이 내용은 주로 고정석님의 관심사항이므로
1994년에 Herman Hauser 3세가 미국 방문 시 인터뷰한 내용 중에서 발췌하여
원문 그대로 올립니다.
A smaller person may need a smaller measurement.
As the anatomy of people is different so the instrument must be different.
But you must not lose sound quality if you make different sizes and different bodies.
Although, my standard model is the 65cm scale, I also make scales as short as
630cm or as long as 660cm.
It has to do with ease of play, string height off the fingerboard and off the top, and so on.
The compromise starts with the wood selection.
You must find, for example, the top and back which will be the perfect compromise.
The better compromise, the better the instrument after finishing.
The subject of "smaller-bodied instrument sounds smaller or project better?"
is only thinking in the head of the guitarist.
A smaller body can have as much sound as a bigger one.
The treble strings, for example, are much better with a small body.
The best is a good compromise.
You must find a balance between a big one and a small one for each person.
Body depth is also very important. you need to understand the effects of deeper
and shallower boxes.
To explain this would take a long, long time with a lots of experiments and thinks.
[참고] : 고정석님,
칫수가 작은 기타를 일반 기타와 같은 성능으로 만드는데 대한 문제점은 별로 없으나,
연구해야 할 점은 많은 듯합니다.
하우저 방문 시 잘 상의 하셔서, 부디 명기 만드시기 바랍니다.
이 내용은 주로 고정석님의 관심사항이므로
1994년에 Herman Hauser 3세가 미국 방문 시 인터뷰한 내용 중에서 발췌하여
원문 그대로 올립니다.
A smaller person may need a smaller measurement.
As the anatomy of people is different so the instrument must be different.
But you must not lose sound quality if you make different sizes and different bodies.
Although, my standard model is the 65cm scale, I also make scales as short as
630cm or as long as 660cm.
It has to do with ease of play, string height off the fingerboard and off the top, and so on.
The compromise starts with the wood selection.
You must find, for example, the top and back which will be the perfect compromise.
The better compromise, the better the instrument after finishing.
The subject of "smaller-bodied instrument sounds smaller or project better?"
is only thinking in the head of the guitarist.
A smaller body can have as much sound as a bigger one.
The treble strings, for example, are much better with a small body.
The best is a good compromise.
You must find a balance between a big one and a small one for each person.
Body depth is also very important. you need to understand the effects of deeper
and shallower boxes.
To explain this would take a long, long time with a lots of experiments and thinks.
[참고] : 고정석님,
칫수가 작은 기타를 일반 기타와 같은 성능으로 만드는데 대한 문제점은 별로 없으나,
연구해야 할 점은 많은 듯합니다.
하우저 방문 시 잘 상의 하셔서, 부디 명기 만드시기 바랍니다.