기타살롱의 리브라님의 글 퍼왔습니다..
..................................................................
델캄프 포럼에 재미있는 글이 있어서 가져왔습니다.
가계도도 있네요.^^
In an earlier thread the question of a “Granada School” of builders was raised, leading to heated discussion regarding whether the term holds realistically meaningful validity. Now that passions have subsided, and without wishing to take a side in the matter, I’d like to share my understanding of the term strictly as evidenced by a chronological overview of the historical record. Perhaps this background information will help others elucidate their positions.
Evidently the first coinage of the term “Granada School” in English may be attributed to a translation of words by Eusebio Rioja, who published the book Inventario de Guitarreros Granadinos, (1875-1975) in 1976. George Clinton and John Roberts (Editor and History Columnist of the English magazine “Guitar”, respectively), visited Granada in 1976 and Roberts, as a result, published an article entitled “The Guitar in Granada” in the February, 1977 issue (pages 9-11). Roberts quotes from it extensively (in his own translation) in his article, and specifically quotes Rioja’s phrase in the introduction, "la escuela guitarrera granadina", as “the Granada School of makers”. Roberts then goes on to cover Rioja’s list of Granada makers.
Ivor Mairants, the English jazz guitarist and classical enthusiast turned guitar dealer (who was importing and selling guitars by Antonio Marín Montero, Manuel Bellido, and Antonio Raya Pardo among others already), covered six “Guitarreros of Granada” in his 1980 book My Fifty Fretting Years (pages 356-357) without using the term, however.
Rioja published a second edition of his book, this one entitled Inventario de Guitarreros Granadinos, (1875-1983), in conjunction with the 11th Congresso Nacional de Actividades Flamencas in Granada in 1983. Mairants was in attendance, met Rioja, and returned to England to publish the two-part article “Granada: City of Guitar Makers” in the March/April and May/June issues of “Classical Guitar” magazine (pages 71-74 and 59-60, respectively). Like Roberts’ article seven years earlier, Mairants covers Rioja’s now extended list of Granada luthiers. While not using the term “Granada School”, Mairants opts instead to use “pupils of the House of Ferrer”, “the school of Ferrer”, and “the Ferrer school”.
The aforementioned George Clinton returned to Granada in 1988 for a week’s visit, thereafter writing a series of twelve articles entitled “Escuela Granadina de Luthiers” (The Granada School of Luthiers) in “Guitar International” magazine from September 1988 through 1989. Not merely parroting Rioja’s term, Clinton instead was referring to an actual organization called the Escuela. In his words, “The Escuela was formed in 1987—in truth to bureaucratize an already close association—and comprises twelve makers” (namely, Antonio Marín Montero, José Lopez Bellido, Juan Miguel Carmona, Rafael Moreno, Germán Pérez Barranco, Antonio Raya Pardo, José Marín Plazuelo, Manuel Diaz, Bernd Martin, René Baarslag, and Jonathan Hinves). In addition to his introductory article, essays in future issues were each devoted to one of the makers (save Manuel Diaz, who was unavailable). Each essay bore the main title, “Escuela Granadina de Luthiers”.
Clinton was the first to define the Escuela vis-à-vis the Madrid (i.e. Ramirez) “School” of builders. He states, “As a school, the present makers share several characteristics…”. He then goes on to list:
1. smaller plantilla
2. built up from the top
3. Spruce tops
4. Top domed on solera
5. Torres type strutting (usually 7)
6. Peones instead of continuous lining
7. 650mm scale length
8. Mosaic rosette construction technique
9. French polish finish
A year later, in 1990, Lisa Hurlong (aka “Lisa de Granada”) published her article on select Granada makers, after having purchased an Antonio Marín Montero while on a concert trip to Granada in 1979, and having reacquainted herself with Granada in 1984. The article, “Guitarra Granada Ole” appeared in the summer, 1990, issue of “Soundboard” magazine (pages 14-21), and covered Antonio Marín Montero, José Marín Plazuelo, René Baarslag, José Lopez Bellido, Jonathan Hinves, and Bernd Martin. (Later, in the winter, 1992, issue of “American Lutherie”, she covered Antonio Raya Pardo in a separate article). Nowhere in her writings, however, does Lisa de Granada use the term “Granada School”.
John Huber’s book, The Development of the Modern Guitar (Bold Strummer, 1991, and second edition, 1994), is careful to use the term “Granada School” in double quotes, as does Kenny Hill in his 2001 essay, “Visit to Legendary Granada” on his website.
In summary, then, it would appear that “Granada School” as a term in English has its origin in print in a translation of the 1976 writings of Eusebio Rioja. An actual Granada School was formalized in 1987, and George Clinton wrote extensively about it and its makers in English from 1988-1989. (Perhaps one of our Granada contributors might enlighten us as to the fate of the Escuela as an organized body of luthiers).
Aside from the formal organization which utilized the name, “Granada School” has, it seems, come to be associated with virtually any builder in Granada whose guitars exhibit most of the characteristics that Clinton enumerated in his 1988 article. In addition, it would seem that, as Mairants insinuated, luthiers of the “Granada School” can trace their lineage of teachers back to the House of Ferrer. Unlike the “Madrid School”, where few lineages spanned more than two generations save for the House of Ramirez, in Granada we find fathers teaching sons (e.g. Manuel and Jesus Bellido, Antonio Durán and Eduardo Durán Ferrer, Antonio Raya Pardo and Antonio Raya Ferrer, and Bernd and Lucas Martin), uncles teaching nephews (e.g. Benito and Eduardo Ferrer, Antonio Marín Montero and both Paco Santiago Marín and José Marín Plazuelo), brothers teaching brothers (e.g. Manuel and José Lopez Bellido), brothers-in-law teaching brothers-in-law (e.g. José Lopez Bellido and Antonio Raya Pardo), husbands teaching wives (e.g. René Baarslag and Ana Espinosa Rodriguez), etc. Hence familiarity is literally key, with the exception of expatriates, of course. Even then, for example, Antonio Marín Montero has referred to René Baarslag as being “like a son to me”.
Cheers,
David Gansz
P.S. The renowned historian, author, luthier, and guitar dealer Richard Brune, having read the above, has contacted me and graciously shared the following information: Brook Zern, author of a regularly appearing column on the Spanish tradition of lutherie in the publication "Flamenco Information Service Library Newsletter" in 1968, having finished a multi-part series on the Madrid school, indicated that his next month's installment would be on the "Granada school". So Richard, without having actually surveyed his vast archival collection of literature on the subject for verification, believes this to be the first appearance of the term in English. Interestingly, Richard notes that, in the actual article (No. 8, Vol 1, page 3...December, 1968), Zern states, "Granada has its own group of constructors (I'd hesitate to call it a School)". I am very grateful to Richard, an acknowledged expert in these matters, for freely sharing this information with us.
-
헤드머쉰 이야기 + 외국사이트 소개
Date2008.01.19 Byanom Views10906 -
골패(?) kling on
Date2008.01.09 By콩쥐 Views10770 -
우레탄칠 질문드릴께요!
Date2008.01.08 By김영규 Views6986 -
내 "세고비아 기타"의 황당한 비밀~
Date2008.01.02 ByJS Views14355 -
기내에 기타반입.
Date2007.12.31 Bykissber Views13827 -
[re] 장력
Date2007.12.21 By콩쥐 Views6521 -
장력
Date2007.12.19 By기타쟁이 Views6061 -
오래된 기타 구경하세요~
Date2007.12.16 By수육 Views9531 -
기타사이즈 작은거함만저보고싶네
Date2007.12.10 By기타사이즈 Views8155 -
1973년 Romanillos Guitar Plan
Date2007.12.09 By고정석 Views10495 -
Carbon Fiber Cello - How It's Made
Date2007.12.09 By고정석 Views5829 -
기타의 크기 ( 현장, 넥두께, 상현주현폭 )
Date2007.12.01 By콩쥐 Views19708 -
기타재료....
Date2007.11.18 By궁굼아 Views6158 -
우리나라 아열대기후로 바뀐거 맞나봐여.
Date2007.11.02 By콩쥐 Views6380 -
롤랑디용이 쓰는 gerard audirac기타.
Date2007.10.31 By콩쥐 Views7799 -
플레타
Date2007.10.19 By흠 Views8253 -
후쿠다신이치 사용기타에 관해서...
Date2007.10.12 By정호정 Views7333 -
기타리뷰
Date2007.10.11 By훈 Views5174 -
[re] [요청] 내 악기 소개 게시판 만들어 주세요
Date2007.10.11 By초보자 Views5335 -
[요청] 내 악기 소개 게시판 만들어 주세요
Date2007.10.10 By요청 Views5819 -
쉘락칠 방법 (사진첨부, 내용보충)
Date2007.10.08 By콩가루 Views8172 -
Jose Ramirez Guitar Shop
Date2007.10.05 By라일 Views8186 -
Free Adjustable Bridge Saddle(FABS)
Date2007.10.03 By고정석 Views5480 -
angela waltner 기타제작 마스터 클래스 간단 후기♬~
Date2007.10.02 By김중훈 Views7068 -
[re] 코흐연주회 다녀왔어요.
Date2007.10.01 By콩쥐 Views5350 -
[re] 코흐연주회 다녀왔어요.
Date2007.10.01 By콩쥐 Views6844 -
코흐연주회 다녀왔어요.
Date2007.10.01 By콩쥐 Views6246 -
프리드리히의 구조적 특징은 어떤게 있을까요..
Date2007.09.30 Bybina Views6448 -
[re] 띵가띵가님의 다니엘 프리데리히.
Date2007.09.30 By콩쥐 Views6072 -
폭탄맞은 창고
Date2007.09.30 By콩쥐 Views7993 -
안겔라선생님 드뎌 우리앞에..
Date2007.09.30 By콩쥐 Views7014 -
[re] 머리
Date2007.09.20 By콩쥐 Views5377 -
[re] 나무상감.
Date2007.09.20 By콩쥐 Views6729 -
바리톤기타. 최동수님 작품.
Date2007.09.20 By콩쥐 Views9718 -
최동수님의 로맨틱기타.
Date2007.09.18 By콩쥐 Views7813 -
원목구성과 소리의 관계에 대한 가르침 원합니다
Date2007.09.17 Bysuperman Views6162 -
[re]도미니크 필드기타로 연주하시는 콕토님..
Date2007.09.12 By수 Views6192 -
싸인하는 도미니크 필드.
Date2007.09.12 By수 Views7955 -
짧은현장악기 이런 디자인은 어떨까요?
Date2007.09.11 By최병욱 Views6573 -
채문식선생님 기타공방 싸이트 (참고하세요)
Date2007.09.03 By초보궁금이 Views7384 -
사이좋은 그레고리오 형제
Date2007.08.28 By그레고리오 Views5680 -
1년 걸려 부쉐 모델로 Gregorio 2호 완성했어요
Date2007.08.28 By그레고리오 Views8522 -
그새 또 지팡이기타 만드셧네여.
Date2007.08.20 By콩쥐 Views6847 -
[re] 리 지에 .. 기타 말입니다.. 음..
Date2007.08.20 ByOrp Views4286 -
[re] 밤케이스와 바우사체케이스
Date2007.07.30 By콩쥐 Views7970 -
또레스는 역시.
Date2007.07.30 By콩쥐 Views8099 -
[re] 못난이 납작복숭아를......
Date2007.07.28 By콩쥐 Views6373 -
[re] 바게뜨빵과 세느강...
Date2007.07.27 By콩쥐 Views5412 -
[re] 산티아고와 함께..
Date2007.07.27 By콩쥐 Views5333 -
[re] 바로쎌로나의 부엌...보께리아
Date2007.07.27 By콩쥐 Views5336 -
[re] 파리 하지절축제(solidays)
Date2007.07.27 By콩쥐 Views5172 -
[re] L'auditori 카탈루냐.
Date2007.07.27 By콩쥐 Views5270 -
[re] 바로셀로나의 palau de la musica 공연장.....
Date2007.07.27 By콩쥐 Views5818 -
[re] casa luthier 바로셀로나 기타전문점.....
Date2007.07.27 By콩쥐 Views7770 -
하우저작업실에서....
Date2007.07.27 By콩쥐 Views7916 -
인도의 악기들 - 조오지 헤리슨과 시타르
Date2007.07.18 By항해사 Views6340 -
글 허접 번역 ㅋㅋ
Date2007.07.06 By복숭아 boy Views4708 -
독일의 명장 탐방기 2편 - 헤르만과 브라만 2.
Date2007.06.27 ByRobin Views10122 -
미야모토 김빠치 1937년 42호 작품을 복각품 수준으로 제작하셨습니다.
Date2007.06.26 By스님 Views7898 -
질문 있읍니다~~~
Date2007.06.25 By아이모레스 Views5223 -
독일의 명장 탐방기 2편 - 헤르만과 브라만 1.
Date2007.06.25 By로빈 Views8556 -
[re]1.Dieter Hense 편 - 추가사진
Date2007.06.20 ByRobin Views6511 -
[re]1.Dieter Hense 편 - 추가사진
Date2007.06.20 ByRobin Views8275 -
[re]1.Dieter Hense 편 - 추가사진
Date2007.06.20 ByRobin Views5672 -
[re]1.Dieter Hense 편 - 추가사진
Date2007.06.20 ByRobin Views6462 -
독일의 명장 탐방기 - 1.Dieter Hense 편
Date2007.06.20 ByRobin Views8798 -
dominique field in paris.
Date2007.06.20 Bysoo Views8417 -
라미네스 공방앞에서...
Date2007.06.19 BySG guitarra Views8097 -
중국 기타 공장(공방아닙니다.)인데...
Date2007.06.15 By밀롱가. Views7730 -
손톱손질용 버퍼모음
Date2007.06.14 By손톱손질 Views8714 -
스페인에서 앙휄과 함께 ^^
Date2007.05.25 BySG guitarra Views6777 -
기타의 수명에 관한 토론글입니다.(알마기타 펌)
Date2007.05.16 By무저갱 Views13312 -
[re] 바이스를 위해 탄생한 13현 아치기타
Date2007.05.01 By산골스트링즈 Views5457 -
바이스를 위해 탄생한 13현 아치기타
Date2007.05.01 By산골스트링즈 Views7062 -
프렛계산 엑셀표
Date2007.03.11 By강나루 Views7280 -
[re]기타사진 - 태양의 문양
Date2007.02.13 By새솔 Views6932 -
[re] 기타 사진 (앞쪽)
Date2007.02.13 By새솔 Views5155 -
마르비 제작클래스 이야기 - 에필로그
Date2007.02.13 By새솔 Views6043 -
마르비 제작클래스 이야기 - 성실한 마르비
Date2007.02.06 By새솔 Views5574 -
마르비 제작클래스 이야기 - 기타의 재료에 대해서
Date2007.02.05 By새솔 Views5886 -
마르비 제작클래스 이야기- 기타제작과정
Date2007.02.02 By새솔 Views5240 -
마츠무라선생님과...
Date2007.02.02 BySG guitarra Views5744 -
마르비 제작클래스 이야기 - 기타의 스타일
Date2007.02.01 By새솔 Views5698 -
스몰맨과 마티가 애용한다는 케이스
Date2007.02.01 Bykissber Views7240 -
마르비 제작클래스 이야기 - 프롤로그
Date2007.01.31 By새솔 Views5386 -
콘트레라스
Date2007.01.18 By아무개 Views5543 -
줄을 갈다 생각난건데..
Date2007.01.18 Bykorman Views5462 -
[re] 42현 피카소기타
Date2007.01.14 By조성찬 Views5198 -
42현 피카소기타
Date2007.01.08 ByAmigo Views8880 -
기타를 항공으로 보내는방법.
Date2007.01.07 By수 Views5890 -
Graf Tuning Maschine.
Date2007.01.07 Bykissber Views5671 -
[기타사진] 2004 Traugott 8-String(각각다른 현장길이..)
Date2006.12.25 By아드미라 Views5776 -
[기타사진] Phil Green의 커스텀 전기 클래식 기타..
Date2006.12.25 By아드미라 Views5534 -
[기타사진] 강한액션과 장력을...위해서?
Date2006.12.25 By아드미라 Views6786 -
기타에이드에 관한 안내글.
Date2006.12.22 By콩쥐 Views5458 -
이거이 뭐하는데 쓰는 물건인공???
Date2006.12.17 By쏠레아 Views7753 -
기타가 손상되는 가장 많은 원인들.
Date2006.12.16 ByJason Views9636 -
브릿지 하현주에서 나는 잡음에대해..
Date2006.12.13 ByJoDaC Views5371 -
숯을 이용한 기타보관 침대~~
Date2006.12.12 By스타 Views6476 -
나의 습도 유지방법(계속)
Date2006.12.12 Byphr Views6674
Designed by sketchbooks.co.kr / sketchbook5 board skin
Sketchbook5, 스케치북5
Sketchbook5, 스케치북5
Sketchbook5, 스케치북5
Sketchbook5, 스케치북5