이.... | 박카스 | 2001.06.22 | 4023 |
1625 | 중요한건 습도가 얼마나 되느냐죠. | 수 | 2001.07.13 | 4025 |
1624 | 소리를 들어 보고 나서 | 고은별 | 2000.10.18 | 4025 |
1623 | ☞ ☞ 타우너를 우습게 알다니 ...이노옴! | 형서기 | 2000.11.12 | 4030 |
1622 | 손이 기준이죠.... | 수 | 2000.12.20 | 4031 |
1621 | 브리지 핀 완성품 2 | 수 | 2020.09.20 | 4034 |
1620 | 안녕하세요 홈에는 첨이네요... 자료실만 왔었는데... 저기 질문염.. 3 | 우 | 2001.09.02 | 4036 |
1619 | 기타내부에 칠을 하면... | 수 | 2001.05.06 | 4037 |
1618 | 기타에 현을 매었을 때.... 2 | 늦깎이 | 2001.05.24 | 4038 |
1617 | 궁금한것이 있어서요....... | 이재화 | 2000.10.11 | 4038 |
1616 | 귀찮기는요. 기쁘게 보내드리죠. | 고은별 | 2000.10.12 | 4040 |
1615 | ☞ 아래 글 올린 왕 초보 입니다.. 1 | 樂 前 孤 鬪 | 2000.11.05 | 4040 |
1614 | 질문요. 1 | 방문객 2 | 2001.04.08 | 4042 |
1613 | [초보]질문있습니다 | 기타치고시퍼 | 2001.03.29 | 4044 |
1612 | ☞ 타우너를 우습게 알다니 ...이노옴! | 곰팡이 | 2000.11.12 | 4044 |
1611 | 그 사람이 그 사람이우...왕야맹 | 형서기 | 2000.11.12 | 4044 |
1610 | 아아..보이는데 가질 수 없는건.. | ganesha | 2001.02.06 | 4045 |
1609 | 콘트라베이수...손톱 갈아 묵는 애... | 형서기 | 2000.11.03 | 4047 |
1608 | 제발 제프리 엘리어트 기타 좀 보여줘요? | illiana | 2000.12.28 | 4048 |
1607 | 어린이용 기타아 | 문병준 | 2001.03.02 | 4050 |
1606 | 오래된 기타 새로 칠하기 | 수 | 2020.07.09 | 4051 |
1605 | ☞:음메 어려운거...... | 명노창 | 2000.09.16 | 4054 |
1604 | 기타줄을 새로 바껐는데여... 4 | ... | 2001.05.10 | 4057 |
1603 | 이마이.. 관둔게 아니래요.. | 오모씨 | 2000.12.11 | 4057 |
1602 | ☞:앞판은 세상에서 가장연한 나무로 그리고 옆판과 뒤판은 대리석을 얇게 짤라서.... | 개풀 | 2000.08.31 | 4061 |
1601 | 연이은질문]Paul Fischer에 대해... | 형서기 | 2000.10.21 | 4062 |
1600 | 중국이야기가 궁금타? 음반짱님.... | 곰팡이 | 2000.11.12 | 4062 |
1599 | ☞:안녕하세요..명노창입니다. | 명노창 | 2000.08.04 | 4063 |
1598 | 저 7 | 수 | 2001.06.22 | 4063 |
1597 | 이마이딜러가 그만뒀다고 그러네요.... | 수 | 2000.12.11 | 4063 |
1596 | 앞판사진 | 일랴나 | 2000.12.28 | 4064 |
1595 | ☞ ☞ 더하기 위치... | 화음 | 2000.12.03 | 4064 |
1594 | 수님~! 3 | 박카스 | 2001.06.22 | 4065 |
1593 | 카즈오 사또 시몬(?)에 대해 알고싶습니다. 5 | 청년 | 2001.04.10 | 4065 |
1592 | 아래 글 올린 왕 초보 입니다.. | 전우화 | 2000.11.03 | 4065 |
1591 | ☞ ☞ 기타 제작자 이야기(3) | 기타마니아 | 2000.11.19 | 4066 |
1590 | ☞ 앗...그래였나? | ("@") | 2000.11.27 | 4069 |
1589 | 제 기타가 이상해여....ㅜ.ㅜ 7 | 고정욱 | 2001.06.26 | 4070 |
1588 | 귀찮기는요. 기쁘게 보내드리죠. | 가스파르 | 2000.10.12 | 4071 |
1587 | 알고 싶어요 | 평민 | 2000.11.18 | 4071 |
1586 | ☞ ☞ 제글이 없어 졌네요..... | 명노창 | 2001.02.03 | 4074 |
1585 | ☞ 마린 나온거 있습니다..... | 덜렁이 | 2001.02.18 | 4075 |
1584 | 부럽당...정말 부럽죠? | sophia | 2000.10.22 | 4077 |
1583 | 기타만들고파~ | ganesha | 2000.07.04 | 4078 |
1582 | 직업때문에 연주회 구경 못가는 심정 | 백영업 | 2001.03.17 | 4078 |
1581 | Boaz Elkayam_Recording Guitar | gaspar | 2000.12.28 | 4078 |
1580 | 네크의 두께.. 2 | 으랏차차 | 2001.04.20 | 4079 |
1579 | 이런 | 이재화 | 2000.10.13 | 4081 |
1578 | 요즘은 장마철이라 습도가 높져... 1 | 수 | 2001.07.02 | 4083 |
1577 | 줄감개가 기타음색에 어떤 영향을 미치나요? | 파뿌리 | 2001.02.15 | 4083 |
1576 | ☞뜨아..울림은 좋을것 같은데 맑지는 않을것 같다... | 명노창 | 2001.03.10 | 4084 |
1575 | 로제트사진 | 일랴나 | 2000.12.28 | 4084 |
1574 | ☞ ☞ 정말 스페인에 가면 바로 살수..... | 간절한 | 2001.03.29 | 4089 |
1573 | 음질의 이중성. 1 | 날카론시각. | 2001.08.27 | 4090 |
1572 | 기타를 사랑한다 하면서도 | maria | 2001.03.15 | 4090 |
1571 | ☞:내가 원하는 기타는... | 김남호 | 2000.08.27 | 4091 |
1570 | ☞:홀에 대해서 질문... | bronto | 2000.06.15 | 4091 |
1569 | 수님께선 어쿠스틱 기타 제작은 안하시나요? ^^;;;; | 짱팔이 | 2001.07.11 | 4092 |
1568 | 어린칭구가 연주할 기타는 얼마나 작아야죠? | 김종표 | 2001.03.02 | 4092 |
1567 | 이런.................... | 이재화 | 2000.10.13 | 4093 |
1566 | 기타 추천 바랍니다. 1 | 박재만 | 2001.03.28 | 4094 |
1565 | 기타 계간지가 있다고 들었는데.. | 윤성규 | 2001.03.13 | 4094 |
1564 | 정말 감사합니다 | 일랴나 | 2000.12.29 | 4095 |
1563 | 기타 앞면에 사용되는 원목관련 문의드립니다 3 | 릿지우드 | 2020.08.17 | 4096 |
1562 | 이그나시오 로자스가 어리 갔나 했더니... | 매냐 | 2001.08.29 | 4100 |
1561 | 앞판사진 | 일랴나 | 2000.12.28 | 4101 |
1560 | 아유...그런거 지천이야요... | 수 | 2001.05.06 | 4104 |
1559 | 베르나베 아자씨.... 음.. 할아버진가?? | 변소반장 | 2000.12.05 | 4105 |
1558 | 몇가지만 더 여쭤 볼게여~~~ 3 | 기타랑 | 2001.05.18 | 4106 |
1557 | 기타사고 싶어요 | 구경본 | 2001.01.20 | 4106 |
1556 | 이런....................아항.. | 지영이 | 2000.10.13 | 4106 |
1555 | 케이스에 대한 질문. 1 | 최성우 | 2001.07.14 | 4107 |
1554 | ☞ 8현사랑. | 피어리나 | 2001.03.17 | 4110 |
1553 | 제가요 기타를 배우는 데요... | 기타리스트 리 | 2001.01.28 | 4110 |
1552 | 자문자답 | 병서기 | 2001.08.31 | 4111 |
1551 | ☞ 이마이 | 기타마니아 | 2000.11.28 | 4112 |
1550 | 케이스를 한번 만들어보면? 3 | 최성우 | 2001.07.15 | 4114 |
1549 | 내가 가지고 싶은 기타..이런 기타가 있나여? | 형서기 | 2001.01.02 | 4114 |
1548 | 외국기타의 주문방법좀 가르쳐 주셔요, | 간절한 | 2000.11.11 | 4114 |
1547 | whammy bar acoustic guitar 1 | persecutaa | 2019.11.08 | 4114 |
1546 | 브리지 12홀 제작 2 | 수 | 2020.08.29 | 4116 |
1545 | 친구가 기타샀다. 3 | 매냐 | 2001.08.29 | 4120 |
1544 | ☞ 전문 제작가인 웅수엉아에게 상의해보세요... | 명노창 | 2001.01.27 | 4120 |
1543 | 수님감사함다. | 곰팽이 | 2000.11.05 | 4120 |
1542 | 개풀님~ 하하 ...다혈질이시져? | 개풀 | 2000.08.18 | 4123 |
1541 | 저도 칠이넘 어려워요......... | 수 | 2001.02.16 | 4123 |
1540 | ☞ 지판을 딱을 때... | 木香 | 2001.07.14 | 4126 |
1539 | ☞ 가오리가 쓰는 기타가? | 왕초보 | 2001.04.05 | 4127 |
1538 | 최근에 기타제작 콩쿨이 있었다는데.. | 방문객 | 2001.03.31 | 4128 |
1537 | ☞ 수님만 보세요... | 곰팽이 | 2000.10.30 | 4129 |
1536 | 기타왔습니다 3 | 박카스 | 2001.06.22 | 4132 |
1535 | Frank Bungarten의 악기 | 기타마니아 | 2000.10.24 | 4132 |
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