기타살롱의 리브라님의 글 퍼왔습니다..
..................................................................
델캄프 포럼에 재미있는 글이 있어서 가져왔습니다.
가계도도 있네요.^^
In an earlier thread the question of a “Granada School” of builders was raised, leading to heated discussion regarding whether the term holds realistically meaningful validity. Now that passions have subsided, and without wishing to take a side in the matter, I’d like to share my understanding of the term strictly as evidenced by a chronological overview of the historical record. Perhaps this background information will help others elucidate their positions.
Evidently the first coinage of the term “Granada School” in English may be attributed to a translation of words by Eusebio Rioja, who published the book Inventario de Guitarreros Granadinos, (1875-1975) in 1976. George Clinton and John Roberts (Editor and History Columnist of the English magazine “Guitar”, respectively), visited Granada in 1976 and Roberts, as a result, published an article entitled “The Guitar in Granada” in the February, 1977 issue (pages 9-11). Roberts quotes from it extensively (in his own translation) in his article, and specifically quotes Rioja’s phrase in the introduction, "la escuela guitarrera granadina", as “the Granada School of makers”. Roberts then goes on to cover Rioja’s list of Granada makers.
Ivor Mairants, the English jazz guitarist and classical enthusiast turned guitar dealer (who was importing and selling guitars by Antonio Marín Montero, Manuel Bellido, and Antonio Raya Pardo among others already), covered six “Guitarreros of Granada” in his 1980 book My Fifty Fretting Years (pages 356-357) without using the term, however.
Rioja published a second edition of his book, this one entitled Inventario de Guitarreros Granadinos, (1875-1983), in conjunction with the 11th Congresso Nacional de Actividades Flamencas in Granada in 1983. Mairants was in attendance, met Rioja, and returned to England to publish the two-part article “Granada: City of Guitar Makers” in the March/April and May/June issues of “Classical Guitar” magazine (pages 71-74 and 59-60, respectively). Like Roberts’ article seven years earlier, Mairants covers Rioja’s now extended list of Granada luthiers. While not using the term “Granada School”, Mairants opts instead to use “pupils of the House of Ferrer”, “the school of Ferrer”, and “the Ferrer school”.
The aforementioned George Clinton returned to Granada in 1988 for a week’s visit, thereafter writing a series of twelve articles entitled “Escuela Granadina de Luthiers” (The Granada School of Luthiers) in “Guitar International” magazine from September 1988 through 1989. Not merely parroting Rioja’s term, Clinton instead was referring to an actual organization called the Escuela. In his words, “The Escuela was formed in 1987—in truth to bureaucratize an already close association—and comprises twelve makers” (namely, Antonio Marín Montero, José Lopez Bellido, Juan Miguel Carmona, Rafael Moreno, Germán Pérez Barranco, Antonio Raya Pardo, José Marín Plazuelo, Manuel Diaz, Bernd Martin, René Baarslag, and Jonathan Hinves). In addition to his introductory article, essays in future issues were each devoted to one of the makers (save Manuel Diaz, who was unavailable). Each essay bore the main title, “Escuela Granadina de Luthiers”.
Clinton was the first to define the Escuela vis-à-vis the Madrid (i.e. Ramirez) “School” of builders. He states, “As a school, the present makers share several characteristics…”. He then goes on to list:
1. smaller plantilla
2. built up from the top
3. Spruce tops
4. Top domed on solera
5. Torres type strutting (usually 7)
6. Peones instead of continuous lining
7. 650mm scale length
8. Mosaic rosette construction technique
9. French polish finish
A year later, in 1990, Lisa Hurlong (aka “Lisa de Granada”) published her article on select Granada makers, after having purchased an Antonio Marín Montero while on a concert trip to Granada in 1979, and having reacquainted herself with Granada in 1984. The article, “Guitarra Granada Ole” appeared in the summer, 1990, issue of “Soundboard” magazine (pages 14-21), and covered Antonio Marín Montero, José Marín Plazuelo, René Baarslag, José Lopez Bellido, Jonathan Hinves, and Bernd Martin. (Later, in the winter, 1992, issue of “American Lutherie”, she covered Antonio Raya Pardo in a separate article). Nowhere in her writings, however, does Lisa de Granada use the term “Granada School”.
John Huber’s book, The Development of the Modern Guitar (Bold Strummer, 1991, and second edition, 1994), is careful to use the term “Granada School” in double quotes, as does Kenny Hill in his 2001 essay, “Visit to Legendary Granada” on his website.
In summary, then, it would appear that “Granada School” as a term in English has its origin in print in a translation of the 1976 writings of Eusebio Rioja. An actual Granada School was formalized in 1987, and George Clinton wrote extensively about it and its makers in English from 1988-1989. (Perhaps one of our Granada contributors might enlighten us as to the fate of the Escuela as an organized body of luthiers).
Aside from the formal organization which utilized the name, “Granada School” has, it seems, come to be associated with virtually any builder in Granada whose guitars exhibit most of the characteristics that Clinton enumerated in his 1988 article. In addition, it would seem that, as Mairants insinuated, luthiers of the “Granada School” can trace their lineage of teachers back to the House of Ferrer. Unlike the “Madrid School”, where few lineages spanned more than two generations save for the House of Ramirez, in Granada we find fathers teaching sons (e.g. Manuel and Jesus Bellido, Antonio Durán and Eduardo Durán Ferrer, Antonio Raya Pardo and Antonio Raya Ferrer, and Bernd and Lucas Martin), uncles teaching nephews (e.g. Benito and Eduardo Ferrer, Antonio Marín Montero and both Paco Santiago Marín and José Marín Plazuelo), brothers teaching brothers (e.g. Manuel and José Lopez Bellido), brothers-in-law teaching brothers-in-law (e.g. José Lopez Bellido and Antonio Raya Pardo), husbands teaching wives (e.g. René Baarslag and Ana Espinosa Rodriguez), etc. Hence familiarity is literally key, with the exception of expatriates, of course. Even then, for example, Antonio Marín Montero has referred to René Baarslag as being “like a son to me”.
Cheers,
David Gansz
P.S. The renowned historian, author, luthier, and guitar dealer Richard Brune, having read the above, has contacted me and graciously shared the following information: Brook Zern, author of a regularly appearing column on the Spanish tradition of lutherie in the publication "Flamenco Information Service Library Newsletter" in 1968, having finished a multi-part series on the Madrid school, indicated that his next month's installment would be on the "Granada school". So Richard, without having actually surveyed his vast archival collection of literature on the subject for verification, believes this to be the first appearance of the term in English. Interestingly, Richard notes that, in the actual article (No. 8, Vol 1, page 3...December, 1968), Zern states, "Granada has its own group of constructors (I'd hesitate to call it a School)". I am very grateful to Richard, an acknowledged expert in these matters, for freely sharing this information with us.
번호 | 제목 | 글쓴이 | 날짜 | 조회 수 |
---|---|---|---|---|
1742 | [ 로메로가의 기타] | 말괄량이 | 2000.05.30 | 10593 |
1741 | 조나단 힌베스.... 1 | 고형석 | 2000.05.30 | 11905 |
1740 | Jonathan Hinves 둘.... | 고형석 | 2000.05.31 | 12887 |
1739 | 비브라토 기타. | 귀똘이 | 2000.06.07 | 9500 |
1738 | 기타의 재료는 꼭 나무이어야만 하는가? | CC | 2000.06.08 | 10646 |
1737 | 야광기타. | 귀똘이 | 2000.06.09 | 10777 |
1736 | acoustic port design.......ruck invention. | 말괄량이 | 2000.06.10 | 11356 |
1735 | 스프러스 아이힝거에 대해... | 고형석 | 2000.06.11 | 10435 |
1734 | ☞:구멍많은 기타들.... | CC | 2000.06.11 | 10966 |
1733 | 기타의 순결? | 말괄량이 | 2000.06.12 | 9709 |
1732 | ☞:스프러스 아이힝거에 대해... | 고형석 | 2000.06.12 | 11027 |
1731 | 홀에 대해서 질문... | 몽자삼촌 | 2000.06.12 | 10305 |
1730 | ☞:꼬벨라리가???? | 고형석 | 2000.06.12 | 10695 |
1729 | 탄현에너지의 분산에 관하여... | 명노창 | 2000.06.12 | 9388 |
1728 | ☞:홀에 대해서 질문... | 몽자삼촌 | 2000.06.12 | 9761 |
1727 | ☞:탄현에너지의 분산에 관하여... | hiena | 2000.06.12 | 10212 |
1726 | 스페인식 vs 독일식. | 풀만먹고. | 2000.06.13 | 10536 |
1725 | 그런데 고노도 독일식기탄가요.... | 명노창 | 2000.06.13 | 9096 |
1724 | 그런데 고노도 독일식기탄가요.... | 풀만먹고. | 2000.06.13 | 9156 |
1723 | 독일식 스페인식. | 풀만먹고. | 2000.06.13 | 9206 |
1722 | 꼬벨라리 자살한지 한참됬는데..... | 명노창 | 2000.06.14 | 10411 |
1721 | ☞:홀에 대해서 질문... | cc | 2000.06.14 | 9874 |
1720 | ☞:탄현에너지의 분산에 관하여... | cc | 2000.06.14 | 10127 |
1719 | ☞:홀에 대해서 질문... | cc | 2000.06.14 | 9258 |
1718 | f홀 기타..... | 말괄량이 | 2000.06.15 | 10959 |
1717 | ☞:홀에 대해서 질문... | bronto | 2000.06.15 | 8477 |
1716 | 자꾸 남의 글에 re해서 죄송합니다..... | cc | 2000.06.16 | 12575 |
1715 | 소리로 앞판 건조 시킨다면서요? | 말괄량이 | 2000.06.17 | 10288 |
1714 | 혹시 | 지우압바 | 2000.06.23 | 10044 |
1713 | 별난 기타아에 관한 몇가지 의문? | 泳瑞父 | 2000.06.24 | 8963 |
1712 | . | 웅수 | 2000.06.25 | 10263 |
1711 | 앞판 색에 관한 질문 | 泳瑞父 | 2000.06.25 | 9404 |
1710 | ☞:바이스 버거? | 지우압바 | 2000.07.01 | 11689 |
1709 | 현을 바꾸고서... | 은정 | 2000.07.04 | 10569 |
1708 | 저도 고노인데.... | 명노창 | 2000.07.04 | 10033 |
1707 | 베란다기타 실패... | 명노창 | 2000.07.04 | 9164 |
1706 | 기타만들고파~ | ganesha | 2000.07.04 | 8384 |
1705 | 내손으로 만듭시다.어떡해? | 영서부 | 2000.07.04 | 9735 |
1704 | maple 넥... | cc | 2000.07.04 | 10318 |
1703 | aaa앞판가격은.... | 명노창 | 2000.07.04 | 10418 |
1702 | ☞:weissgerber가 맞아요.. | 말괄량이 | 2000.07.04 | 8993 |
1701 | 조나단과 스프러스 아이힝거.... | 형서기 | 2000.07.05 | 9813 |
1700 | r.e.brune price | brawman | 2000.07.06 | 10995 |
1699 | cgi price. | brawman | 2000.07.06 | 11444 |
1698 | banister price. | brawman | 2000.07.06 | 10853 |
1697 | g s price. | brawman | 2000.07.06 | 11883 |
1696 | red violin | 말괄량이 | 2000.07.07 | 11557 |
1695 | 게놈기타. | 말괄량이 | 2000.07.07 | 10229 |
1694 | 그로피우스기타 , | 말괄량이 | 2000.07.07 | 10236 |
1693 | ☞:자기 악기를 바꾸는 것은 바보? | 명노창 | 2000.07.09 | 9572 |
1692 | 오홍.... | 형서기 | 2000.07.10 | 10477 |
1691 | [질문]초보자 | 강씨.. | 2000.07.10 | 10413 |
1690 | 기타를 배우시려면.... | 형서기 | 2000.07.11 | 10574 |
1689 | ☞:비밀스런 이야기는요... | 웅수 | 2000.07.12 | 9001 |
1688 | [왕초보]기타 종류에 대해 물어볼것이... | 승은 | 2000.07.12 | 9816 |
1687 | ☞:제가아는 정도 | 명노창 | 2000.07.13 | 11947 |
1686 | 허영만 만화속 기타 | 지우압바 | 2000.07.14 | 12001 |
1685 | [초보자인데]도움을 주세여... | 용남 | 2000.07.14 | 10289 |
1684 | robert bouchet | 수 | 2000.07.15 | 9873 |
1683 | robert bouchet | 수 | 2000.07.15 | 9085 |
1682 | hermann hauser | 웅수 | 2000.07.15 | 10365 |
1681 | hermann hauser | 웅수 | 2000.07.15 | 9099 |
1680 | brazilian rosewood. | 웅수 | 2000.07.15 | 14061 |
1679 | 바리오스의 기타? 2 | 웅수 | 2000.07.16 | 11476 |
1678 | 바리오스의 기타? 2 | 웅수 | 2000.07.16 | 10873 |
1677 | cg price | 웅수 | 2000.07.17 | 10787 |
1676 | ☞:aaa앞판가격은.... | 피어리나 | 2000.07.17 | 9887 |
1675 | 기타 치는 법을 제대로 알고 싶어요~ | 천상민 | 2000.07.19 | 13159 |
1674 | 브라질 제작가 명단과 주소. | 수 | 2000.07.19 | 10314 |
1673 | 미국 제작가 명단과 주소. | 수 | 2000.07.19 | 9034 |
1672 | ☞:게놈기타. | 화음 | 2000.07.21 | 9150 |
1671 | 어떤걸 사야하나? | 이병훈 | 2000.07.21 | 10395 |
1670 | 수경낭자 감사*^^* | 이병훈 | 2000.07.21 | 10010 |
1669 | 기타수리 감사하답니다.. | 형서기 | 2000.07.23 | 10126 |
1668 | 셸락이라구여? | 형서기 | 2000.07.26 | 12723 |
1667 | 명노창님께... | 김남호 | 2000.07.29 | 10248 |
1666 | 조나단 힌베스에 대한 소식하나. | 수 | 2000.07.30 | 10755 |
1665 | 명노창님께 질문 | 김남호 | 2000.07.30 | 10933 |
1664 | 줄리안 브림이 한국전에 오려 했는데... | 수 | 2000.08.01 | 10426 |
1663 | 곰발바닥아이힝어 주인임다...^^ | 쪼~옹대 | 2000.08.03 | 10126 |
1662 | 오호...갔다가 왔군... | 형서기 | 2000.08.03 | 9879 |
1661 | ☞:aaa앞판가격은.... | 명노창 | 2000.08.04 | 9694 |
1660 | ☞:안녕하세요..명노창입니다. | 명노창 | 2000.08.04 | 15273 |
1659 | ☞:안녕하세요..명노창입니다. | 명노창 | 2000.08.04 | 10391 |
1658 | ☞:안녕하세요..명노창입니다.80년대 당시 가격표 | 명노창 | 2000.08.05 | 10532 |
1657 | ☞:안녕하세요..명노창입니다.80년대 당시 고노기타가격... | 명노창 | 2000.08.05 | 11827 |
1656 | 감사합니다=^^=명노창님 | 김남호 | 2000.08.05 | 10159 |
1655 | ☞:감사합니다=^^=명노창입니다. | 명노창 | 2000.08.05 | 9863 |
1654 | 앞판은 세상에서 가장연한 나무로 그리고 옆판과 뒤판은 대리석을 얇게 짤라서.... 1 | 명노창 | 2000.08.05 | 13499 |
1653 | ☞:감사합니다=^^=명노창입니다. | 김남호 | 2000.08.06 | 10375 |
1652 | 아! 이런 사람이였구나! | 泳瑞父 | 2000.08.08 | 10360 |
1651 | 술취한 기타소리 들어는 보셨는지요? | 泳瑞父 | 2000.08.08 | 9673 |
1650 | ignacio fleta......mikulka가 연주하는 | 수 | 2000.08.08 | 12589 |
1649 | ignacio fleta......mikulka가 연주하는 | 수 | 2000.08.08 | 12144 |
1648 | ☞:곰발바닥아이힝어 햐, 존 기타구나... | cc | 2000.08.10 | 10042 |
1647 | 프랑스에는 굴러다닌다던데... | 泳瑞父 | 2000.08.10 | 10605 |
1646 | 광주 사시는 분이셨군요. | 지우압바 | 2000.08.12 | 9192 |
1645 | 광주 사시는 분이셨군요. | 김남호 | 2000.08.12 | 9161 |
1644 | 대불대에 클래식 기타아과가? 1 | 泳瑞父 | 2000.08.15 | 10217 |
1643 | 대불대에 클래식 기타아과가? | 김남호 | 2000.08.16 | 11104 |
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