기타살롱의 리브라님의 글 퍼왔습니다..
..................................................................
델캄프 포럼에 재미있는 글이 있어서 가져왔습니다.
가계도도 있네요.^^
In an earlier thread the question of a “Granada School” of builders was raised, leading to heated discussion regarding whether the term holds realistically meaningful validity. Now that passions have subsided, and without wishing to take a side in the matter, I’d like to share my understanding of the term strictly as evidenced by a chronological overview of the historical record. Perhaps this background information will help others elucidate their positions.
Evidently the first coinage of the term “Granada School” in English may be attributed to a translation of words by Eusebio Rioja, who published the book Inventario de Guitarreros Granadinos, (1875-1975) in 1976. George Clinton and John Roberts (Editor and History Columnist of the English magazine “Guitar”, respectively), visited Granada in 1976 and Roberts, as a result, published an article entitled “The Guitar in Granada” in the February, 1977 issue (pages 9-11). Roberts quotes from it extensively (in his own translation) in his article, and specifically quotes Rioja’s phrase in the introduction, "la escuela guitarrera granadina", as “the Granada School of makers”. Roberts then goes on to cover Rioja’s list of Granada makers.
Ivor Mairants, the English jazz guitarist and classical enthusiast turned guitar dealer (who was importing and selling guitars by Antonio Marín Montero, Manuel Bellido, and Antonio Raya Pardo among others already), covered six “Guitarreros of Granada” in his 1980 book My Fifty Fretting Years (pages 356-357) without using the term, however.
Rioja published a second edition of his book, this one entitled Inventario de Guitarreros Granadinos, (1875-1983), in conjunction with the 11th Congresso Nacional de Actividades Flamencas in Granada in 1983. Mairants was in attendance, met Rioja, and returned to England to publish the two-part article “Granada: City of Guitar Makers” in the March/April and May/June issues of “Classical Guitar” magazine (pages 71-74 and 59-60, respectively). Like Roberts’ article seven years earlier, Mairants covers Rioja’s now extended list of Granada luthiers. While not using the term “Granada School”, Mairants opts instead to use “pupils of the House of Ferrer”, “the school of Ferrer”, and “the Ferrer school”.
The aforementioned George Clinton returned to Granada in 1988 for a week’s visit, thereafter writing a series of twelve articles entitled “Escuela Granadina de Luthiers” (The Granada School of Luthiers) in “Guitar International” magazine from September 1988 through 1989. Not merely parroting Rioja’s term, Clinton instead was referring to an actual organization called the Escuela. In his words, “The Escuela was formed in 1987—in truth to bureaucratize an already close association—and comprises twelve makers” (namely, Antonio Marín Montero, José Lopez Bellido, Juan Miguel Carmona, Rafael Moreno, Germán Pérez Barranco, Antonio Raya Pardo, José Marín Plazuelo, Manuel Diaz, Bernd Martin, René Baarslag, and Jonathan Hinves). In addition to his introductory article, essays in future issues were each devoted to one of the makers (save Manuel Diaz, who was unavailable). Each essay bore the main title, “Escuela Granadina de Luthiers”.
Clinton was the first to define the Escuela vis-à-vis the Madrid (i.e. Ramirez) “School” of builders. He states, “As a school, the present makers share several characteristics…”. He then goes on to list:
1. smaller plantilla
2. built up from the top
3. Spruce tops
4. Top domed on solera
5. Torres type strutting (usually 7)
6. Peones instead of continuous lining
7. 650mm scale length
8. Mosaic rosette construction technique
9. French polish finish
A year later, in 1990, Lisa Hurlong (aka “Lisa de Granada”) published her article on select Granada makers, after having purchased an Antonio Marín Montero while on a concert trip to Granada in 1979, and having reacquainted herself with Granada in 1984. The article, “Guitarra Granada Ole” appeared in the summer, 1990, issue of “Soundboard” magazine (pages 14-21), and covered Antonio Marín Montero, José Marín Plazuelo, René Baarslag, José Lopez Bellido, Jonathan Hinves, and Bernd Martin. (Later, in the winter, 1992, issue of “American Lutherie”, she covered Antonio Raya Pardo in a separate article). Nowhere in her writings, however, does Lisa de Granada use the term “Granada School”.
John Huber’s book, The Development of the Modern Guitar (Bold Strummer, 1991, and second edition, 1994), is careful to use the term “Granada School” in double quotes, as does Kenny Hill in his 2001 essay, “Visit to Legendary Granada” on his website.
In summary, then, it would appear that “Granada School” as a term in English has its origin in print in a translation of the 1976 writings of Eusebio Rioja. An actual Granada School was formalized in 1987, and George Clinton wrote extensively about it and its makers in English from 1988-1989. (Perhaps one of our Granada contributors might enlighten us as to the fate of the Escuela as an organized body of luthiers).
Aside from the formal organization which utilized the name, “Granada School” has, it seems, come to be associated with virtually any builder in Granada whose guitars exhibit most of the characteristics that Clinton enumerated in his 1988 article. In addition, it would seem that, as Mairants insinuated, luthiers of the “Granada School” can trace their lineage of teachers back to the House of Ferrer. Unlike the “Madrid School”, where few lineages spanned more than two generations save for the House of Ramirez, in Granada we find fathers teaching sons (e.g. Manuel and Jesus Bellido, Antonio Durán and Eduardo Durán Ferrer, Antonio Raya Pardo and Antonio Raya Ferrer, and Bernd and Lucas Martin), uncles teaching nephews (e.g. Benito and Eduardo Ferrer, Antonio Marín Montero and both Paco Santiago Marín and José Marín Plazuelo), brothers teaching brothers (e.g. Manuel and José Lopez Bellido), brothers-in-law teaching brothers-in-law (e.g. José Lopez Bellido and Antonio Raya Pardo), husbands teaching wives (e.g. René Baarslag and Ana Espinosa Rodriguez), etc. Hence familiarity is literally key, with the exception of expatriates, of course. Even then, for example, Antonio Marín Montero has referred to René Baarslag as being “like a son to me”.
Cheers,
David Gansz
P.S. The renowned historian, author, luthier, and guitar dealer Richard Brune, having read the above, has contacted me and graciously shared the following information: Brook Zern, author of a regularly appearing column on the Spanish tradition of lutherie in the publication "Flamenco Information Service Library Newsletter" in 1968, having finished a multi-part series on the Madrid school, indicated that his next month's installment would be on the "Granada school". So Richard, without having actually surveyed his vast archival collection of literature on the subject for verification, believes this to be the first appearance of the term in English. Interestingly, Richard notes that, in the actual article (No. 8, Vol 1, page 3...December, 1968), Zern states, "Granada has its own group of constructors (I'd hesitate to call it a School)". I am very grateful to Richard, an acknowledged expert in these matters, for freely sharing this information with us.
-
Read More
Anders Miolin이 연주하는 The 13-string Chiavi-Miolin Guitar
Date2011.02.18 By고정석 Views26188 -
Read More
황칠 도료 제품 등장
Date2011.04.03 By보리 Views22304 -
Read More
tornavoz 이용으로 음색의 변화동영상
Date2011.04.28 By쥐언니 Views18622 -
Read More
2홀 슈퍼칩
Date2011.05.12 By리브라 Views21000 -
Read More
[re] 하카란다 꽃
Date2011.05.17 By파라디소 Views15229 -
Read More
[re] 하카란다 꽃의 근접사진 디테일
Date2011.05.18 By조국건 Views19370 -
Read More
하카란다 꽃
Date2011.05.15 By조국건 Views25311 -
Read More
클래식기타 에 사용할 온습도계 추천좀 부탁드립니다~
Date2011.05.19 By케이스삽니다 Views21664 -
Read More
그것을알고싶다! 하카란다(최종판)
Date2011.05.23 By조국건 Views30623 -
Read More
헐거워진 프렛
Date2011.06.18 By리브라 Views20892 -
Read More
시거 박스 기타(Cigar Box Guitars)
Date2011.07.13 By고정석 Views24815 -
Read More
GFA 2011 Luthier's Showcase
Date2011.07.17 Byjfs Views21317 -
Read More
기타 제작..
Date2011.10.24 By가람 Views21955 -
Read More
Agustin Barrios' original guitar (1914)
Date2011.10.25 By고정석 Views21194 -
Read More
바리오스 망고레의 기타
Date2011.10.24 By훈 Views22565 -
Read More
Professional guitarists: their guitars - 1
Date2011.10.25 By리브라 Views29733 -
Read More
Professional guitarists: their guitars - 2
Date2011.10.25 By리브라 Views23334 -
Read More
댓글 퍼왔어요
Date2011.09.18 By언니 Views22449 -
Read More
드디어 기타를 바꾸었읍니다 (베르나베 기타...)
Date2011.10.31 By김브림 Views24654 -
Read More
넥, 지판가공.. 제작자님들 조언 구합니다...
Date2011.11.04 By김성일 Views20851 -
Read More
Andres Marin 모델 기타
Date2011.11.13 By최동수 Views20793 -
Read More
FTA와 guitar
Date2011.11.29 By== Views21672 -
Read More
탄소 섬유로 만든 기타
Date2011.12.02 Bycf Views25426 -
Read More
Scott Tennant가 연주하는 Daniel Friederich 기타
Date2011.12.06 Byscdj Views20080 -
Read More
이병우씨 듀얼기타!!ㅋㅋ
Date2012.02.07 By은찬아빠 Views24456 -
Read More
자연스런 습도유지.
Date2012.01.21 By수 Views24227 -
Read More
간단한 댐핏 만들기
Date2012.01.04 By리브라 Views27401 -
Read More
책 안내 - "기타 명기와 명장"
Date2012.02.14 By비우자 Views20272 -
Read More
기타의 성능 (jeffrey elliot)
Date2012.04.09 By수 Views16425 -
Read More
스트링 게이지와 음정 관계
Date2012.04.09 By와일드프론티어 Views17368 -
Read More
기타 모델링
Date2012.04.10 By이동혁 Views20684 -
Read More
오일바니쉬...
Date2012.04.25 By다울랜드.. Views26818 -
Read More
발 받침대 한컷
Date2012.05.12 By대건안드레아 Views22620 -
Read More
헬름홀츠의 공기공명
Date2012.06.08 By최동수 Views23483 -
Read More
현장이 짧은 기타에 대하여-1
Date2012.06.10 By최동수 Views24114 -
Read More
현장이 짧은 기타에 대하여-2
Date2012.06.11 By최동수 Views22847 -
Read More
클래식기타 컬렉션 2008
Date2012.06.12 By리브라 Views21038 -
Read More
특별한 기타.....음향반사판기타
Date2012.06.02 By콩쥐 Views25467 -
Read More
실험정신(공명)
Date2012.06.04 By제갈공명 Views20612 -
Read More
공명은 음을 확대하는가?
Date2012.06.04 ByEchoOff Views23500 -
Read More
기타와 초음파진단기
Date2012.06.12 By돌파리 Views18375 -
Read More
기타의 공명은 제갈공명인가?
Date2012.06.14 By돌모기 Views21073 -
Read More
사운드홀의 비밀
Date2012.06.14 By돌바퀴 Views26084 -
Read More
왜 4번줄만 끊어지는가?
Date2012.06.15 By돌빈대 Views26656 -
Read More
세계적인 기타제작가 액자 전달식
Date2012.06.30 By대건안드레아 Views17287 -
Read More
최동수 선생님이 새로 만드신 총 기타...
Date2012.06.30 By대건안드레아 Views22611 -
Read More
최동수 선생님이 만드신 지팽이 기타.....
Date2012.07.01 By대건안드레아 Views22768 -
Read More
황칠
Date2012.07.05 By수 Views21819 -
Read More
에르고 플레이 고무압착기 오래 쓰는 방법
Date2012.09.03 By피날레 Views18950 -
Read More
재미있는 기타 입니다....
Date2012.09.16 By대건안드레아 Views21955 -
Read More
스페인 제작자
Date2012.10.01 By수 Views22529 -
Read More
대전 국제기타페스티벌 기타전시회 관람기
Date2012.10.15 By스테레오 Views17079 -
Read More
슈퍼칩(string tie)
Date2012.11.29 Bygitarre Views21499 -
Read More
최동수선생님 악기 탐방!
Date2012.12.11 By이호성 Views19869 -
Read More
태평양 건너온 귀한물건 입니다.
Date2013.01.09 By프리덤 Views20814 -
Read More
리사이틀 박스
Date2013.02.05 By리브라 Views17941 -
Read More
라미레즈-통념과 사실
Date2013.05.24 By리브라 Views17196 -
Read More
기타 전문잡지 오르페오 창간호
Date2013.05.30 By오리베 Views18745 -
Read More
<나의 음악 이야기>-페이스북 연재-섬소년
Date2013.06.07 By섬소년 Views15344 -
Read More
기타 명기(名器)와 명장(名匠)들 2권
Date2013.06.07 Byprophet Views18151 -
Read More
Resonances.......fritz mueller
Date2013.07.31 By콩쥐 Views26822 -
Read More
기타현의 장력 비교.
Date2013.08.22 By언니 Views18658 -
Read More
Razon 프렛 계산방식
Date2013.08.23 By콩쥐 Views15710 -
Read More
최동수님 2013년 9월에 완성될기타 훔쳐보기....
Date2013.08.24 By기타바이러스 Views22631 -
Read More
특이한 디자인 기타 (최동수선생님 봐주세요 ㅎ)
Date2013.08.25 By프렛 Views23889 -
Read More
라미레즈 기타에 대하여
Date2013.09.13 By최동수 Views29023 -
Read More
1962 Classical guitar by Robert Bouchet_Brompton's 경매회사
Date2013.10.19 Byguitarguitar Views15521 -
Read More
고딘VS야마하사일런트 비교 영상 링크~
Date2014.01.20 By김마적 Views17252 -
Read More
하카란다
Date2014.06.03 By언니 Views17284 -
Read More
로만일료스 동영상
Date2014.07.03 By콩쥐 Views13773 -
Read More
기타 구경하세요-1
Date2014.07.03 By최동수 Views16049 -
Read More
기타 구경하세요 -2
Date2014.07.03 By최동수 Views17186 -
Read More
스피커 기타
Date2015.03.11 By최동수 기타 Views14708 -
Read More
부산국제악기제작가페스티벌 PT 동영상 자료
Date2015.06.02 By정천식 Views12960 -
Read More
granada school
Date2015.08.03 By수 Views11249 -
Read More
플라멩꼬 기타 제작
Date2015.08.03 By콩쥐 Views12044 -
Read More
류트 공방에서의 영상
Date2015.08.03 By콩쥐 Views11316 -
Read More
마누엘 벨라스케즈 다큐멘터리
Date2015.08.03 By콩쥐 Views12602 -
Read More
마사키 사쿠라이 다큐멘터리
Date2015.08.03 By콩쥐 Views11647 -
Read More
Regis Bonilha - Luthier
Date2015.08.04 By콩쥐 Views12321 -
Read More
최동수선생님 최근 제작 악기 소개
Date2015.08.08 By기타바이러스 Views15494 -
Read More
Build a Guitar 비디오
Date2015.09.29 By콩쥐 Views11414 -
Read More
기타현에 대한 글
Date2015.11.23 By콩쥐 Views12889 -
Read More
통기타 리뷰 진짜 제대로 해주네요
Date2015.11.26 By흙바람 Views12897 -
Read More
Koh Jeongseock No. 6
Date2015.12.06 By고정석 Views14336 -
Read More
Andrea Tacchi 기타제작 동영상
Date2015.12.11 By콩쥐 Views12612 -
Read More
Alma guitar 김희홍 KBS 문화현장
Date2016.02.19 By시골농부 Views12823 -
Read More
화성학과 애드립을 위한 교재!
Date2016.04.02 Bymg7732 Views13835 -
Read More
최동수선생님 류트 기타 제작기!
Date2016.05.02 By기타바이러스 Views16442 -
Read More
그라나다 기타계보
Date2016.05.09 By수 Views16478 -
Read More
쌍둥이 리라 기타
Date2016.05.11 By최동수 기타 Views13404 -
Read More
목재정보
Date2016.05.30 By수 Views11597 -
Read More
Koh Jeongseock No. 7
Date2016.06.16 By고정석 Views11232 -
Read More
Pablo Villegas 의 기타
Date2016.06.24 By해송 Views16555 -
Read More
최동수선생님 4번째 리라기타 제작기
Date2016.06.24 By기타바이러스 Views11722 -
Read More
Herman Hauser 1세
Date2016.06.25 Byganesha Views12114 -
Read More
세고비아의 라미레즈
Date2016.06.25 Byganesha Views14076 -
Read More
리라 기타에 대하여
Date2016.07.02 By최동수 기타 Views13120 -
Read More
기타평가의 기준. ... 프리드리히.
Date2016.08.08 By수 Views13497 -
Read More
최동수 제작가님 최근 작품!
Date2016.12.08 By기타바이러스 Views12302
Designed by sketchbooks.co.kr / sketchbook5 board skin
Sketchbook5, 스케치북5
Sketchbook5, 스케치북5
Sketchbook5, 스케치북5
Sketchbook5, 스케치북5