제작자: Ramirez II / 스페인

전판: 스푸루스

측후판: Real spanish cypress

현장: 615mm (소형 기타)

넛트 폭: 47mm

판매가: 약630만원 (US$5,500.00)

이태리의 고악기 전문점의 부탁으로 올립니다.

악기에 대한 설명은 별로 필요하지 않으리라고 생각됩니다.

국내에서는 고악기에 대한 거래가 많지 않아 몇 가지 적습니다.

대부분의 경우 고악기는 음량이나 음질이 뛰어나지는 않습니다. 반면에 고악기는 음색이 독특하고 옛날 고유의 목재 울림 소리를 듣는 데는 근래에 제조된 악기가 따라갈 수 없는 경우가 많고 또한 고악기를 소유하고 있고 연주해 볼 수 있다는 이유로 구입하는 것이 바람직합니다. 맛으로 따지면 진미이기보다는 별미라는 이유로 선택해야 합니다. 고악기는 일반적으로 잘 내놓지 않으려는 경향이 있는데 약 15년 전 아르헨티나에서 불경기가 닥쳤을 때 많은 매물이 나왔고 현재는 유럽에서 유로화가 약화되어 약간의 매물이 나오고 가격도 좋은 편이라고 합니다.

본 기타에 관심이 있으시면 아래 이메일로 알려주시기 바랍니다.

판매자에게 직접 송금해서 구입할 수도 있고 필요한 경우 해외송금, 수입통관을 대행해 드릴 수도 있습니다. 이태리에서 수입하는 경우 운송비 약 25만원 및 관세 8%가 추가될 수 있습니다. 반면에 직접 구입하는 경우 약 5% 정도의 디스카운트를 해준다고 합니다.

소리 들어 보기

https://www.youtube.com/watch?v=ZSfvjGrGX_A

José Ramirez II, 1885 – 1957

José Simón Ramírez de Galarreta y Pernias was born in the year 1885. He grew up in his father's shop, where he not only learned the trade from his father, but from journeymen like his uncle Manuel, Enrique García, and Julián Gómez. Besides being a guitar-maker, he was a guitarist, and when he was 20 years old, he was hired to go on a two-year tour of South America.

He found it very difficult to convince his father to let him accept the contract, but finally he convinced him that two years was not such a long time. However, the tour was prolonged, and the two years turned into almost 20 years, when the group he traveled with had been dissolved. José stayed on in Buenos Aires where he met the girl who later would become his wife, and who had traveled from Spain to Argentina with her family. José and his wife had two children, José and Alfredo.

In 1923, he received the news of his father's death and returned to Madrid with his family. Two years later he was in charge of the Ramirez workshop on Concepcion Jerónima. He was on the first floor of the store and was assisted by Jesus Martínez, as well as Alfonso Benito and Antonio Gómez, as journeymen and Marcelo Barbero, who was still an apprentice at the time. Manuel Rodríguez nicknamed " Marequi" was there applying varnish but not as guitar-maker. His son, Manuel Rodríguez, would later become a guitar-builders apprentice.

José Ramírez II was a Maestro recognized for his work and in 1923 he participated in the Ibero-American Exhibition of Seville, where he was awarded the Gold Medal. In 1936, due to the many problems that were brought on by the Spanish civil war, he had great difficulty in getting wood and materials for the construction of guitars. This situation lasted a long time, which hindered his work considerably. These shortages were often a topic of discussion with his son, José when he became a journeyman and began to do his own experiments.

낮에는 업무 관계로 전화를 받기 곤란하므로 관심이 있으신 분은 먼저 이메일로 연락하여 주시기 바랍니다.

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